Rikki-Tikki-Tavi
- Book Review,
by Jerry Pinkney (Illustrator), Rudyard Kipling
From Publishers Weekly
With this newly illustrated edition of the treasured classic--written in the 1890s as part of the Jungle Books --readers can once again be captivated by the tale of a mongoose who is taken in by a family of British colonials living in India. Although a few Victorianisms in the text will need to be explained to young readers, the story has held up remarkably well over a century's time. Rikki's fight to defend his family from the menacing cobras Nag and Nagaina remains as suspenseful and emotive as ever. The creatures of the Indian garden come truly alive in Kipling's expert prose--the birds sing out messages of joy and warning; the cobra rears and spreads his sinister hood; the brave mongoose leaps and springs, victorious at last. In Davis's ( The Jolly Mon ; Trouble Dolls ) acrylic paintings, dominated by the greens of the garden and the browns of the earth, readers can clearly see the nut-colored mongoose, his adoptive family in their period dress and the slithering snakes. However, the artist's style and chosen medium produce a somewhat flat, torpid appearance. Razor-sharp writing with rather dull artistic accompaniment. Ages 6-up. Copyright 1992 Reed Business Information, Inc.
From School Library Journal
Kindergarten-Grade 4. In this glorious picture book, Pinkney's accessible retelling and dramatic watercolors plunge readers into the lush garden Rikki rules and the life of the family he comes to guard. The large pictures (often spreading across much of a facing page) can barely contain the mongoose's energy as his lithe body twists and turns, evading and attacking the cobras and the brown snake, curling in young Teddy's arms, and basking in the family's adulation. Pinkney's humans are not idealized, and Rikki, while eminently pettable, is not anthropomorphized. The subdued natural colors of the animals contrast with the garden's riot. The splash of a yellow squash blossom; Teddy's crimson shirt; a scarlet hibiscus; or the burnished head of Darzee, the tailor bird, add grace notes to the shimmering pages. This great story has been given the loving treatment it deserves.?Patricia Lothrop-Green, St. George's School, Newport, Copyright 1997 Reed Business Information, Inc.
From AudioFile
This recording was among 29 recorded books recommended by the Association of Library Service to Children of the American Library Association in January 2000. The much-loved RIKKI-TIKKI-TAVI gains an added dimension with evocative music as well. Not only is the wide cast fully voiced with hissing cobras, squeaky tailorbirds and the sensible little mongoose, all in Indian and British accents, but music underlies every scene, whether for suspense, triumph or sorrow. T.B. (c) AudioFile 2000, Portland, Maine-- Copyright © AudioFile, Portland, Maine
From Kirkus Reviews
Pinkney dwells on this story of Rikki-tikki-tavi, the sensible, brave mongoose adopted by an English family living in India. The animals speak to each other, so readers know how the little mongoose is aided by the tailorbird, Darzee, and and his wife in escaping death from the menacing cobras who hope to kill the human family and raise their 25 hatchlings in an empty house. Excitement and danger ebb and flow throughout the illustrations for this classic story. The people are drawn with less vitality than the creatures, yet the stances and concerns of the human parents echo those of the animals for their children. Exotic flora borders garden baths; a few details--an antique inkwell- -exemplify the period; yet the true strength of the large watercolors is in the framing of deadly fighting and impending attacks. Pinkney puts his heart into a story he loves, and makes it live again. (Picture book. 5-10) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
Book Description
Here is the thrilling story of Rikki, a fearless young mongoose who finds himself locked in a life-and-death struggle to protect a boy and his parents from Nag and Nagaina, the two enormous cobras who stalk the gardens outside the familys home in India. Nobel Prize winner Rudyard Kiplings timeless masterpiece has been lovingly passed from one generation of readers to the next. Triumphantly brought to life in stunning watercolors from Caldecott Honor artist Jerry Pinkney, this is a tale that will win the hearts of young and old alike
Card catalog description
A courageous mongoose thwarts the evil plans of Nag and Nagaina, two big black cobras who live in the garden.
About the Author
Jerry Pinkney has illustrated children’s books since 1964, and among his titles are three winners of the Caldecott Honor Medal and four recipients of the Coretta Scott King Award.He was a nominee for the Hans Christian Andersen Award and has received five awards for the body of his work, along with four gold medals and two silver medals from the Society of Illustrators.His paintings have been exhibited across the country and around the world.Mr. Pinkney and his wife, author Gloria Jean Pinkney, live in Croton-on-Hudson, New York. In His Own Words..."I grew up in a small house in Philadelphia, Pennsylvania. I was a middle child of six. I started drawing as far back as I can remember, at the age of four or five. My brothers drew, and I guess in a way I was mimicking them. I found I enjoyed the act of putting marks on paper. It gave me a way of creating my own space and quiet time, as well as a way of expressing myself. You can imagine six children competing for attention and to be heard. I would sit, watching and drawing."In first grade I had the opportunity to draw a large picture of a fire engine on the blackboard. I was complimented and encouraged to draw more. The attention felt good, and I wanted more. I was not a terrific reader or adept speller in my growing-up years, and I felt insecure in those areas. Drawing helped me build my self-esteem and feel good about myself, and, with hard work, I graduated from elementary school with honors."I attended an all-black elementary school, and I gained a strong sense of self and an appreciation of my own culture there. But Roosevelt Junior High was integrated. There I had many friends, both white and black, at a time when there was little mixing socially in school. There the spark for my curiosity about people was lit. You can see this interest and fascination with people of different cultures throughout my work."My formal art training started at Dobbins Vocational High School, and upon graduation I received a scholarship to the Philadelphia Museum College of Art. My major was advertising and design. The most exciting classes for me were drawing, painting, and printmaking. It is no wonder I turned to illustrating and designing books. For me the book represents the ultimate in graphics: first, as a designer, considering space, page size, number of pages, and type size; then, as an illustrator, dealing with the aesthetics of line, color, and form."There were three books that somehow magically came into my possession in the early sixties: The Wind in the Wows, illustrated by Arthur Rackham; The Wonder Clock, illustrated by Howard Pyle; and Rain Makes Applesauce, illustrated by Marvin Bileck. You can see those influences in my art today. Later, my work was greatly influenced by such African American artists as Charles White, Romare Bearden, and Jacob Lawrence."From the very beginning of my career in illustrating books, research has been important. I do as much as possible on a given subject, so that I live the experience and have a vision of the people and places. To capture a sense of realism for characters in my work, I use models that resemble the people I want to portray. My wife, Gloria Jean (also an author), and I keep a closetful of old clothes to dress up the models, and I have the models act out the story. Photos are taken to aid me in better understanding body language and facial expressions. Once I have that photo in front of me I have freedom, because the more you know, the more you can be inventive."For illustrating stories about animals, I keep a large reference file of over a hundred books on nature and animals. The first step in envisioning a creature is for me to pretend to be that particular animal. I think about its size and the sounds it makes, how it moves (slowly or quickly), and where it lives. I try to capture the feeling of the creature, as well as its true-to-life characteristics. There are times when the stories call for the animals to be anthropomorphic, and I've used photographs of myself posing as the animal characters."It still amazes me how much the projects I have illustrated have given back to me in terms of personal and artistic satisfaction. They have given me the opportunity to use my imagination, to draw, to paint, to travel through the voices of the characters in the stories, and, above all else, to touch children."
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