Why People Photograph

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Adams, a noted photographer of the American West, dislikes words that describe pictures. In this collection of poetic, thought-provoking and highly original essays, he examines Paul Strand's devotion to America and analyzes the origins of his art; he looks at the contradictions in Ansel Adams' life and work, and comes to his own conclusions. He writes movingly not only of people but of place--his beloved West--and his belief that "we live in several landscapes at once, among them the landscape of hope..."

Midwest Book Review
Why People Photograph presents a new selection of poignant essays by master photographer Robert Adams. Why People Photograph illuminates Adams' firm belief in the importance and relevance of art, with essays on such diverse topics as humor, teaching, money, and dogs. Adams also offers insights into the 32 black and white photographs, the diverse work of artists from Eugene Atget to Susan Meiselas.

Review
"At our best and most fortunate we make pictures because of what stands in front of the camera, to honor what is greater and more interesting than we are."
-Robert Adams


Book Description
Photographs, selected essays, and reviews by Robert Adams

This critically acclaimed work brings us a new selection of poignant essays by master photographer Robert Adams. In this volume, Adams evinces his firm belief in the importance of art. Photographers "may or may not make a living by photography," he writes, "but they are alive by it."



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Why People Photograph is a book by a professional photographer about the relationship of art and life. In 1981 Robert Adams published a volume of essays entitled Beauty in Photography, in which he suggested that art is too important to confuse with interior decoration or an investment opportunity. Its real use, he contended, is to affirm meaning and thus "to keep intact an affection for life." Why People Photograph gathers a selection of Adams's writing since then. His subjects vary, but again he questions accepted prejudice, this time not only the view that art is trivial but that artists are separate. He demonstrates that many understand themselves to be bound to the world by complex and important obligations. Adams's writing is free of academic jargon. Readers will also appreciate his attention to common experience (he talks about trying to earn an income), his enjoyment of the unorthodox (one essay concerns dogs and photography), and above all his conviction that art matters. Photographers "may or may not make a living by photography," he writes, "but they are alive by it."


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