Animal Attractions : Nature on Display in American Zoos

Choice
An interesting and readable history of zoos and influences on their development in the US.


Review
Animal Attractions carefully and importantly contextualizes the zoo amidst broader developments in American culture. . . . [A]n important contribution to the vital rethinking of zoos and urban space and the relationship of nature and culture in modern America.


Book Description
On a rainy day in May 1988, a lowland gorilla named Willie B. stepped outdoors for the first time in twenty-seven years, into a new landscape immersion exhibit. Born in Africa, Willie B. had been captured by an animal collector and sold to a zoo. During the decades he spent in a cage, zoos stopped collecting animals from the wild and Americans changed the ways they wished to view animals in the zoo. Zoos developed new displays to simulate landscapes like the Amazon River basin and African forests. Exhibits similar to animals' natural habitats began to replace old-fashioned animal houses. But such displays are only the most recent effort of zoos to present their audiences with an authentic experience of nature. Since the first zoological park opened in the United States in Philadelphia in 1874, zoos have promised their visitors a journey into the natural world. And for more than a century they have been popular places for education and recreation: every year more than 130 million Americans go to zoos to look at the animals and enjoy a day outdoors. The first book-length history of American zoos, Animal Attractions examines the meaning of nature in the city by looking at the ways zoos have assembled and displayed their animal collections. Situated literally and culturally in the American middle landscape, zoos are concrete expressions of longstanding tensions between wildness and civilization, science and popular culture, education and entertainment. In their efforts to promote nature appreciation, they reveal much about how our culture envisions the natural world and the human place in it and how these ideas have changed.


From the Inside Flap
"Elizabeth Hanson's Animal Attractions is much more than a history of zoological parks, it is rather a phenomenology of zoos and zoo people."--Terry Maple, Director, Zoo Atlanta "Hanson's finely crafted chronicle of the American zoo traces the perennial struggle between the need to entertain, the desire to educate, and the yearning for natural and scientific authenticity that surrounds the public exhibition of wild animals in captivity. Animal Attractions is essential reading for anyone with an interest in zoos and their history."--James Serpell, author of In the Company of Animals: A Study of Human-Animal Relationships "This thoroughly researched book explores the cultural and physical landscapes of America's zoos in fascinating detail. Hanson follows the progress--and the pitfalls--of every aspect of their journey from menageries to centers of conservation. She unflinchingly examines the wretched and the wonderful, the mediocre and the magnificent, and along the way she asks intelligent questions and reveals intriguing insights into an institution that is rarely examined with any seriousness."--David Hancocks, Director, Victoria's Open Range Zoo "This is an innovative, well-researched, engagingly written, and important study of the cultural history of zoos in America. Hanson is the first to tackle this rich subject in a book, and what she achieves is impressive."--Richard Burkhardt, author of The Spirit of System "Animal Attractions provides a fascinating, behind-the-scenes look at an important but historically neglected institution: the American zoo. Anyone who has ever enjoyed a day at the zoo will want to read this book to learn more about why we find the experience so compelling."--Mark V. Barrow, author of A Passion for Birds


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The word "zoo" itself replaced "menagerie," which carried aristocratic connotations. Indeed, the original "zoological gardens" of the late 19th century were democratic places, welcoming all classes and treating animals in an enlightened way -- unlike, say, carnivals and circuses. The ideas that sustained them were, as Elizabeth Hanson explains in Animal Attractions, progressive. These were not seedy, sideshow affairs where you went for cheap thrills but places for "recreation, self-improvement and spiritual renewal.


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