Printmaking for Beginners

From Library Journal
These two volumes are excellent guides to the very latest in printmaking techniques. Stobart's is a basic guide to the processes of monotype, relief, intaglio, collograph, screen, and lithography. She makes highly creative use of the media. For students wanting a more traditional examination of the subject, see Susan Lambert's Prints: Art and Techniques, which uses examples from Hogarth to Vasarely. Westley's volume encompasses the many exciting and imaginative developments in relief printmaking in recent years. She describes both traditional and progressive modes of practice and illustrates the growing crossover between Eastern and Western printmaking. Both books are recommended. Copyright 2002 Reed Business Information, Inc.


Book Description
For budding printmakers everywhere, here is the classic primer for dozens of simple, practical printmaking techniques, using everyday tools and materials available at hardware stores or supermarkets. In Printmaking for Beginners, readers explore, step by step, such exciting printmaking processes as monotype, relief, intaglio, collograph, screen, and lithography. They learn the basic approaches for each process and the tools, types of paper, equipment, and materials necessary. Also included are tips for safe and sensible working practices as well as information on nontoxic printmaking alternatives. What's more, over 80 fabulous full-color examples from both beginners and accomplished artists illustrate all the diverse, exciting effects possible with the techniques outlined in this inspiring guide.


About the Author
Jane Stobart teaches at Goldsmiths College in London and is a fellow of the Royal Society of Painter-Printmakers. Her work is exhibited worldwide and has appeared in the Smithsonian Institution in Washington, D.C. She lives in London, England.


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These two volumes are excellent guides to the very latest in printmaking techniques. Stobart's is a basic guide to the processes of monotype, relief, intaglio, collograph, screen, and lithography. She makes highly creative use of the media. For students wanting a more traditional examination of the subject, see Susan Lambert's Prints: Art and Techniques, which uses examples from Hogarth to Vasarely. Westley's volume encompasses the many exciting and imaginative developments in relief printmaking in recent years. She describes both traditional and progressive modes of practice and illustrates the growing crossover between Eastern and Western printmaking. Both books are recommended. Copyright 2002 Cahners Business Information.


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