The Living Room of the Dead FROM THE PUBLISHER
Falling in love has consequences--there's nothing new about that. But when an elite Brit falls for a Russian prostitute and wants to get her away from her pimp in Macau and marry her, those consequences become deadly.
Journalist Ray Sharp doesn't need someone else's troubles, but when his colleague pleads for help, his conscience won't let him say no. What seems like a simple favor entangles Ray in a maze of horror and violence that leads from the glittery nightclubs and sleazy brothels of Macau to a chamber of horrors on an island in the South China Sea and finally to Russia's Mafia-infested Pacific seaport of Vladivostok.
Based on a true story, The Living Room of the Dead takes place in the milieu of the decadent ex-pat life in Hong Kong and Macau at a dizzyingly dramatic time: These cities are about to fall back under Chinese rule. Fearful, people grab for whatever they can get. The air itself reeks of sex, money, and power. Here the only thing a person can count on is what's inside himself. For Ray, even that is something to wrestle with.
FROM THE CRITICS
Kirkus Reviews
Who lives by the hooker meets the reaper. So instructs this modest, and marginal, first novel retailing the adventures of one Ray Sharp, expat editor of a Hong Kong-based financial news monthly, man about town and future candidate for liver transplantation. Ray is fond of minding his own business in nearby Macao, to which he retreats for adult recreation, this being 1995, before either Hong Kong or the nearby foreign colonies have reverted to Chinese rule. Interrupting this leisure is a junior colleague, a plummy scion of London bankers who has been seeking his own recreation in the arms of a Russian prostitute having trouble with her boss: a Mafiya type who is decidedly no fun. He begs for help. Ray knows a thing or two about Russian hookers, having one himself as a long-distance girlfriend, and, besides, it promises to make a story or two. Thus Ray goes up against a very well-oiled crime machine whose depths he can only begin to guess at. It's a little exciting for him, we imagine, because he gets to tussle with giant Soviet-era women who've honed their various skills in the Gulag, and then luxuriate with more compact models who would be supermodels were they not working the ports. Yet, warns both a CIA type and Ray's well-intentioned Portuguese biker pals, he's messing with more than he can handle. It's less exciting for us, who must read page after page of portentous prose: "The Roman is the most dangerous of all. He is from Vladivostok. People say that he is crazy." And, "The one with the sword and the hearts means that she's killed three men, one for each heart. She'll get more put on when she kills more." Still, there are moral lessons to be found in these pages: don't get drunkaround the clock, keep a low profile, find a nice partner, stay out of the way of the bad guys. An amateurish debut effort. Imagine Graham Greene would have done with the same material.
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