Cave of Altamira

FROM OUR EDITORS

When the cave of Altamira was discovered in 1879, it inspired great skepticism and even derision. Many thought the vast collection of ancient paintings nothing more than a fake. Such accusations have long since been disproved, of course, and, thanks to recent developments in the field of Paleolithic archaeology, more is known about the paintings and the people who made them than ever before. The Cave of Altamira celebrates this treasure of northern Spain with more than 145 illustrations, 102 in full color. With access to the cave severely restricted for the foreseeable future, this lavishly illustrated volume is the best way to experience this magical space.

FROM THE PUBLISHER

This splendid volume offers a fresh look at one of the finest surviving works of Paleolithic art: the paintings in the cave of Altamira in northern Spain. Discovered in 1879, these vivid likenesses of horses, cattle, and bison seemed so fresh and "modern" that critics doubted their authenticity, and suspected an elaborate hoax. Only in 1905, with the first scholarly analysis of the works, were they finally accepted as Paleolithic art. Charts, maps, and descriptions guide readers through the cave chamber by chamber, and specially commissioned photographs reveal the paintings in superb detail. The various theories regarding the paintings' significance are clearly explained, along with recent discoveries about the techniques used by Paleolithic artists-and about the people themselves who left their mark on Altamira.

FROM THE CRITICS

Library Journal

In 1879, the discovery of vividly painted animals and abstract symbols in the Altamira cave in Spain sparked a continuing fascination with and curiosity about Paleolithic creativity. While Altamira has been mentioned in recent books on the subject, e.g., The Shamans of Prehistory: Trance and Magic in the Painted Caves (LJ 2/1/99), this collection of essays updates the information and images documented by excavators Henri Breuil and Hugo Obermaier in their 1935 monograph, The Cave of Altamira at Santillana del Mar, Spain. Since the cave is now restricted to protect the paintings, the detailed photographs by Saura Ramos (photography, Univ. of Madrid) offer an excellent visual experience to armchair visitors. Included are reports on new radiocarbon dates by Federico Bernaldo de Quir s and P rez-Seoane's experiences duplicating prehistoric artistic processes. Other Spanish experts give historical overviews and discuss conservation problems. An important acquisition for public and academic libraries.--Anne Marie Lane, American Heritage Ctr., Laramie, WY Copyright 1999 Cahners Business Information.

Booknews

Presents a fresh look at the cave at Altamira in light of the many exciting discoveries made in the field of Paleolithic archaeology in recent years. Seven essays examine a number of theories about cave art and bring together what is known about the people who occupied and created the art at Altamira. Since the cave has been closed to visitors for many years, and visits to it in the future will be greatly restricted, distinguished photographer Saura's fascinating color and b&w images provide a unique chance to see the art in detail both in large views and at close range. Oversize: 10.5x12. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Washington Post

...a fascinating foray into the cave - a temple that remains closed to the public, accessible only on pages such as these.

Mark Rose - Archaeology