Literary Wit

FROM THE PUBLISHER

Written with verve and clarity, this book offers a fresh examination of literary wit as a distinct variety of discourse—one that is fundamentally different from wit, humor, and laughter in nonliterary contexts. Bruce Michelson moves be-yond outmoded assumptions and canonical authorities to explore how wit can transform fiction, plays, and poetry, providing "a fire that keeps our imaginative literature hot."

Michelson argues that to achieve a modernized and less-reductive understanding of the comic mode, conventional ideas must be extended, refreshed, qualified, and ultimately left behind. Revisiting Bergson, Freud, Bakhtin, and other authorities, he develops a new description of literary wit, with an emphasis on brevity, eloquence, and surprise, and gives special attention to the power and provenance of the modern epigram.

To develop this new approach, Michelson explores Mark Twain's Pudd'nhead Wilson's Calendar and Oscar Wilde's "Preface" to The Picture of Dorian Gray. He also offers the first extended discussion of two celebrated recent dramas—Tom Stoppard's Arcadia and Margaret Edson's Pulitzer-winning Wit—as well as insightful readings of major poems by Richard Wilbur. He concludes with a suggestive look at the contemporary revolution in cognitive science and its implications for our understanding of the comic dimension in modern literature.

About the Author:Bruce Michelson is professor of English and director of the Campus Honors Program at the University of Illinois. His previous books include Mark Twain on the Loose (1995) and Wilbur's Poetry: Music in a Scattering Time (1991), both published by the University of Massachusetts Press.

FROM THE CRITICS

Library Journal

In our historical moment flush with Seinfeldian irony, wit seems a perfect antidote to resigned cynicism or sclerotic habits of thought. Michelson (English, Univ. of Illinois), the author of books on Mark Twain and Richard Wilbur, hopes to give a boost to wit as a way of seeing things newly. He proposes to mothball the theories of humor and laughter developed by Freud, Bergson, and Bakhtin to cast wit as the "life-saving affirmation of the certainty that we know nothing for certain." Once Michelson has unmoored wit from its allegedly stodgy explications, however, he yields to naively premodernist assertions that wit "can keep us spiritually alive." When he reduces Wilde's, Twain's, and Stoppard's wit to such vague and starry-eyed jingles, however, he overlooks the capacity of wit to pierce precisely the empty celebration of human potential with which Michelson concludes his book. Recommended for specialized collections only.--Ulrich Baer, New York Univ. Copyright 2001 Cahners Business Information.

Booknews

Michelson (English, U. of Illinois) begins with a general discussion of literary wit, before investigating its specific application in various genres and texts. Attention is given to the use of wit in Twain's , Wilde's Preface to , Stoppard's , Wilbur's poems, Edson's , and Redford's . These texts span from 1530 to 1999. Annotation c. Book News, Inc., Portland, OR (booknews.com)

WHAT PEOPLE ARE SAYING

A great read—clever, engaging, and extremely valuable to my own thinking about wit and humor as critical tools for understanding major writers. — (David E. Sloane, editor of American Humor: New Studies, New Directions)