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Becoming Black: Creating Identity in the African Diaspora

AUTHOR: Michelle M. Wright
ISBN: 0822332884

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         Editorial Review

Becoming Black: Creating Identity in the African Diaspora
- Book Review,
by Michelle M. Wright

Virginia Quarterly Review, Fall 2004
...[F]ocused on the Anglophone, Francophone, and Germanophone populations of the African diaspora... Wright... challeng[es] assumptions in postcolonial... discourse.

Book Description
Becoming Black is a powerful theorization of Black subjectivity throughout the African diaspora. In this unique comparative study, Michelle M. Wright discusses the commonalties and differences in how Black writers and thinkers from the United States, the Caribbean, Africa, France, Great Britain, and Germany have responded to white European and American claims about Black consciousness. As Wright traces more than a century of debate on Black subjectivity between intellectuals of African descent and white philosophers, she also highlights how feminist writers have challenged patriarchal theories of Black identity. Wright argues that three nineteenth-century American and European works addressing race—Thomas Jefferson’s Notes on the State of Virginia, G. W. F. Hegel’s Philosophy of History, and Count Arthur de Gobineau’s Essay on the Inequality of the Human Races—were particularly influential in shaping twentieth-century ideas about Black subjectivity. She considers these treatises in depth and describes how the revolutionary Black thinkers W. E. B. Du Bois, Aimé Césaire, Léopold Sédar Senghor, and Frantz Fanon countered the theories they promulgated. She explains that while Du Bois, Césaire, Senghor, and Fanon rejected the racist ideologies of Jefferson, Hegel, and Gobineau, for the most part they did so within what remained a nationalist, patriarchal framework. Such persistent nationalist and sexist ideologies were later subverted, Wright shows, in the work of Black women writers including Carolyn Rodgers and Audre Lorde and, more recently, the British novelists Joan Riley, Naomi Kin! g, Jo Hodges, and Andrea Levy. By considering diasporic writing ranging from Du Bois to Lorde to the contemporary African novelists Simon Njami and Daniel Biyaoula, Wright reveals Black subjectivity as rich, varied, and always evolving.

From the Publisher
"Becoming Black yields a complex and differentiated understanding of Enlightenment discourses on race and offers a framework for comparing the different models of subjecthood that underwrote the varying histories of colonialism and slavery. It is unique in that it brings Afro-German and Afro-French writings into dialogue with Afro-British and African American texts. There is no existing study of the African diaspora that brings such a range of national traditions together."—Madhu Dubey, author of Signs and Cities: Black Literary Postmodernism "An important book for scholars of the African diaspora, Becoming Black puts the word ‘diaspora’ back into African American studies. There are bold new conversations here."—Sharon Holland, author of Raising the Dead: Readings of Death and (Black) Subjectivity

About the Author
Michelle M. Wright is an associate professor at Macalaster College, where she teaches African diasporic literature and theory. She is a coeditor of Domain Errors! Cyberfeminist Practices.


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         Book Review

Becoming Black: Creating Identity in the African Diaspora
- Book Reviews,
by Michelle M. Wright

Becoming Black: Creating Identity in the African Diaspora

FROM THE PUBLISHER

Becoming Black is a powerful theorization of Black subjectivity throughout the African diaspora. In this unique comparative study, Michelle M. Wright discusses the commonalties and differences in how Black writers and thinkers from the United States, the Caribbean, Africa, France, Great Britain, and Germany have responded to white European and American claims about Black consciousness. As Wright traces more than a century of debate on Black subjectivity between intellectuals of African descent and white philosophers, she also highlights how feminist writers have challenged patriarchal theories of Black identity.

Wright argues that three nineteenth-century American and European works addressing race-Thomas Jefferson's Notes on the State of Virginia, G. W. F. Hegel's Philosophy of History, and Count Arthur de Gobineau's Essay on the Inequality of the Human Races-were particularly influential in shaping twentieth-century ideas about Black subjectivity. She considers these treatises in depth and describes how the revolutionary Black thinkers W. E. B. Du Bois, Aim� C�saire, L�opold S�dar Senghor, and Frantz Fanon countered the theories they promulgated. She explains that while Du Bois, C�saire, Senghor, and Fanon rejected the racist ideologies of Jefferson, Hegel, and Gobineau, for the most part they did so within what remained a nationalist, patriarchal framework. Such persistent nationalist and sexist ideologies were later subverted, Wright shows, in the work of Black women writers including Carolyn Rodgers and Audre Lorde and, more recently, the British novelists Joan Riley, Naomi King, Jo Hodges, and Andrea Levy. By considering diasporic writing ranging from Du Bois to Lorde to the contemporary African novelists Simon Njami and Daniel Biyaoula, Wright reveals Black subjectivity as rich, varied, and always evolving.

Michelle M. Wright is an associate professor at Macalaster College, where she teaches African diasporic literature and theory. She is a coeditor of Domain Errors! Cyberfeminist Practices.

WHAT PEOPLE ARE SAYING

An important book for scholars of the African diaspora, Becoming Black puts the word 'diaspora' back into African American studies. There are bold new conversations here. (author of Raising the Dead: Readings of Death and (Black) Subjectivity) — Sharon Holland

Becoming Black yields a complex and differentiated understanding of Enlightenment discourses on race and offers a framework for comparing the different models of subjecthood that underwrote the varying histories of colonialism and slavery. It is unique in that it brings Afro-German and Afro-French writings into dialogue with Afro-British and African American texts. There is no existing study of the African diaspora that brings such a range of national traditions together. (author of Signs and Cities: Black Literary Postmodernism)  — Madhu Dubey


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