Dance as Text : Ideologies of the Baroque Body (Res Monographs in Anthropology and Aesthetics)

Book Description
Dance as Text is an historical and theoretical examination of French court ballet over a hundred-year period, beginning in 1573, that spans the late Renaissance and the Baroque. Utilising aesthetic and ideological criteria, Mark Franko analyses court ballet librettos, contemporary performance theory, and related commentary on dance and movement in the literature of this period. Examining the formal choreographic apparatus that characterises late Valois and early Bourbon ballet spectacle, Franko argues that the evolving aesthetic ultimately reflected the political situation of the noble class, who devised and performed court ballets. Franko's analysis blends archival research with critical and cultural theory in order to re-situate the burlesque tradition in its politically volatile context.


Buy from Amazon     Compare Prices

Dance as Text: Ideologies of the Baroque Body is a historical and theoretical examination of French court ballet over a hundred-year period, beginning in 1573, that spans the late Renaissance and the early baroque. Utilizing aesthetic and ideological criteria, Mark Franko analyzes court ballet librettos, contemporary performance theory, and related commentary on dance and movement in the literature of this period. Examining the formal choreographic apparatus that characterizes late Valois and early Bourbon ballet spectacle, Franko postulates that the evolving aesthetic ultimately reflected the political situation of the noble class, which devised and performed court ballets. He shows how the body emerged from verbal theater as a self-sufficient text whose autonomy had varied ideological connotations, most important among which was the expression of noble resistance to the increasingly absolutist monarchy. Franko's analysis blends archival research with critical and cultural theory in order to resituate the burlesque tradition in its politically volatile context. Dance as Text thus provides a picture of the complex theoretical underpinnings of composite spectacle, the ideological tensions underlying experiments with autonomous dance, and finally, the subversiveness of Moliere's use of court ballet traditions.


Buy from Barnes & Noble     Compare Prices