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Hans-christian Schink verkehrsprojekte Deutsche Einheit: Traffic Projects German Unity

AUTHOR: Hatje Cantz, Matthias Flugge
ISBN: 3775714251

SHORT DESCRIPTION: Empty highway bridges, gigantic concrete pillars, Intercity railway tracks--"monsters of infrastructure" devoid of humans and bathed in cool light. The theme of these striking images by Leipzig photographer Schink is the massive road-and-rail...

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Hans-christian Schink verkehrsprojekte Deutsche Einheit: Traffic Projects German Unity
- Book Review,
by Hatje Cantz, Matthias Flugge

Book Description
Empty highway bridges, gigantic concrete pillars, tracks for the Intercity railway--all devoid of humans and bathed in cool winter light. The theme of these striking images captured by Leipzig photographer Hans-Christian Schink is the massive road-and-rail infrastructure program for eastern Germany, projects designed to transform it into "flourishing landscapes." Schink’s photographs map the violent incursions into the surroundings--"monsters of infrastructure," as the German daily newspaper FAZ aptly put it--as technology has cut and sliced its way through the countryside. All scenes are shown from the pedestrian’s perspective, often at points destined to be bursting at the seams with traffic in the not-so-distant future. Yet despite the cool sobriety of these photographs, one also recognizes allusions to the landscape paintings of the Romantic period in images such as a roadbed disappearing into the distant mist. Essay by Matthias Flügge. Hardcover, 12.5 x 11 in. / 120 pgs / 50 color.


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         Book Review

Hans-christian Schink verkehrsprojekte Deutsche Einheit: Traffic Projects German Unity
- Book Reviews,
by Hatje Cantz, Matthias Flugge

Hans-Christian Schink: Traffic Projects

FROM THE PUBLISHER

Empty highway bridges, gigantic concrete pillars, tracks for the Intercity railway—all devoid of humans and bathed in cool winter light. The theme of these striking images captured by Leipzig photographer Hans-Christian Schink is the massive road-and-rail infrastructure program for eastern Germany, projects designed to transform it into "flourishing landscapes." Schink's photographs map the violent incursions into the surroundings—"monsters of infrastructure," as the German daily newspaper FAZ aptly put it—as technology has cut and sliced its way through the countryside. All scenes are shown from the pedestrian's perspective, often at points destined to be bursting at the seams with traffic in the not-so-distant future. Yet despite the cool sobriety of these photographs, one also recognizes allusions to the landscape paintings of the Romantic period in images such as a roadbed disappearing into the distant mist.

ACCREDITATION

Hans-Christian Schink was born in Erfurt, Germany, in 1961, and lives and works in Leipzig. His work has been shown in numerous solo and group exhibitions in Germany and abroad.


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