Metapolitics: From Wagner and the German Romantics to Hitler FROM THE PUBLISHER
"The term "metapolitics," a coinage from Richard Wagner's nationalist circle, signifies an ideology resulting from five distinct strands: romanticism (embodied chiefly in the Wagnerian ethos), the pseudo-science of race, Fuehrer worship, vague economic socialism, and the alleged supernatural and unconscious force of the Volk collectivity. Together, those elements engendered an emphasis on irrationalism and hysteria and belief in a special German mission to direct the course of the world's history." Viereck analyzes nineteenth-century German thought's conflicting attitudes toward political procedures and social arrangements rooted in classical, rational legalistic, and Christian traditions. This edition includes an appreciation by Thomas Mann and an exchange with Jacques Barzun debating Viereck's criticism of German romanticism. Viereck's essays on the case of Albert Speer, on Claus von Stauffenberg (the German officer who led the army conspiracy to assassinate-Hitler), and on the poets Stefan George and Georg Heym appear here for the first time in book form.
SYNOPSIS
In the 1941 first edition (Alfred A. Knopf), in the context of a very possible Nazi victory, poet, critic, and historian Vierick indicted Hitler in terms of the Judaic-Christian ethical tradition, and located certain elements of the Nazi worldview in German romantic poetry, music, and social thought. He added several appendices for a second edition (Putnam Capricorn) in the calmer times of 1961 and 1965, and here adds a hundred pages updating the understanding of German culture and including quotes from Cosima Wagner's diaries about her husband Richard. Annotation ©2004 Book News, Inc., Portland, OR