Amazon.com
Set among the sweeping skirts and social upheavals of Edwardian London, Tracy Chevalier's Falling Angels is a meditation on change, loss, and recovery. Her central characters are two young girls of the same age, whose family plots are situated side-by-side in a cemetery modeled on Highgate. Lavinia Waterhouse is respectably middle-class, devoted, like her conventional, doting mother, to the right way to do things, although suspiciously well- schooled in subjects like funerary sculpture and the English practices of mourning. Her friend Maude Coleman comes from a slightly more privileged and free-thinking background. In contrast with Lavinia's mother, Maude's mother Kitty Coleman is well-educated by the standards of the day, and it has made her restless and irritable. But neither her reading, nor her gardening, nor her affair with the somber, high-thinking governor of the cemetery is enough for Kitty. She comes alive only when she discovers the women's suffrage movement, and her devotion to the cause takes her away from Maude in every sense.
Although the point of view shifts between many characters (with even the Coleman's maid and cook getting their say, sometimes unnecessarily), Falling Angels is essentially the children's story, since it is their lives that are most open to change. The narrative spans exactly the years of Edward VII's reign, from the morning after his mother Queen Victoria's death in January 1901 to his own death in May 1910. Chevalier (Girl with a Pearl Earring) deftly uses the nation's dramatically different mourning for these two monarchs to signal the social transformations of the period. Readers at ease with English history will find Falling Angels an unusually subtle novel, with an emotional range that recalls the best of the Edwardian novelists, E.M. Forster, and his quintessential novel of Edwardian manners, Howard's End. --Regina Marler
From Publishers Weekly
No small part of the appeal of Chevalier's excellent debut, Girl with a Pearl Earring, was its plausibility; readers could readily accept the idea that Vermeer's famous painting might indeed have been created under circumstances similar to Chevalier's imaginative scenario. The same cannot be said about her second novel. While Chevalier again proves adept at evoking a historical era this time, London at the turn of the 19th century she has devised a plot whose contrivances stretch credibility. When Maude Coleman and Lavinia Waterhouse, both five years of age, meet at their families' adjoining cemetery plots on the day after Queen Victoria's death, the friendship that results between sensitive, serious-minded Maude and narcissistic, melodramatic Livy is not unlikely, despite the difference in social classes. But the continuing presence in their lives of a young gravedigger, Simon Field, is. Far too cheeky for a boy of his age and class, Simon plays an important part in the troubles that will overtake the two families. Other characters are gifted with insights inappropriate to their age or station in life. Yet Chevalier again proves herself an astute observer of a social era, especially in her portrayal of the lingering sentimentality, prejudices and early stirrings of social change of the Victorian age. When Maude's mother, Kitty, becomes obsessively involved with the emerging suffragette movement, the plot gathers momentum. While it's obvious that tragedy is brewing, Chevalier shows imaginative skill in two neatly accomplished surprises, and the denouement packs an emotional wallop. While not as accomplished a work as Girl, the ironies inherent in the dramatic unfolding of two families' lives ultimately endow this novel with an impressive moral vision. Agent, Deborah Schneider. (Oct. 15) Forecast: The popularity of Girl with a Pearl Earring among reading groups and its record as a bestseller will provide a ready audience for Chevalier's new effort. The perennial appeal of books set in post-Victorian England should be another asset. Copyright 2001 Cahners Business Information, Inc.
