Fiction of LeRoi Jones - Amiri Baraka FROM THE PUBLISHER
LeRoi Jones/Amiri Baraka is most famous for his Afrocentric plays and poetry, but he also published a novel and a book of short stories in the 1960s. This volume includes both of these long-out-of-print masterpieces, and supplements them with four previously uncollected stories and a previously unpublished novel entitled 6 Persons. Until his adoption of black nationalism, Jones was thought of as a beat writer, and his autobiographical fiction shares the self-consciousness and restlessness of Jack Kerouac and Hubert Selby. But his attitude toward sex and violence is uncompromising: The System of Dante's Hell is so graphic that it was banned when first published. Poetic, provocative, witty, bitter, and aggressive, The Fiction of LeRoi Jones contains some of the most astonishing writing to emerge from black America.
FROM THE CRITICS
Publishers Weekly
Known for his poetry, plays and essays, Baraka, formerly Leroi Jones, hasn't been recognized for his searing, dense, experimental fiction, but that oversight will be corrected with this latest collection of his work. Fans of the activist-writer will immediately recall the two major segments of this volume, "Tales" and "The System of Dante's Hell," both well-received works from the 1960s. As a survey of Baraka's writings in prose, the book accurately displays the full range of the wordsmith's skills: from his bold, groundbreaking efforts as an influential member of the post-Beat Lower East Side art scene to his controversial cultural nationalism and his Marxist conversion. Although three previously uncollected short stories, "Suppose Sorrow Was a Time Machine," "Round Trip" and "the man who sold pictures of god," fail to hit the heights of quality and innovation of the yarns that follow, they hint at Baraka's potential and creative powers. Baraka exceeds those expectations in the short, explosive fragments in his 1965 "The System of Dante's Hell," notably in "Circle 7" and "Circle 8." He uses the fictional form as an autobiographical vehicle in the 1967 "Tales," reaching in the bluesy "Going Down Slow" and the classic "The Screamers." His impressive hybrid of literary styles spotlights lives defined by oppression and poverty, employing his unpredictable, jazzy, sometimes manic voice to twist Western forms to suit his ever-evolving black aesthetic. While his later "6 Persons" may not rival his earlier explorations of themes of violence, sex and race, it is still innovative in its recounting of his life from various point of views, peaking with the "I" and "They." This collection offers an excellent alternative look at one of the legends of African-American letters, frequently quite different than that revealed in his two autobiographies. (Apr.) Copyright 2000 Cahners Business Information.|
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