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I Dreamed I Was a Ballerina

AUTHOR: Anna Pavlova
ISBN: 0689846762

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         Editorial Review

I Dreamed I Was a Ballerina
- Book Review,
by Anna Pavlova


Amazon.com
A young girl's discovery of ballet is combined with the magic of French Impressionist Edgar Degas's paintings to create a story as delicate and lovely as the ballerina herself. Drawn from the 1922 autobiography of prima ballerina Anna Pavlova, this reminiscence tells of her first trip to the ballet to see Sleeping Beauty with her mother. Her youthful words reflect the sweet wonder of the experience, as well as the gentle love between mother and child. The moment the breathless Pavlova voices her desire to dance on the stage one day, followed by her mother's response that she is "her silly little dear," is made all the more poignant by the reader's knowledge that this particular little girl's dream did come true.

Filled with the enchanting details of the ballet, and perfectly accompanied by the famous ballerina paintings of Degas, this is a book to be treasured by dancers, art lovers, and devotees of ballet alike. (Ages 4 to 8) --Emilie Coulter


From Publishers Weekly
The magic of royalty and ballet combine against an Edgar Degas backdrop for Anna Pavlova's I Dreamed I Was a Ballerina. Using simple language, the Russian dancer vividly describes the pleasure, awe and inspiration drawn from Sleeping Beauty, her first glimpse of the ballet. Copyright 2002 Cahners Business Information, Inc.


From School Library Journal
K-Gr 2-The story of the famous early-20th-century ballerina, drawn from Pavlova's memoir, Pages of My Life (Michel de Brunoff, 1922; o.p.). Although very poor, her widowed mother was able to take young Anna to a performance of Sleeping Beauty. It had a profound effect upon the child and her dream from that moment on was to become a ballerina and perform in that same theater-the Mariinsky in St. Petersburg. The language of the text is highly stylized, formal, and spare, albeit appropriate both for the story it tells and for the time in which it was originally told. The few sentences per page are dramatically illustrated by the paintings of Degas, and the selections for this text artfully enhance the words with their beauty. There is a pleasing variety of subjects (including musicians and audiences) and perspectives (dancers up close and from afar, in class, and on stage), and text and illustration are in a balanced counterpoint. A lovely pairing occurs when Pavlova's words about her newly discovered passion for ballet appear next to a pencil sketch of a young girl practicing at the bar. This understated moment is followed by a wordless full-spread presentation of The Dance Class, an exuberant painting of ballerinas, color, movement, and anticipation. The contrast is breathtaking. End notes provide more details about Pavlova's life and about Degas's ballet-inspired art.Dorian Chong, School of Library and Information Science, San Jose State University, CACopyright 2001 Cahners Business Information, Inc.


From Booklist
Gr. 3-5. This unusual book features the words of Anna Pavlova paired with paintings by Edgar Degas. Pavlova relates how her childhood experience of attending a ballet inspired her love of dance and her ambition to become a ballerina. Though the paintings are not illustrations of the text, they accompany it quite amiably, particularly in the many ballet scenes. It seems doubtful that Degas would have approved the bright, cotton-candy pink of the endpapers and jacket flaps, but the cream-colored pages, elegant design, and well-reproduced paintings within are quite beautiful. Young ballet lovers will be charmed with both Pavlova's brief, vivid memoir and Degas' paintings. Carolyn Phelan
Copyright © American Library Association. All rights reserved


Book Description
Every girl remembers her first trip to the ballet: the anticipation beforehand, the orchestra's first notes, the ethereal beauty of the ballerinas. This is a tale of one such girl who was caught up in ballet's mesmerizing spell and became one of the greatest ballerinas of all time. In a story drawn from her memoirs, Anna Pavlova describes her first visit to the ballet to see the Sleeping Beauty. With simple, childlike language, she captures her love for her mother, the splendor of the ballet, and the moments that changed her life. The words are matched with paintings, pastels, and drawings of the French Impressionist Edgar Degas, to give this story all the magic of a fairytale. Complete with short biographies of Pavlova and Degas, I Dreamed I Was a Ballerina will delight any child with ballerina dreams.


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         Book Review

I Dreamed I Was a Ballerina
- Book Reviews,
by Anna Pavlova

I Dreamed I Was a Ballerina

FROM THE PUBLISHER

Every girl remembers her first trip to the ballet: the anticipation beforehand, the orchestra's first notes, the ethereal beauty of the ballerinas. This is a tale of one such girl who was caught up in ballet's mesmerizing spell and became one of the greatest ballerinas of all time.

