Song of the Simple Truth: The Complete Poems of Julia de Burgos FROM THE CRITICS
Publishers Weekly
Julia de Burgos (1914-1953) looms larger than life in the literary psyche of Puerto Rico, yet, before the publication of this generous volume, only a handful of her works have appeared in the English language. Writing in the 1930s through the '50s, de Burgos was ahead of her time in grasping connections between history, the body, politics, love, self-negation and feminism that would later prove to be the foundations for writers like Rich and Plath. "Today, day of the dead, parade of shadows.../ Today, shadow among shadows, I delight in the desire/ to be Don Quijote, or Don Juan, or a bandit/ or an anarchist worker, or a great soldier." An activist, biographer and heralder of Puerto Rico's ideological landscape, de Burgos writes in an often Whitmanesque style: "Rio Grande de Loiza!...Elongate yourself in my spirit/ and let my soul lose itself in your rivulets...." Her voice is frequently harsh with pain or rebellion, especially in her love poems: "I will give you the truest note of my life./ You will give me the nothing of your lost hour." Because of the gender system of the Spanish language, the original texts reveal subtleties, such as whether a narrator is male or female, that are elusive in the translations, yet the translated poems stand as tall as de Burgos herself. The poet died alone and unidentified on a Harlem street, as she had foretold in "Poem for My Death": "To die with myself abandoned and alone,/ on the densest rock of a deserted island." This anthology, with an introduction by Agueros outlining the scant facts of de Burgos's life, has been long overdue. (Mar.)
Library Journal
Although she published only two small books of verse in her lifetime, de Burgos (1914-53) has now attained almost legendary status in her native Puerto Rico. This bilingual edition marks the first time all her known poetic works have been compiled in one volume. The translations are accurate, but their order is problematic; because it is not strictly chronological, it is difficult for the reader not only to determine which poems emanate from which original collection but also which ones were originally unpublished. The 200 short poems speak for themselves: timeless themes of love, nature, solitude, and death connect with water images as seen in her paean to the Puerto Rican river, "Rio Grande de Loiza." Her occasional feminist sentiments make her even more attractive to contemporary audiences. Recommended for all poetry collections.-Lawrence Olszewski, OCLC Lib., Dublin, Ohio
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