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Jim Jarmusch: Interviews

AUTHOR: Ludvig Hertzberg (Editor)
ISBN: 1578063795

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Jim Jarmusch: Interviews
- Book Review,
by Ludvig Hertzberg (Editor)


From Booklist
Jarmusch may not be the most commercially successful or artistically acclaimed of the American independent filmmakers who surfaced in the early '80s, but he may have the most integrity of any of them. He is the only one who has consistently insisted upon retaining the right of final cut, and he owns the negatives of all his films. Whereas his young protagonists tend to be laconic--from the protoslackers of his breakthrough feature, Stranger Than Paradise, to the central figure of his Kafkaesque western, Dead Man (arguably the most underrated film of the '90s), and the urban samurai of Ghost Dog--Jarmusch comes across in these 17 interviews as thoughtful and articulate. Strongly influenced by European and Asian directors, he often works with foreign collaborators and gets much of his financing overseas. His films, however, with their iconoclastic outlook, individualistic heroes, and affinity for pop culture, are quintessentially American. Gordon Flagg
Copyright © American Library Association. All rights reserved


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         Book Review

Jim Jarmusch: Interviews
- Book Reviews,
by Ludvig Hertzberg (Editor)

Jim Jarmusch: Interviews

FROM THE PUBLISHER

One of the most gifted and invigorating of the American independent film directors of the past two decades, Jim Jarmusch (b. 1953) has presented moviegoers with his uniquely personal vision, from his first feature film, Permanent Vacation (1980), to his latest, Ghost Dog: The Way of the Samurai (1999). As the interviews in this volume reveal, Jarmusch has mixed very different cultural ingredients to make films that transcend the boundaries between high and low cultures. He half-mockingly described his movie Stranger Than Paradise (1984), the film that first brought him substantial notice, as "a semi-neorealist black comedy in the style of an imaginary Eastern European film director obsessed with Ozu, and familiar with the 1950s American television show The Honeymooners."

His unique approach to movie making jump-started the low-budget American independent film movement with Stranger Than Paradise, which won the Camera d'Or for best first feature at the Cannes Film Festival. In the seventeen interviews ranging from 1981 to 2000 this collection chronicles the career and sensibility of a thoroughly independent filmmaker.


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