Tales To Astonish: Jack Kirby, Stan Lee, and the American Comic Book Revolution FROM THE PUBLISHER
"For fifty years, Jack Kirby drew more pages than any other comic book artist. As talented as he was prolific, Kirby was responsible for many of the best-known and most beloved superheroes in popular culture." "With his first writing partner, Joe Simon, he created Captain America, DC Comic's Sandman, and the lucrative genre of the romance comic. In the 1960s, Kirby paired with Stan Lee to develop a pantheon of heroes that included, among others, the Fantastic Four, the Incredible Hulk, the X-Men, Thor, Iron Man, the Avengers, and the Silver Surfer." "Together with Lee, this artist and writer forever changed the American comic book by introducing angst-ridden heroes, sympathetic villains, an a dynamic visual style that has influenced every artist who followed." In Tales to Astonish, Ronin Ro chronicles Kirby's poverty-stricken origins in New York's Lower East Side, his early commercial triumphs and failures, his renowned partnership with Stan Lee, his continuing artistic innovations, and his lengthy legal battles with Marvel Comics over the ownership of his original art. A portrait of one of its most enduring - and overlooked - artists, Tales to Astonish is also an account of the comic book industry, from its inauspicious origins to its sensational successes.
SYNOPSIS
Ro examines the narratives and motivations behind the artists who created what many now call novels, albeit in graphic form and populated with characters who become invisible, turn large and green, and decimate cities by mistake. He takes a novelistic approach, eschewing references and footnotes, as he shows how the culture amongst and around the comic book creators intermixed to produce works that were as careful in their emotional engineering as those written in nineteenth century Russia. He also examines how the artists sought to keep the plots and characters relevant to current events, and to retain the rights to their own work in what was, in the final analysis, a business. Annotation ©2004 Book News, Inc., Portland, OR
FROM THE CRITICS
Kirkus Reviews
Hip-hop author Ro (Have Gun Will Travel, 1998, etc.) considers the frisky comic-books industry in a history of the people of Marvel and DC Comics. His subjects might well have sprung from the fiction of Tom De Haven and Michael Chabon or the Bristol Board of Will Eisner and Ben Katchor, though one particular genius gets much of the author's attention. With sincere admiration, Ro relates the life of Jack Kirby (1917-94), considered by comic-book connoisseurs to be king of the art form. With his sometime colleague, sometime nemesis, the ubiquitous Stan Lee, looking over his shoulder, Kirby penciled thousands upon thousands of pages filled with superheroes, puissant villains, and aliens from strange worlds, all bursting their panels. Occasionally with others, but mostly alone and chomping on his Roi-Tan stogie, King Kirby created, among others, The Human Torch, Sub-Mariner, Spiderman, Silver Surfer, The Hulk, Dr. Strange, Sgt. Fury, and Capt. Victory (forget Elasti-Girl and Negative Man). At Marvel, Lee shared bylines while tending to the marketing; Kirby created characters and dialogue. When the relationship seemed untenable, Jack moved to DC, Superman's home, where the characters lacked inner life. Despite their primary colors, the Marvel heroes Kirby created had flaws, doubts, and personalities. Concentrating heavily on descriptions of character and plot, Ro offers less material on the basic production of comic books as the plot was made palpable in pencil, inking, coloring, and lettering, then passed on to production and distribution. (Presumably, fans know all they want on this aspect.) Ultimately, it's the story of Kirby, his family, Stan Lee, the inkers, and the suits, not to mentionpurloined artwork and threats of lawyers. With Kirby's passing, it may also be read as a tale of the twilight of some of yesterday's superheroes as they are recreated in the movies. A chronicle of people, who, bit by bit, 64 pages for a dime, influenced our culture greatly. Too bad there aren't any illustrations. Agent: Caroline Carney