Blood from a Stone: A Commissario Guido Brunetti Mystery

Amazon.com
Guido Brunetti, the protagonist of Donna Leon's brilliant series about crime in high and low places in Venice, Italy, is back in a smart thriller about a murdered street vendor, one of the illegal immigrants who sell fake fashion accessories outside the tourist mecca's high-priced boutiques while trying to stay one step ahead of the law. Someone had a reason for wanting the nameless African man dead, and the search for the killers and the men who sent them to Brunetti's beloved and beautifully evoked city shortly before Christmas leads the thoughtful, multifaceted and uxorious Commissario to the unfamiliar Venetian milieu where the vu cumpra live. In the cramped, airless room where the Senegalese vendors manage to find shelter, Guido discovers a fortune in so-called "conflict diamonds" hidden among the murdered man's meager belongings. But finding the diamonds' provenance and the killers who were seeking them proves to be an exercise in bureaucratic misdirection. Warned off the case by his boss in the name of "national security," Guido nonetheless persists with his investigation, in the course of which he discovers what--and who--really matters to him. Leon depicts the city she also clearly loves with such skill the reader can almost hear the watter lapping at the edges of the canals and smell the espresso beans roasting in the crisp cold winter air. A tour de force from an author whose reputation for skillful plotting, extraordinary descriptive powers, and complex characters has earned her a loyal base of fans; if you haven't discovered her work before this, Blood from a Stone will only whet your appetite for her extensive backlist of titles featuring Brunetti and his colleagues. --Jane Adams

From Publishers Weekly
Starred Review. In this stunning novel, the 14th to feature the dogged, intuitive Venetian police detective Guido Brunetti (after 2004's Doctored Evidence), Leon combines an engrossing, complex plot with an indictment of the corruption endemic to Italian society. The murder of an anonymous African street vendor, an inoffensive, possibly illegal Senegalese immigrant, explodes into a many-layered conundrum. Italian attitudes toward "Senegali" range from the bargain shoppers' approval of their harmless efforts to earn money selling knock-off accessories to legitimate merchants' outrage at competition from the cheaper goods. After Brunetti discovers uncut diamonds hidden in the victim's spartan room and evidence the room was searched, the Interior and Foreign Affairs Ministries take over the case and all of Brunetti's pertinent files, papers and computer disappear. Enraged, Brunetti sidesteps normal police procedures and taps into personal and professional sources, uncovering evidence linking the victim, the Angolan civil war, the Italian secret service and an industrial giant with government connections. Many of Leon's favorite characters appear, including the gourmand Brunetti's family, the obsequious Vice-Questore Giuseppe Patta and Patta's irreverent secretary, Signorina Elletra. They balance this dark, cynical tale of widespread secrecy, violence and corruption. Agent, Susanne Bauknecht, Diogenes Verlag (Switzerland). (May 26) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* The appeal of Guido Brunetti, the hero of Donna Leon's long-running Venetian crime series, comes not from his shrewdness, though he is plenty shrewd, nor from his quick wit. It comes, instead, from his role as an everyman. He is trapped in an impenetrable bureaucracy; his bosses are either foolish or corrupt; he lacks the power to catch the bad guys or to bring about justice. He is a cop, but his workaday world feels much like yours and mine. So it is here, as he attempts to investigate the peculiar murder of an illegal immigrant, a vu cumbra. The victim, a Senegalese street vendor, is shot, assassination style, as he peddles fake handbags to tourists. The murder brings out the latent racism of the locals, and as Brunetti attempts to come to terms with his own feelings about the immigrants, he realizes that the crime is only the tip of an iceberg that he will never be allowed to explore. He soldiers on, though, solving nothing, but doing good around the edges and making some sense of his feelings and those of his wife and children, also struggling with a new world in which the old assumptions no longer hold. Not so different from our own days at the office or nights around the dinner table. Crime fiction for those willing to grapple with, rather than escape, the uncertainties of daily life. Bill Ott
Copyright © American Library Association. All rights reserved

Publishers Weekly (starred review)
"Leon combines an engrossing, complex plot with an indictment of the corruption endemic to Italian society. . . . Leon’s favorite characters appear."

Kirkus Reviews (starred review)
"Leon’s most adroit balance of teasing mystery, Brunetti’s droll battles with his . . . higher-ups, and intimations of something . . . behind the curtain."

Michele Laber, Library Journal (starred review)
"Evocative Venetian setting and the warmth and humanity of the Brunetti family add considerable pleasure to this nuanced, intelligent mystery."

Bookseller
"Another of her fabulous Italian mysteries . . . She has her finger on the pulse."

Book Description
Blood from a Stone brings Donna Leon's celebrated character Commissario Guido Brunetti back on the scene: On a cold Venetian night shortly before Christmas, a street vendor is killed in a scuffle in Campo San Stefano. The closest witnesses to the event are the tourists who had been browsing the man's wares before his death-fake handbags of every designer label. The dead man is one of the many African immigrants purveying goods outside normal shop hours and trading without a work permit. Like everybody involved, Commissario Brunetti wonders why anyone would kill an illegal immigrant. But once Brunetti begins to investigate this unfamiliar Venetian underworld, he discovers that matters of great value are at stake within the secretive society. Warned by Patta, his superior, to resist further involvement in the case, Brunetti only becomes more determined to unearth the truth behind this mysterious killing. Reluctant as he is to let this event be smugly relegated to the category of "not worth dealing with," how far will Brunetti be able to penetrate the murky subculture in this illegal community? Blood from a Stone is an exquisite and irresistible mystery offering an unexpected take on life in contemporary Venice.

About the Author
Donna Leon, who was born in New Jersey, has lived in Venice for many years and previously lived in Switzerland, Saudi Arabia, Iran, and China, where she worked as a teacher. Her previous novels featuring Commissario Brunetti have all been highly acclaimed, most recently Friends in High Places, which won the CWA Macallan Silver Dagger for Fiction, Death in a Strange Country, Acqua Alta, A Noble Radiance, Uniform Justice, and Doctored Evidence.


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Commissario Guido Brunetti's 14th case (Doctored Evidence, 2004, etc.) may be his best yet-not that he'd see it that way himself. The murder is so commonplace that the victim isn't even dignified with a name. He's just the black man placidly selling designer luggage off a sheet spread at Venice's Campo Santo Stefano, his life ended by five shots fired by two equally unruffled killers who give every sign of being professionals. Despite the crowds of potential witnesses, nobody's seen anything, nobody knows anything, and there's no evidence of anything until Brunetti's painstaking investigation leads him to a box of salt with no reason for being in an empty house. Just as he's beginning to make real progress, however, he's abruptly warned off the case by Vice-Questore Giuseppe Patta, his complacent, incompetent boss. Maybe the reason is simple racism of the sort Brunetti's own daughter Chiara displays when she says dismissively that the victim "wasn't one of us." But maybe there are sterner forces behind the warning: interference from what Brunetti, en route to an understanding powerless to bring about justice, calls "governmental, ecclesiastical, and criminal" forces, reflecting, "The great tragedy of his country . . . was how equal they were as contenders."Leon's most adroit balance of teasing mystery, Brunetti's droll battles with his co-workers and higher-ups, and intimations of something far deeper and darker behind the curtain.


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