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As Seen on TV: The Visual Culture of Everyday Life in the 1950s

AUTHOR: Karal Ann Marling
ISBN: 0674048830

SHORT DESCRIPTION: From the paint-by-numbers fad, to the public fascination with Mamie Eisenhower's apparel, to the visual explosion that was Elvis Presley on stage, As Seen On TV explores what Americans saw and what they looked for during television's first golden...

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         Editorial Review

As Seen on TV: The Visual Culture of Everyday Life in the 1950s
- Book Review,
by Karal Ann Marling


Amazon.com
Opening with a photograph of a 1950s Disneyland home designed in the shape of a TV (by those fun-loving futurists at MIT), this book's text and photos consistently maintain a balance between insightful social commentary and critique and sensitive recapturing of the essence of visual broadcast's dawn.


From Publishers Weekly
Historian Marling (Iwo Jima: Monuments and the American Hero) takes us back to those early days of television, when Ike was in the White House and everybody loved Lucy. The author explains TV's tremendous influence: it allowed Mrs. Eisenhower to give the nation the "Mamie Look," and advertised both Disneyland and the big-business "leisure society" created by the 40-hour workweek. Marling also looks into America's love affair with the automobile ("Drive your Chev-ro-lay through the USA," sang Dinah Shore); the importance of Elvis and Betty Crocker; and Cold War politics, featuring Richard Nixon in the kitchen with Nikita Khrushchev. A nostalgic, informative and sometimes funny view of 1950's American culture. Photos. Copyright 1994 Reed Business Information, Inc.


John Updike, New York Times Book Review
An intellectual romp, a dizzying free fall through the exuberant "visual culture" of that first post-World War II decade.


Los Angeles Times
Karal Ann Marling's enthusiasm is refreshing, entertaining, and imaginative. Her energy is infectious. . . . I'd like to see her tackle the '60s next.


From Kirkus Reviews
An absorbing study of the role of style and design in early postwar American culture. Marling (Art History and American Studies/ Univ. of Minnesota; coauthor of Iwo Jima: Monuments and the American Hero, 1991) examines the period when TV first leveled its electronic gaze at American life and a dynamic new set of visual and cultural values were born. She describes leisure pursuits like amateur painting-- and its ghastly derivative, the paint-by-numbers set--that rose with the country's self-conscious new prosperity; the growth of automobile fetishism; kitchen gadgets and their meaning for ever- busier women; Elvis's nouveau-riche stylistic pretensions; and national unease over the comparative worth of less frivolous Soviet accomplishments. The book begins slowly, detailing the national obsession with Mamie Eisenhower's hair and clothing, but gathers momentum in describing Disneyland's antecedents, the psychosexual lure of chrome-laden cars, and the growing hegemony of design over function in the development of American products. Marling writes with flair, and her text engages the reader even when profound insight is lacking. Readers may disagree with her on occasion (that ``the French [fashion] salon is a woman's place, ultimately governed by her preferences and skills'' seems debatable). And sometimes the breezy tone is less appropriate--memoranda showing how Betty Crocker psychologists exploited women's fears of failure in the kitchen arouse no comment from the author. Assertions that designers provided buyers a sensation of mobility and choice, and that these aren't bad aims, on the other hand, make sense. And Marling's right in noting that critics often missed what was pleasurable--and anti-elitist--about ``populuxe'' fashions of the '50s. Though Marling chooses to remain more chronicler than critic, this archaeology of our recent visual past is as important as any recent political history of the period, and far fresher in approach. (Illustrations, not seen) -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.


From Book News, Inc.
Marling (art history, American studies, U. of Minnesota) captures a visual culture reflecting and reflected in the new medium of television in the 1950s. She looks at instances in which the principles of design dominated the public arena, such as Mamie Eisenhower's new look, Disneyland, America's love affair with the car, Betty Crocker's cook book, and Nixon in Moscow. Includes b&w photos. Annotation copyright Book News, Inc. Portland, Or.


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         Book Review

As Seen on TV: The Visual Culture of Everyday Life in the 1950s
- Book Reviews,
by Karal Ann Marling

As Seen on TV: The Visual Culture of Everyday Life in the 1950s

ANNOTATION

From the paint-by-numbers fad, to the public fascination with Mamie Eisenhower's apparel, to the visual explosion that was Elvis Presley on stage, As Seen On TV explores what Americans saw and what they looked for during television's first golden era, the 1950s.

FROM THE PUBLISHER

It was America in the 1950s, and the world was not so much a stage as a setpiece for TV, the new national phenomenon. It was a time when how things looked—and how we looked—mattered, a decade of design that comes to vibrant life in As Seen on TV. This book captures a visual culture reflecting and reflected in the powerful new medium of television. Looking closely at a number of celebrated instances in which the principles of design dominated the public arena and captivated the popular imagination, Karal Ann Marling gives us a picture of the taste and sensibility of the postwar era. From Walt Disney's Wednesday night TV show, the leap was easy to his theme park, where the TV characters could be seen firsthand, and Marling conducts us through this heady concoction of real life and fantasy. She takes us into the picture-perfect world of Betty Crocker's Picture Cook Book of 1950, and shows us how the look of food, culminating in the TV Dinner, attained paramount importance. From the public fascination with the First Lady's apparel to the television sensation of Elvis Presley to the sculptural refinement of the automobile, Marling explores what Americans saw and what they looked for with a gaze trained by TV. A study in style and in material culture, her book shows us those artful everyday objects that stood for American life in the 1950s, as seen on TV.

FROM THE CRITICS

Publishers Weekly

Historian Marling (Iwo Jima: Monuments and the American Hero) takes us back to those early days of television, when Ike was in the White House and everybody loved Lucy. The author explains TV's tremendous influence: it allowed Mrs. Eisenhower to give the nation the "Mamie Look,'' and advertised both Disneyland and the big-business "leisure society'' created by the 40-hour workweek. Marling also looks into America's love affair with the automobile ("Drive your Chev-ro-lay through the USA,'' sang Dinah Shore); the importance of Elvis and Betty Crocker; and Cold War politics, featuring Richard Nixon in the kitchen with Nikita Khrushchev. A nostalgic, informative and sometimes funny view of 1950's American culture. Photos. (Sept.)

Booknews

Marling (art history, American studies, U. of Minnesota) captures a visual culture reflecting and reflected in the new medium of television in the 1950s. She looks at instances in which the principles of design dominated the public arena, such as Mamie Eisenhower's new look, Disneyland, America's love affair with the car, Betty Crocker's cook book, and Nixon in Moscow. Includes b&w photos. Annotation c. Book News, Inc., Portland, OR (booknews.com)


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