Roberto Clemente: Pride of the Pittsburgh Pirates FROM THE CRITICS
Publishers Weekly
Winter's (Fair Ball!: 14 Great Stars from Baseball's Negro Leagues) uneven narrative offers an overview of baseball great Clemente. The opening spreads introduce Roberto as a child in Puerto Rico, with "very little/ but a fever to play/ and win at baseball." He made a bat from a guava tree branch and fashioned a glove from a coffee-bean sack. The narrative quickly moves to Pittsburgh, where Clemente played for the Pirates, and his finesse on the field helped this last-place team go on to win the World Series his first season there (unfortunately, the text does not specify which year). Fueling the player's desire to excel at the game, Winter suggests, was the fact that although adored by his fans, Clemente did not receive respect or credit from American sportswriters (" `It's because I'm black, isn't it?"/ .../ It's because I am Puerto Rican,' " he asks the "sneering reporters"). The narrative highlights his "one-man show" during the 1971 World Series, in which the Pirates beat the favored Baltimore Orioles, and his 3,000th hit in 1972. Clemente's story ends tragically when his plane crashed as he headed to Central America to aid earthquake victims there. Rendered in watercolor, colored pencils and litho pencils, Colon's (A Band of Angels) art is inconsistent, juxtaposing evocative, richly textured and warmly hued paintings with less successful pen-and-inks. For baseball fans, this spotty biography leaves out many of the tantalizing details on the field, while newcomers may find Clemente's personality curiously distant and vague. Ages 4-8. (Mar.) Copyright 2005 Reed Business Information.
Kirkus Reviews
Growing up in Puerto Rico, Roberto Clemente dreamed of playing baseball. Too poor for regulation equipment, he hit soup cans with a tree branch. In spite of his obvious talent, throughout his career with the Pittsburgh Pirates, newspaper writers questioned his ability and used Latino stereotypes to denigrate him. The sheer brilliance of his play in 1971 and 1972 finally awakened the media to his greatness. Sadly, before he could bask in the adulation, he was killed in a plane crash while flying to aid victims of an earthquake. Winter employs straightforward, powerful language to capture the essence of the man. Each two lines of text are separated by a blank line, giving the appearance and cadence of poetry. Colon enhances the text with a variety of techniques, including mixing black and white and color pages and repeating images from different perspectives. A well-constructed introduction to a compassionate, dignified, multi-talented sports hero. (Picture book/biography. 6-10)