Search for books and compare prices on all major online booksellers with one click!

Home  About UsSuggest BookstoreRecommend Us 
    Title/Keywords ISBN  

Marsden Hartley: The Biography of an American Artist

AUTHOR: Townsend Ludington
ISBN: 0801485800

Compare Price


HOME--->> Biographies & Memoirs --->>Arts & Literature Biographies --->>Artists Architects & Photographers Biographies
 
Artists Architects & Photographers Biographies
         Editorial Review

Marsden Hartley: The Biography of an American Artist
- Book Review,
by Townsend Ludington


From Publishers Weekly
Drawing on Hartley's letters and other writings as well as on the correspondence and reminiscences of the artist's friends, Ludington ( Twentieth-Century Odyssey: The Life of John Don Passos ) traces the restless career of the painter from Maine (1877-1943). Hartley, who spent his life moving between Europe and the U.S., had troubled friendships with some of the most important artists and writers of his day--Gertrude Stein, William Carlos Williams, Fairfield Porter, Eugene O'Neill, Georgia O'Keeffe and others. His relationship with Alfred Stieglitz, who supported him financially and exhibited his work at his Manhattan gallery 291, runs like a leitmotif through the book and indicates Hartley's character--demanding, touchy, often ungrateful but also compelling. Lonely, insecure, ambivalent about his homosexuality, Hartley was drawn into curious attachments and questionable allegiances, even embracing Hitlerism; yet he was able to form a close bond with a working-class family with whom he lived in Nova Scotia. This frank and unsentimental account of a life of contradictions and paradoxes returns one to the artist's paintings with a fresh eye. Illustrations not seen by PW. Copyright 1992 Reed Business Information, Inc.


From Library Journal
Hartley (1877-1943), avant-garde American painter and poet, has found a model biographer. This first major study of the artist is accessible and appreciative, yet even-handed in weighing the man's accomplishments and shortcomings. Among the incidents described is Hartley's traumatic childhood loss of his mother, the tension between his homosexuality and a harsh New England upbringing, his liberating trips to Europe, the bursts of creative energy alternating with periods of loneliness and despair, and his sometimes difficult relations with friends and colleagues such as Alfred Stieglitz and William Carlos Williams. This book should help renew an interest in Hartley's achievements. Recommended for large art collections. (Photos not seen.)-- Stephen Rees, Bucks Cty. Free Lib., Levittown, Pa.Copyright 1992 Reed Business Information, Inc.


From Kirkus Reviews
A penetrating biography of American painter Marsden Hartley, by Ludington (English and American Studies/Univ. of North Carolina; The Life of John Dos Passos, 1980). Ludington offers a psychological portrait of an intense, contradictory, scornful, but gentle man who transcended his 19th- century roots in Lewiston, Maine, to view Europe as his home and to make a distinctive contribution to modernism. ``His loneliness, his peripatetic nature, his ideas, and the subjects of his paintings all stemmed in part from his homosexuality,'' Ludington argues. Born in 1877 to an English cotton-spinner, Hartley was eight when his mother died--a lethal blow to ``his fragile ego.'' He worked in a shoe factory at age 16, then a marble quarry, moving to New York in 1899 to study art. Through Alfred Stieglitz's 291 gallery, Hartley eventually gained recognition and some success. Almost until his death in 1943, however, he was haunted by poverty and torn between rustic country and charged city, and then between Europe and America. Hartley fell under Germany's spell in 1913 as he found not only avant-garde culture but homosexual experience: Some of his strongest paintings are cubist arrangements of military symbols, inspired in part by a German soldier's death. Later, his passion for his new-found home let him rationalize Nazi oppression in ``murderously dangerous opinions.'' Ludington effectively quotes Hartley's letters, as when the artist speaks of failing to find ``the same convincing beauty'' of Kandinsky's theories in his own work, or of ``the child within me, namely the romanticist, albeit not perhaps a romance of love as of madness for the mountain.'' Though a recognized artist with works in the Museum of Modern Art, a despairing Hartley in 1935 destroyed over 100 paintings and drawings because he couldn't pay storage costs. In such details, Ludington keeps up the pace of the story--looking at the artist's ``mercurial'' inner life in far more depth than at his work. (Fifty-one b&w and 11 color photographs--not seen.) -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.


