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Hard Core: Power, Pleasure, and the "Frenzy of the Visible"

AUTHOR: Linda Williams
ISBN: 0520219430

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         Editorial Review

Hard Core: Power, Pleasure, and the "Frenzy of the Visible"
- Book Review,
by Linda Williams


From Publishers Weekly
In academic prose, film professor Williams of the University of California offers a graphic analysis of hard-core porno movies such as Deep Throat , as well as early, anonymous stag flicks. She finds that the newer, "softer" X-rated rental videos "show a more genuinely adult quality" than earlier videos. She ponders the "utopian problem-solving intent" of the hard-core genre and makes specious comparisons between blue movies, Hollywood musicals and films like Dirty Dancing . Sadomasochistic porn films, she claims, let viewers experience "a clearer confrontation with the oscillating poles of our gendered identities and the role of power in them." A critic whose professed goal is to understand film pornography, and who opposes those who would censor it, Williams begins this obfuscating study by analyzing the portrayal of women in the 19th-century kinetoscope, prototype of the motion-picture projector. Copyright 1989 Reed Business Information, Inc.


From Library Journal
Hard Core traces ". . . the changing meaning and function of the genre of pornography. . . ." As a scholarly study of "'mainstream,' heterosexual, hard-core pornography," that is, as a specific film category, it is both articulate and comprehensive. However, the anticensorship view, while offering some valid arguments, minimizes today's realities--the violence and degradation of women. Perhaps pornography should be about fantasy and sex, but at least for now, it is more about power. As a study of film genre, Hard Core is recommended for upper level students. However, its social context should be tempered by other works.- Frada L. Mozenter, Univ. of North Carolina at Charlotte Lib.Copyright 1989 Reed Business Information, Inc.


Kate Ellis, New York Times Book Review
"Some much-needed thinking about the social function of so-called offensive imagery has recently begun to come forth, thinking that leaves polemics behind and gets back to basics. Hard Core is one of the best examples of this development. . . . It is to Ms. Williamss credit that, while drawing on a wide range of theoretical work from her academic discipline, she never forgets that the quest for scientia sexualis takes place in an unfilmed, gendered world where men call most of the shots."


Alan Wolfe, The New Republic
"Hard Core is a brilliant demolition of the position that pornography represents one thing only. Arguing against the feminist case for censorship, Williams urges that we take pornography seriously, which does not mean that we like it, or that we believe it is art."


Anne McClintock, Voice Literary Supplement
"Brilliant . . . sidesteps the old, exhausted quarrels and offers a piercing analysis of the power politics of the medium. . . . Drawing on cultural, feminist, Marxist, and psychoanalytic theories, Williams gives a scintillating account of what porn does, including what it does for women."


Book Description
In this now-classic study, Linda Williams moves beyond the impasse of the anti-porn/anti-censorship debate to analyze what hard-core film pornography is and does--as a genre with a history, as a specific cinematic form, and as part of contemporary discourse on sexuality. For the 1999 edition, Williams has written a new preface and a new epilogue, "On/scenities," illustrated with 25 photographs. She has also added a supplementary bibliography.


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         Book Review

Hard Core: Power, Pleasure, and the "Frenzy of the Visible"
- Book Reviews,
by Linda Williams

Hard Core: Power, Pleasure, and the "Frenzy of the Visible"

FROM THE PUBLISHER

In this now-classic study, Linda Williams moves beyond the impasse of the anti-porn/anti-censorship debate to analyze what hard-core film pornography is and does - as a genre with a history, as a specific cinematic form, and as part of contemporary discourse on sexuality. For the 1999 edition, Williams has written a new preface and a new epilogue, "On/scenities," illustrated with 26 photographs, and has added a supplementary bibliography.

FROM THE CRITICS

Publishers Weekly

In academic prose, film professor Williams of the University of California offers a graphic analysis of hard-core porno movies such as Deep Throat , as well as early, anonymous stag flicks. She finds that the newer, ``softer'' X-rated rental videos ``show a more genuinely adult quality'' than earlier videos. She ponders the ``utopian problem-solving intent'' of the hard-core genre and makes specious comparisons between blue movies, Hollywood musicals and films like Dirty Dancing . Sadomasochistic porn films, she claims, let viewers experience ``a clearer confrontation with the oscillating poles of our gendered identities and the role of power in them.'' A critic whose professed goal is to understand film pornography, and who opposes those who would censor it, Williams begins this obfuscating study by analyzing the portrayal of women in the 19th-century kinetoscope, prototype of the motion-picture projector. (Nov.)

Library Journal

Hard Core traces ``. . . the changing meaning and function of the genre of pornography. . . .'' As a scholarly study of ```mainstream,' heterosexual, hard-core pornography,'' that is, as a specific film category, it is both articulate and comprehensive. However, the anticensorship view, while offering some valid arguments, minimizes today's realities--the violence and degradation of women. Perhaps pornography should be about fantasy and sex, but at least for now, it is more about power. As a study of film genre, Hard Core is recommended for upper level students. However, its social context should be tempered by other works.-- Frada L. Mozenter, Univ. of North Carolina at Charlotte Lib.


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