Sister Carrie ANNOTATION
The driving forces of our culture -- restless idealism, glamorous material seductions and spiritual innocence -- are revealed in Dreiser's transformation of the conventional "fallen woman" story into a genuinely original work of imaginative fiction.
FROM THE PUBLISHER
An eighteen-year-old girl without money or connections ventures forth from her small town in search of a better life in Theodore Dreiser's revolutionary first novel. The chronicle of Carrie Meeber's rise from obscurity to fame -- and the effects of her progress on the men who use her and are used in turn -- aroused a storm of controversy and debate upon its debut in 1900. The author's nonjudgmental portrait of a heroine who violates the contemporary moral code outraged some critics, including the book's publisher, Frank Doubleday, who tried to back out of the agreement his firm had made with Dreiser. But other readers were elated -- and a century later, Dreiser's compelling plot and realistic characters continue to fascinate readers.
SYNOPSIS
'American writing, before and after Dreiser's time, differed almost as much as biology before and after Darwin,' said H. L. Mencken. Sister Carrie, Dreiser's great first novel, transformed the conventional 'fallen woman' story into a bold and truly innovative piece of fiction when it appeared in 1900.
FROM THE CRITICS
New York Times Book Review
We do not recommend the book to the fastidious reader, or the one who clings to old-fashioned ideas. It is a book one can very well do without reading. -- Books of the Century; New York Times review, May 1907
WHAT PEOPLE ARE SAYING
Ultimately what shocked the world in Dreiser's work was not so much the things that he presented as the fact that he himself was not shocked by them. Jonathan Lyons
American writing, before and after Dreiser's time, differed almost as much as biology before and after Darwin. Jonathan Lyons