The Fountain Overflows (New York Review Books Classics) - Book Review,
by Rebecca West

From 500 Great Books by Women; review by Jesse Larsen Rose, the youngest daughter and perceptive narrator of The Fountain Overflows, is a mildly fictional, youthful Rebecca West. In early 1900s London, Papa, misunderstood writer and never-successful politician, goes away - again - to earn money. The children stay very busy being young, trying hard to respect, reconcile, and live with Mamma's tradition of genteel Englishness and Papa's foolishness while their worrisome - and embarrassing - poverty deepens. Mamma is discouraged but brave, "a nerve-jerked woman" able to "straighten her shoulders and cock her hat and assume the character of a smart and undefeated woman." A concert pianist turned wife and mother, she makes music a constant for her children. Rose and Mary play the piano; Cordelia performs on the violin "with the air of somebody who is being photographed," determined to make it her road to fame and fortune. The Fountain Overflows is a reader's feast of subtle, penetrating, and hilarious observations on childhood, social posturing, and anglo-saxon heritage. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14.
Book Description Though the Aubreys lives have long been clouded by their fathers genius for instability, surely his new editorial appointment in London will turn things around. Seen through the merciless, loving eyes of young Rose, one of four siblings, Rebecca Wests 1957 novel is a vital, witty, and devastating family portrait -- a brilliant re-imagining of her own volatile childhood. Remarkable for its evocation of the Edwardian age, The Fountain Overflows is every bit as penetrating as Wests great work of nonfiction Black Lamb and Grey Falcon and has a dash of the supernatural thrown in for good measure.
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