First Seen: Portraits of the World's Peoples, 1840-1870 FROM THE PUBLISHER
Within weeks of the almost simultaneous announcements of successful photographic processes in England and France, photographers set out to capture the world's peoples and races, classes and ranks, from intimate domestic portraits, to studies of the different, the exotic, the picturesque, and the unknown. Published in conjunction with a major traveling exhibition of more than 240 rare vintage images drawn from the Wilson Centre for Photography-one of the world's finest private collections-this book reveals these first encounters. The innate human fascination with other people accounts for the first daguerreotype of a Borneo tribesman by Jules Itier, the first images of the people of Madagascar by William Ellis, and Ernest Benecke's haunting images of the common people of Egypt. More formal surveys arose from the colonialist enterprise and the nineteenth-century intellectual project to understand the world through cataloguing and mapping. Photography introduced an unprecedented ability to visually record human difference precisely at the moment newly-minted sciences like ethnology, anthropology, geography, and archaeology were seeking techniques for exploring, cataloguing and classifying the physical and human world.
Kathleen Stewart Howe's essay places this extraordinary visual material into a revealing historical context by evaluating the complex relationships between photographers, their subjects, and their audiences. For many Europeans these images provided the "first seen" visual evidence of exotic ethnic populations, distant military conflicts, and the life of remote colonial outposts. As varied as the makers, subjects, and philosophies behind them, the photographs reveal the tensions of nineteenth-century society as it struggled with issues of personal and national identity; tried to correlate physical appearance to character and ability; and sought underlying human similarities in a world-view based on ethnic and racial differences.