Spirits and Ghosts: Journeys through Mongolia FROM THE PUBLISHER
"Spirits and Ghosts: Journeys through Mongolia delves into the transitions and changes in Mongolia since 1996, touching upon the obstinate rituals and beliefs of this country still steeped in the murkiness of the post-Communist era, and awkwardly adapting to a new democratic system. In the process Calfee deftly captures the role of shamanism and rites in this mysterious land, participating in the winter migration of a female shaman and her family over the mountains, sleeping on ice-covered fields at -40[degrees]C, and taking photographs of her private seances, rarely seen by anyone outside of this exclusive nomadic culture." Calfee also spent years documenting the social ills of this little-understood East-Central Asian republic, spending days and nights in different prisons with women, adolescents, murderers, alcoholics, and many innocent people. Whether exploring the work camps unchanged since Stalin's time, makeshift strip-mining conditions, rampant alcoholism, or the widespread hopelessness of urban life in the capital, Calfee's unflinching and haunting images illustrate an immense correspondence between social problems and the powerful spirituality of this intensely mystical - and mysterious - land.
FROM THE CRITICS
Library Journal
Calfee's photographs document her personal travels through post-Communist Mongolia-a strange and misunderstood place. Over several years, she photographed a variety of subjects, including men and women in Mongolian prisons and the winter migration of a female shaman. These shadowy black-and-white photographs render a bleak look. The dramatic angles, blurred focus, and grainy, high-speed film add a sense of mystery to the photos, telling us more about Calfee's artistic style than about the Mongolian people themselves. More helpful are the thumbnails and brief descriptions at the end of the book, but these sketchy contexts don't go far enough to connect the viewer to what is happening in the images. Personal commentary by Calfee herself would have made the difference. The chief problem, however, is the book's design and layout; most of the images are full spreads, causing the gutter to run through the center of nearly all the images. This poor design divides the images in half, making many of them unreadable. Calfee's mentor, photojournalist Antonin Kratochvil, contributes a brief introduction. Comprehensive art photo collections might consider purchase, but otherwise not recommended.-Shauna Frischkorn, Millersville Univ., PA Copyright 2003 Reed Business Information.