Book Description
"A penetrating biography. . . . Ludington offers a psychological portrait of an intense, contradictory, scornful, but gentle man who transcended his nineteenth-century roots in Lewiston, Maine, to view Europe as his home and to make a distinctive contribution to modernism."--Kirkus Reviews "Drawing on Hartley's letters and other writings as well as on the correspondence and reminiscences of the artist's friends, Ludington traces the restless career of the painter. . . . [Hartley] had troubled friendships with some of the most important artists and writers of his day--Gertrude Stein, William Carlos Williams, Fairfield Porter, Eugene O'Neill, Georgia O'Keeffe, and others. His relationship with Alfred Stieglitz, who supported him financially and exhibited his work, . . . runs like a leitmotif through the book, and indicates Hartley's character--demanding, touchy, often ungrateful but also compelling. . . . This frank and unsentimental account of a life of contradictions and paradoxes returns one to the artist's paintings with a fresh eye."--Publishers Weekly "Marsden Hartley (1877-1943) had a virtually unique role as a modernist painter. He was notable not only for his powerful canvases but for his poetry and essays. Townsend Ludington's astute portrait of the artist focuses upon his cosmopolitan sensibility in a generation melding modern art with an American tradition of mystical idealism. . . . Ludington views Hartley as an essential American artist embarked on a spiritual odyssey."--Robert Taylor, Boston Globe


Buy from Amazon     Compare Prices



         Book Review

Marsden Hartley: The Biography of an American Artist
- Book Reviews,
by Townsend Ludington

Marsden Hartley: The Biography of an American Artist

FROM THE PUBLISHER

Townsend Ludington's probing, insightful biography of Marsden Hartley is the first full-scale work on the life of one of the great American painters of our century. Two weeks after Hartley's death, in 1943, Paul Rosenberg wrote in the Nation that Hartley was an "almost gigantic secondary artist." Now, as time affords us greater perspective on that eruptive period in American art, the first half of the twentieth century, we can see that Hartley was in fact an artist of primary, not secondary, importance. His career encompassed an abundance of phases and fascinations, all of them reflecting his abiding interest in newness and his never-ending quest for his own truth and roots. As Ludington reveals here, Marsden Hartley was a man of many parts: introverted, homosexual, given to great highs and mordant lows, maligned, neglected, and sometimes praised. He was a fine technician, a restless innovator, an intellectual who could theorize brilliantly, yet whose best art often went counter to his theories. And he was an inveterate traveler: after growing up in Maine, he had an early love affair with Paris before going on to live for periods in New York, Berlin, New Mexico, Nova Scotia, Bermuda, Mexico, and finally New England once again. Along the way, he had close if sometimes volatile relationships with many influential figures in American arts and letters, among them Alfred Stieglitz, William Carlos Williams, Albert Pinkham Ryder, Gertrude Stein, and Charles Demuth. And certainly his art itself can be seen to chart a course through a remarkable time of new discoveries and revolutionary ideas. Starting out under the spell of postimpressionism, Hartley absorbed elements of Ryder's idiosyncratic style, European modernism, the Blue Rider school, cubism, and American folk art. But when his own visions emerged--as they did in 1914 with the now famous German-officer paintings--he became noted first for the strong mysticism of his work, with its symbols and numbers, and then l

FROM THE CRITICS

Publishers Weekly

Drawing on Hartley's letters and other writings as well as on the correspondence and reminiscences of the artist's friends, Ludington ( Twentieth-Century Odyssey: The Life of John Don Passos ) traces the restless career of the painter from Maine (1877-1943). Hartley, who spent his life moving between Europe and the U.S., had troubled friendships with some of the most important artists and writers of his day--Gertrude Stein, William Carlos Williams, Fairfield Porter, Eugene O'Neill, Georgia O'Keeffe and others. His relationship with Alfred Stieglitz, who supported him financially and exhibited his work at his Manhattan gallery 291, runs like a leitmotif through the book and indicates Hartley's character--demanding, touchy, often ungrateful but also compelling. Lonely, insecure, ambivalent about his homosexuality, Hartley was drawn into curious attachments and questionable allegiances, even embracing Hitlerism; yet he was able to form a close bond with a working-class family with whom he lived in Nova Scotia. This frank and unsentimental account of a life of contradictions and paradoxes returns one to the artist's paintings with a fresh eye. Illustrations not seen by PW. (Mar.)

Library Journal

Hartley (1877-1943), avant-garde American painter and poet, has found a model biographer. This first major study of the artist is accessible and appreciative, yet even-handed in weighing the man's accomplishments and shortcomings. Among the incidents described is Hartley's traumatic childhood loss of his mother, the tension between his homosexuality and a harsh New England upbringing, his liberating trips to Europe, the bursts of creative energy alternating with periods of loneliness and despair, and his sometimes difficult relations with friends and colleagues such as Alfred Stieglitz and William Carlos Williams. This book should help renew an interest in Hartley's achievements. Recommended for large art collections. (Photos not seen.)-- Stephen Rees, Bucks Cty. Free Lib., Levittown, Pa.


Buy from Barnes & Noble     Compare Prices




HOME  |  Recommend bookstore  |  Rate bookstore  |  Link to us  |  Report bug  |  Contact us
Copyright© 2003 - 2005, PowerBookSearch.com. All Rights Reserved.