From School Library Journal
Adult/High School-An insightful look at the social, political, and economic issues of Edwardian England as well as a compelling story with well-drawn characters. Three children form an unlikely friendship in a London cemetery. The family of five-year-old Maude Coleman has a plot adjoining that of the family of five-year-old Lavinia Waterhouse. Both families are uncomfortable with the other's choice of memorial. The Waterhouses' sentimental angel offends the Colemans' more elegant taste and their ornate urn is seen as pretentious by their neighbors. Petty irritations concerning the mourning dress of the women on the occasion of Queen Victoria's death emphasize the superficial constraints of English society and ironically foreshadow societal changes to come. The two children from similar backgrounds but different social classes are drawn to one another and to the young son of the cemetery's caretaker, clearly an unsuitable playmate by the standards of the day. Simon is as outrageous and worldly as Maude and Lavinia are cautious and innocent. Over the next 10 years, the girls become close companions whose favorite activity is to cavort with Simon among the tombstones. The children, their parents, and the other minor but significant characters provide short narratives that begin with superficial concerns deeply felt and end with a series of tragic events. The changes in first-person voice are effective in portraying the characters' emotions as they interact and serve as an interesting device to move the plot. Teens will anguish over the fate of Maude's mother and Lavinia's sister and shake their heads as they ponder the consequences of the customs and mores of those earlier times.Jackie Gropman, Kings Park Library, Burke, VACopyright 2002 Cahners Business Information, Inc.
From Library Journal
January 1901. Queen Victoria is one day dead; two families visit their respective family graves to mourn, and two girls meet, become friends, and bring their relatives together in unexpected ways. As in her first novel, Girl with a Pearl Earring, Chevalier excels at capturing subtle social nuances and setting historical scenes. Key among the characters who narrate parts of the story is beautiful and frustrated Kitty Coleman, who, as the times shift from Victorian to modern, embraces the change with a bid for personal freedom. Her secrets and lies have disastrous consequences. The novel is infused with enriching details the proper fabric for mourning handkerchiefs, how to host an "at home" (an open house), and the route the suffragettes took on their march to Hyde Park. Like an E.M. Forster novel filtered through a modern sensibility, Falling Angels takes us back to the early 20th century and keeps us there, waiting to see what Kitty and her crowd will do next. Boldly plotted and beautifully written, this impressive novel is highly recommended for all public libraries.- Yvette W. Olson, City Univ. Lib., Renton, WA Copyright 2001 Reed Business Information, Inc.
From AudioFile
Anne Twomey's unrushed pacing and gentle, melodic voice capture the listener from the first moments of this deceptively simple story about the friendship of two London girls from very different families and the ways in which those families cope with the end of the Victorian era. Chevalier, author of the bestselling Girl With a Pearl Earring, lets each character tell her version of the unfolding drama in the first person. Anne Twomey doesn't try to create a radically different voice for each character; instead she reveals the characters' varying person-alities, social classes, and ages with fine-tuned changes in the rhythm, tone, and pitch of her voice. It's a quiet tour de force that makes this intriguing tale enthralling. A.C.S. Winner of AudioFile Earphones Award © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine
From Booklist
Maude Coleman and Lavinia Waterhouse meet in a graveyard the day after Queen Victoria's death. The two girls become fast friends, although their mothers come to dislike each other almost as quickly. The girls' friendship endures, and they continue to meet in the graveyard, keeping company with Simon, the son of a gravedigger. While Lavinia's mother dotes on her frivolous daughter, Maude's mother, Kitty, is indifferent to her only child. Kitty is unhappy in her marriage and actively pursues the superintendent of the churchyard, Mr. Jackson. When their affair leads to an unwanted pregnancy, Kitty takes matters into her own hands, isolating her further from her family. After Kitty meets Caroline Black, a passionate suffragette, she is revitalized by a cause that brings a purpose to her life. Both her husband and Maude are dismayed by her involvement, and when Kitty's newfound purpose quickly turns into fanaticism, it leads to an event that harbors tragedy for all involved. Chevalier's second novel captures not only the progressive spirit of post-Victorian England but also its conventions, such as the preoccupation with death and the impossibly mature voices of young children. Accomplished and powerful, it is certain to appeal to those who made Chevalier's first novel, Girl with a Pearl Earring (1999), a surprise best-seller and a favorite on the book-club circuit. Kristine Huntley
Copyright © American Library Association. All rights reserved
Curledup.com
...a novel both skillfully crafted and emotionally riveting, Falling Angels is a must-read.
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