Merchant of Venice (Folger Shakespeare Library) ANNOTATION
Presents the original text of Shakespeare's play side by side with a modern version, with marginal notes and explanations and full descriptions of each character.
FROM THE PUBLISHER
For over four hundred years, in every country where Shakespeare's plays have been performed, The Merchant of Venice has aroused controversy and excitement. This edition is the first to offer a comprehensive account of the Merchant in performance. Charles Edelman's introduction challenges many of the myths and preconceptions associated with the play, and shows how historical events and cultural attitudes have shaped actors' interpretations and audience responses. The commentary, printed alongside the text, describes how different actors, directors and designers have approached each character and episode on stage, film and television, from the first performances in the 1590s to the present day. The extraordinary variety of The Merchant of Venice in production will give every reader new and different insights into one of Shakespeare's most powerful but troubling plays.
FROM THE CRITICS
Booknews
A collection of new perspectives on Shakespeare's most controversial play, for students. Essays open up the play's historical, cultural, and political significance, and demonstrate some of the ways in which contemporary criticism is both based on critical theory and is also about the practice of criticism. Specific subjects include Shakespeare and the Jews, colonization and miscegenation in the play, how to read the play without being heterosexist, and Venetian patriarchy. Annotation c. by Book News, Inc., Portland, Or.
AudioFile
Two worlds contrast in this problematic Shakespearean opus—sordid, mercantile Venice, where the usurer Shylock exacts a pound of flesh for collateral, and the magic island of the virtuous, clever Portia, whose father has set a fairy tale challenge for her suitors. The play is nearly impossible to perform in its original character—not only because of its manifest anti-Semitism, but because, with the exception of Portia, the good guys are no more pleasant than the villain. Nonetheless, the so-called comedy enjoys frequent revivals. In this CBC production, part of its Stratford Festival series, the producers have opted to give it no character whatsoever. While the production is meticulous, the acting is bland. The performers do little to clearly interpret the Elizabethan diction for listeners—again with the exception of Portia (Lucy Peacock), and her companion, Nerissa (Sarah Dodd). Y.R. (c) AudioFile 2003, Portland, Maine
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