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From the Field: A Collection of Writings from National Geographic

AUTHOR: Charles McCarry (Editor)
ISBN: 0792270126

SHORT DESCRIPTION: A brilliant record of 100 years of discovery, "From the Field" is "National Geographic" at its best. It offers a spectacular selection of 75 works by novelists and naturalists, poets and presidents, explorers, adventurers and pioneers who have...

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         Editorial Review

From the Field: A Collection of Writings from National Geographic
- Book Review,
by Charles McCarry (Editor)

From Library Journal
How often have you flipped through the latest issue of National Geographic, admiring the spectacular photographs while promising yourself to read the articles later? Now you can keep that promise for the words in this wonderful collection are worth a thousand pictures. "Rediscovering the excellence of this work has, for me, been the chief pleasure of compiling this anthology," writes novelist McCarry in his affectionate introduction. A longtime contributor to the magazine and a former editor-at-large, he has culled from 109 years worth of back issues an astonishing and wide-ranging selection of pieces by scientists (Jane Goodall), historians (Shelby Foote), explorers (Sir Edmund Hillary), inventors (Alexander Graham Bell), novelists (Joseph Conrad), poets (Diane Ackerman), and journalists (Shana Alexander). As varied as these articles are, they all represent "the singular, unmistakable voice of the Geographic." This is magazine writing at its finest. Highly recommended for all collections.?Wilda Williams, "Library Journal"Copyright 1997 Reed Business Information, Inc.

From Kirkus Reviews
A fine, wide-ranging anthology from the pages of one of the world's most popular magazines. National Geographic has for a century cultivated an austere, formal image as a heavily illustrated but scholarly vehicle for conveying knowledge about the planet and its peoples. Its staff, writes former editor-at-large McCarry (Second Sight, 1991) in his good-natured introduction, was considerably less austere, to the point of being eccentric and even somewhat dangerous, qualities that sometimes escaped the printed page. The editors saw to that, imposing the somber personality of the magazine on its contributors; even so, McCarry notes, ``whatever the editorial climate, several generations of Geographic writers doggedly continued to turn out prose that was mostly literate and entertaining.'' After addressing the history of the bare native breast and the quirks of longtime helmsmen Gilbert and Melville Grosvenor (the former instructed an editor never to accept any contribution by one Magoffin, whose ``ways are not our ways''), among other matters, McCarry proceeds to offer a well-considered sampling of material drawn from issues over Geographic's 109-year run. Much of the material is new or very recent, including Barry Lopez's luminous essay on the California desert and David Remnick's perilous travels through the new, mafia-overrun Russia. Other pieces are decades old, but they have historical and literary interest that keeps them from seeming too dated--even when correspondent Theodore Roosevelt refers knowingly to Nairobi, Kenya, as ``a town of perhaps 5,000 to 6,000 people'' and combat journalist David Douglas Duncan easily writes of ``hurling bombs with a mighty shout into Jap faces.'' The mix of old and new, coupled with McCarry's wry commentary, makes for a constantly edifying reader. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.


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         Book Review

From the Field: A Collection of Writings from National Geographic
- Book Reviews,
by Charles McCarry (Editor)

From the Field: A Collection of Writings from National Geographic

SYNOPSIS

A selection of 75 works by novelists, poets, presidents, and more who have contributed to National Geographic.

FROM THE CRITICS

Booknews

Figures such as Alexander Graham Bell, Theodore Roosevelt, Archibald MacLeish, and Charles Lindbergh share the same pages with Joseph Conrad, Jane Goodhall, Amelia Earhart, Maya Angelou and others in this wide-ranging selection of writings from the Society's archives, offering eloquent proof that although a picture may indeed be worth a thousand words, a well-turned phrase has a magic all its own. Chronicles 100 years of discovery and includes a capsule history of the itself. No index. Annotation c. by Book News, Inc., Portland, Or.

Kirkus Reviews

A fine, wide-ranging anthology from the pages of one of the world's most popular magazines.

National Geographic has for a century cultivated an austere, formal image as a heavily illustrated but scholarly vehicle for conveying knowledge about the planet and its peoples. Its staff, writes former editor-at-large McCarry (Second Sight, 1991) in his good-natured introduction, was considerably less austere, to the point of being eccentric and even somewhat dangerous, qualities that sometimes escaped the printed page. The editors saw to that, imposing the somber personality of the magazine on its contributors; even so, McCarry notes, "whatever the editorial climate, several generations of Geographic writers doggedly continued to turn out prose that was mostly literate and entertaining." After addressing the history of the bare native breast and the quirks of longtime helmsmen Gilbert and Melville Grosvenor (the former instructed an editor never to accept any contribution by one Magoffin, whose "ways are not our ways"), among other matters, McCarry proceeds to offer a well-considered sampling of material drawn from issues over Geographic's 109-year run. Much of the material is new or very recent, including Barry Lopez's luminous essay on the California desert and David Remnick's perilous travels through the new, mafia-overrun Russia. Other pieces are decades old, but they have historical and literary interest that keeps them from seeming too dated—even when correspondent Theodore Roosevelt refers knowingly to Nairobi, Kenya, as "a town of perhaps 5,000 to 6,000 people" and combat journalist David Douglas Duncan easily writes of "hurling bombs with a mighty shout into Jap faces."

The mix of old and new, coupled with McCarry's wry commentary, makes for a constantly edifying reader.




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