Elizabeth Barrett and Robert Browning: A Creative Partnership FROM THE PUBLISHER
This volume, the first full-length comparative study of the Brownings' poetry since the early twentieth century, examines the creative partnership of Elizabeth Barrett and Robert Browning through a critical analysis of the poems written by this famous couple during the sixteen-year period of their friendship, courtship, and marriage. First attracted to each other by similarities in their poetry, the Brownings were both scholarly poets, and continually experimented with versification. Through their famous courtship correspondence of 1845-46, this cerebral attraction developed into creative exchange, erotic passion, and a reciprocal professional partnership. Pollock shows how, against the critical tide of the time, Elizabeth Barrett Browning became Robert Browning's most sympathetic reader and his most astute critic, and how, in return, Robert Browning encouraged his wife to challenge the "poetess" stereotype by writing about the public sphere, and to risk critical censure by commenting honestly in her work about the real lives of men and women.
This book will be of interest to scholars of nineteenth-century literature, as well as to those exploring the nature of close critical dialogue among working poets.
SYNOPSIS
Writing was at the core of the relationship between the two poets during their entire life together from 1845 to 1861, says Pollock (English and women and gender studies, Stetson U., Florida). She reviews their separate art and inexperience before they met, then describes their artistic growth together period by period: a broken poem and double voices from 1844 to 1846, Browning beside himself and Giotto's tower to 1851, and a gallery of voices and searching for the best form through 1856. Annotation ©2004 Book News, Inc., Portland, OR