I, Che Guevara FROM THE PUBLISHER
Sometime during the summer of 1999 a mysterious elderly stranger appears in rural towns around Cuba, quietly advocating a new kind of politics he calls "the true republic." Old-timers begin to suspect that the stranger, who calls himself Ernesto Blanco, may actually be the martyr Ernesto "Che" Guevara. Shortly thereafter, Fidel Castro steps down from power in exchange for a commitment from the United States to recognize Cuba and lift the embargo. Diplomatic recognition, in turn, is conditioned upon free elections.
Two traditional parties are formed: One is a successor to the Communist Party and the other is composed of U.S./Mafia-backed Cuban exiles. As the True Republic movement spreads like wildfire throughout Cuba, each faction devises a plot to get rid of Ernesto Blanco-by assassination if necessary.
I, Che Guevara culminates in a frantic last-minute run up to the election in which assassins from both sides play key roles. Within the context of this revolutionary adventure, Cuba becomes a metaphor for the struggle of people throughout the world to evolve a new kind of politics, a politics with a human face.
FROM THE CRITICS
Publishers Weekly
Che Guevara, the iconic guerrilla and revolutionary, is not dead. He was not killed in an ambush in the Bolivian mountains in 1967. Instead, after 32 years on the run in the Third World, he is back in Cuba leading a galvanizing new revolution against both communism and capitalism. Blackthorn (Sins of Our Fathers), a political figure on the international intelligence scene who writes under a pseudonym, has produced a gripping and unusual political thriller of contemporary Cuban politics and Cuban-U.S. relations. As the novel begins, a tired and aged Fidel Castro strikes a deal with the U.S.--he will step down and allow free elections in return for U.S. diplomatic recognition and removal of all embargoes and sanctions. The bargain is accepted and the Communist left and the Miami-based (and Mafia-backed) right square off for the presidential election. This is a bitter rivalry of political titans, but soon a new party, the True Republic, led by a white-haired and fiery Che, starts to gain popularity. Known only as Ernesto Blanco, the ex-guerrilla never admits he is Che, but the Cuban people cannot believe otherwise. The left, the right and the fumbling White House all panic at the spreading rumors that Guevara is back, and they try every dirty trick in the book to get rid of him--manipulation, treachery, threats, intimidation, bribery, media payoffs and even assassination. But despite desperate measures by the big boys, Che's grassroots drive for populist local self-determination gains unstoppable momentum. A savvy but worn-out TV anchorwoman, a na ve State Department analyst and even a hired killer are all spellbound by Che's simple message--govern yourself. Politics may be nothing more than bad theater, but Blackthorn's political drama is compelling and believable, written with style, clarity and conviction. Agent, Philippa Brophy at Sterling Lord Literistic. (Jan.) Copyright 1999 Cahners Business Information.
Library Journal
Taking as its premise the willing retirement of Fidel Castro, this novel speculates about Cuba's immediate future. As the novel opens, a white-haired gent from the provinces begins to draw attention to his new Cuban freedom movement--called "The Republic." Rumor soon has it that this is Ernesto "Che" Guevara returned to public life decades after his reported death. Bolstered by the efforts of two powerful American women--a journalist and an assassin--his movement leapfrogs to the world's attention. The percussive pace and energy of an election-year yarn alternates with inward passages as Ernesto deliberates privately about political theories and effective government. The pseudonymous Blackthorn (who is, supposedly, a well-known figure in State Department circles) writes with passion, skill, and a sure knowledge of Cuba. This book will find ardent readers--but they may constitute a niche audience. For public libraries. [Previewed in Prepub Alert, LJ 9/15/99.]--Barbara Conaty, Library of Congress Copyright 1999 Cahners Business Information.
Jonathon Keats - The New York Times Book Review
What's winning about the novel's
premise is the opportunity it affords the author to consider the Cuban
people apart from their government. His prose may read like boilerplate,
but Blackthorn -- the pseudonym of ''a political figure whose name is well
known in international capitals and intelligence circles'' -- provides
readers with the benefit of his Latin American experience.