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Women,Art,and Society

AUTHOR: Whitney Chadwick
ISBN: 0500203547

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         Editorial Review

Women,Art,and Society
- Book Review,
by Whitney Chadwick


Choice
An ideal source for students and scholars alike.


Women's Art Journal
Chadwick opens up whole new ways of thinking about familiar images.


ForeWord Magazine, Fall 2002
A richly academic, momentous volume of art history which traces the arduous path that women artists continue to forge.


Book Description
This acclaimed study challenges the assumption that great women artists, such as Artemisia Gentileschi, are exceptions who "transcended" their sex in achieving major works of art. In fact, many other women have produced paintings, sculptures, and crafts since the Middle Ages, and have been neglected. Whitney Chadwick provides much more than an alternative canon of women artists: she reexamines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism, and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class, and sexuality. Since Women, Art, and Society was first published in 1990, globalization, rapidly shifting demographic and geographic realities, and an explosion of new technologies have transformed the ways we think about the world, and prompted yet more critical consideration of how gender, sexual difference, race, and culture intersect. In an additional chapter for this expanded edition, Chadwick reflects on the new globalism in the visual arts and brings the discussion up to date by focusing on the many biennials, triennials, and other international art shows that have emerged during the 1990s to provide an important forum for a whole range of women artists from around the world. 303 illustrations, 79 in color.


From The WomanSource Catalog & Review: Tools for Connecting the Community for Women; review by Naomi Yavneh
Of course you've heard of Michelangelo, Rembrandt and Degas, but what about Artemisia Gentileschi, Judith Leyden and Berthe Morisot? If you left college art history classes wondering why women are so often the subject of Western art but so rarely its creators, this book will prove fascinating. In her comprehensive, readable and richly illustrated text, Whitney Chadwick examines not only the works of little-known but extremely gifted women artists, but the strategies by which women have been excluded from the traditional canon of "great artists." She points out numerous instances in which a woman's works have been attributed to her less talented father, lover or simply another, more famous male contemporary. Most importantly, Women, Art and Society illuminates a wonderful world of art which can speak for all of us-from a woman's perspective.


About the Author
Whitney Chadwick is Professor of Art at San Francisco State University. Her most recent publications include Women Artists and the Surrealist Movement, Significant Others, and Amazons in the Drawing Room: The Art of Romaine Brooks.


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         Book Review

Women,Art,and Society
- Book Reviews,
by Whitney Chadwick

Women,Art,and Society

FROM THE PUBLISHER

"This acclaimed study challenges the assumption that great women artists are exceptions to the rule who "transcended" their sex to produce major works of art. While acknowledging the many women whose contributions to visual culture since the Middle Ages have often been neglected, Chadwick's survey amounts to much more than an alternative canon of women artists: it re-examines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class, and sexuality." This expanded edition is brought up to date in the light of the most recent developments in contemporary art. A new chapter considers globalization in the visual arts and the complex issues it raises, focusing on the many major international exhibitions since 1990 that have become an important arena for women artists from around the world.

SYNOPSIS

The third edition of Chadwick's (San Francisco State U., Calif.) classic text on women and art contains two new chapters, on globalization and a feminist perspective of international exhibitions of the 1990s. Theoretical approaches to feminist art history are carefully described in the introduction. The text surveys women in art and women making art from the Middle Ages through the present. The bibliography is organized by topic or artist for each chapter. Though organized chronologically, this is a substantial text, devoted to themes and issues more than personalities. Annotation ©2003 Book News, Inc., Portland, OR

FROM THE CRITICS

Choice

An ideal source for students and scholars alike.

San Francisco Chronicle

Well written, accessible, a valuable tool for further research.

Women's Art Journal

Chadwick opens up whole new ways of thinking about familiar images.


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