In a story drawn from her memoirs, Anna Pavlova describes her first visit to the ballet to see the Sleeping Beauty. With simple, childlike language, she captures her love for her mother, the splendor of the ballet, and the moments that changed her life. The words are matched with paintings, pastels, and drawings of the French Impressionist Edgar Degas, to give this story all the magic of a fairytale.

Complete with short biographies of Pavlova and Degas, I Dreamed I Was a Ballerina will delight any child with ballerina dreams.

FROM THE CRITICS

Publishers Weekly

The magic of royalty and ballet combine against an Edgar Degas backdrop for Anna Pavlova's I Dreamed I Was a Ballerina. Using simple language, the Russian dancer vividly describes the pleasure, awe and inspiration drawn from Sleeping Beauty, her first glimpse of the ballet. ( Oct.) Copyright 2001 Cahners Business Information.

Children's Literature

Here is a story of hope, a message of a dream fulfilled¾the childhood dream of Anna Pavlova that became reality. From the humblest and poorest of beginnings, Anna's mother still made provisions to provide special treats for her daughter. One such luxury was a visit to the theater to the ballet "Sleeping Beauty"—a favorite of Anna's. Great anticipation followed by extreme excitement is obviously felt by Anna, as her mother announces, "You are going to enter fairyland." How appropriate for the prelude to any ballet or theater performance, even today. Anna realizes her hearts desire right there. So begins the dream of Anna Pavlova. Added dimension is provided by the illustrations of French Impressionist, Edgar Degas. Sparse text is attractively contrasted by his detailed paintings and drawings. One can feel the drab coldness of Anna's neighborhood as well as sense the exuberance of the dancers and audience during a performance. A perfect gift for potential dancers of any age, lovers of impressionism, or anyone who has a dream that seems impossible. 2001, Atheneum Books for Young Readers, $16.00. Ages 4 to 8. Reviewer: Elizabeth Young AGES: 4 5 6 7 8

School Library Journal

K-Gr 2-The story of the famous early-20th-century ballerina, drawn from Pavlova's memoir, Pages of My Life (Michel de Brunoff, 1922; o.p.). Although very poor, her widowed mother was able to take young Anna to a performance of Sleeping Beauty. It had a profound effect upon the child and her dream from that moment on was to become a ballerina and perform in that same theater-the Mariinsky in St. Petersburg. The language of the text is highly stylized, formal, and spare, albeit appropriate both for the story it tells and for the time in which it was originally told. The few sentences per page are dramatically illustrated by the paintings of Degas, and the selections for this text artfully enhance the words with their beauty. There is a pleasing variety of subjects (including musicians and audiences) and perspectives (dancers up close and from afar, in class, and on stage), and text and illustration are in a balanced counterpoint. A lovely pairing occurs when Pavlova's words about her newly discovered passion for ballet appear next to a pencil sketch of a young girl practicing at the bar. This understated moment is followed by a wordless full-spread presentation of The Dance Class, an exuberant painting of ballerinas, color, movement, and anticipation. The contrast is breathtaking. End notes provide more details about Pavlova's life and about Degas's ballet-inspired art.-Dorian Chong, School of Library and Information Science, San Jose State University, CA Copyright 2001 Cahners Business Information.

Kirkus Reviews

A lovely conceit, sure to appeal to youngsters who dream of dancing. Using the words of the famous ballerina Anna Pavlova, the text tells the story, in the first person, of her first visit to the theater to see the ballet, a birthday gift from her mother. She was utterly dazzled by seeing Sleeping Beauty danced to the music of Tchaikovsky. "As soon as the orchestra began to play, I became very grave and attentive, eagerly listening, moved for the first time in my life by the call of Beauty." She vowed to dance upon the stage at that very theater, and indeed she did. Pavlova's words are matched to a number of Degas's paintings of dancers, musicians, and figure studies. Author's notes offer background on Pavlova, who died in 1931, and a brief paragraph on Degas, who died in 1917. They most likely never met, though Degas might have seen her perform in Paris. No matter, the spirit that moved them both is apparent in this charming coupling. (picture notes, source notes) (Picture book. 4-10)


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