The Other Woman FROM THE PUBLISHER
The internationally bestselling author of To Have and To Hold confirms her place as one of the wittiest observers of modern life.
Unabridged CD 11 CDs, 12 hours
SYNOPSIS
Jane Green's bestselling novels are rich with wry, clever insights into the
romantic lives of her idiosyncratic heroines, winning them a devoted fan
base.
If opposites attract, Ellie Dan are perfect for each other. She's impulsive;
he follows all the rules. Ellie is a virtual orphan, whereas Dan's family is as
close-knit as they come. At first, Ellie is thrilled to be accepted into the
Cooper clan and embraces Dan's mom, Linda, as the mother she never had-until she
beings to realize that Linda's "mothering" is far more intrusive than even the
best daughter-in-law can handle. What can Dan and this mother possibly have to
talk about on the phone twice a day? And how has the intimate civil ceremony
Ellie always dreamed of turned into a black-tie affair that would rival a royal
wedding? Suddenly, Ellie finds herself wondering if it's possible to get an
annulment-from Linda.
A hilarious yet touching look at mothers-in-law and what they teach us about
ourselves, The Other Woman is a brilliant hit from a novelist whose star just
continues to rise.
FROM THE CRITICS
People
Green gives readers a lovably imperfect protagonist, a heart-to-heart narrative voice and a bumpy, error-strewn highway to romance.
The Washington Post
A smart, complex, character-driven read.
Redbook
The prose is witty, and the tell-it-like-it-is portrayal of motherhood will have you laughing out loud.
Publishers Weekly
Ellie's found her Mr. Right-too bad his mom's got him all wrapped up in her apron strings. Bestseller Green (Bookends; Jemima J; etc.) saddles her heroine with the mother-in-law from hell in her latest bit of comic frippery. Ellie's mom was an alcoholic who died when Ellie was 13, so it's understandable that at first she's "over the moon" about being embraced by Dan's entire family. But poor Ellie never saw the meddlesome Mrs. Cooper coming. Mrs. Cooper calls her three times a day at work, plays devoted son against desperate daughter-in-law, takes control of the wedding plans and then, after the wedding and then birth of Ellie's son, Tom, seems to forget that Ellie even exists ("Hello, my gorgeous boys," she croons into the answering machine). More and more significant troubles loom: having a baby is hard! Marriage is hard! Green offers scenes of real pathos. ("We've become one of those couples that I used to dread becoming: the couples that sit in restaurants all night and don't say a word to each other"). The setup is solid, but the prose is flat: Ellie narrates with all the energy and lan of a bored, middle-aged housewife. She perks up, though, at the requisite happy ending. (Apr.) Copyright 2005 Reed Business Information.