Italian Frescoes: The Early Renaissance 1400-1470

Chicago Tribune
"...brings home masterpieces that in some cases can only be seen with difficulty in out-of-the-way places."

Philadelphia Inquirer
"...captures the magnificence of religious painting through Roettgen's lucid text and magnificent color photographs by Antonio Quattrone."

Book Description
The first comprehensive survey in modern times of the surviving fresco cycles of the early Renaissance, this pathblazing work is an extraordinary achievement in scholarship and publishing. Certain Italian fresco cycles, notably the Brancacci Chapel in Florence by Masaccio, Masolino, and Filippino Lippi, are well known. Others, such as Piero della Francesca's work in Arezzo and Benozzo Gozzoli's Chapel of the Magi in Florence, have been reproduced countless times. Yet no publisher--until now--has attempted to gather together and document in extensive photographs the essential fresco cycles of the early Italian Renaissance. The list of works covers the regions of Italy, from the Alpine mountain areas to Puglia, with an emphasis on Tuscany and Florence, the artistic center that gave life to the Renaissance. Italian Frescoes: The Early Renaissance, 1400-1470 opens with a concise introductory text discussing various aspects of fifteenth-century fresco painting: artists, patronage, cultural and historical conditions, technical methods, and questions of local tradition. The central section of the book examines twenty-one fresco cycles, each representing a crowning achievement in this field. A descriptive and interpretive essay introduces each cycle and is followed by a series of full-page and double-page color plates-many of them new photography of recently restored frescoes-covering the entire work. This parade of colorful masterpieces, paired with Steffi Roettgen's authoritative text, makes a brilliant volume that will be treasured by scholars and art lovers alike. A second volume, Professor Roettgen's Italian Frescoes: The Flowering of the Renaissance, 1470-1510 , continues the story with works by Botticelli, Ghirlandaio, and many others.

Language Notes
Text: English (translation)
Original Language: German

About the Author
Steffi Roettgen studied at the universities of Munich, Erlangen, and Bonn and has taught at the Technical University of Berlin and the University of Munich, where she currently lectures on fifteenth- to eighteenth-century Italian art. Antonio Quattrone is regarded as one of the leading photographers of works of art; his many books include Mantegna's Camera degli Sposi (Abbeville/Electa).


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Certain Italian fresco cycles, notably the Brancacci Chapel in Florence by Masaccio, Masolino, and Filippino Lippi, are well known. Others, such as Piero della Francesca's work in Arezzo and Benozzo Gozzoli's Chapel of the Magi in Florence, have been reproduced countless times. Yet no publisher - until now - has attempted to gather together and document in extensive photographs the essential fresco cycles of the early Italian Renaissance. The list of works covers the regions of Italy, from the Alpine mountain areas to Puglia, with an emphasis on Tuscany and Florence, the artistic center that gave life to the Renaissance. Italian Frescoes: The Early Renaissance, 1400-1470 opens with a concise introductory text discussing various aspects of fifteenth-century fresco painting: artists, patronage, cultural and historical conditions, technical methods, and questions of local tradition. The central section of the book examines twenty-one fresco cycles, each representing a crowning achievement in this field. A descriptive and interpretive essay introduces each cycle and is followed by a series of full-page and double-page color plates - many of them new photography of recently restored frescoes - covering the entire work.


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