From Library Journal
What does it take to write a great script? You'll find the answer here, in the latest of Field's critically acclaimed books on the subject of screenwriting (e.g., Selling a Screenplay, LJ 10/1/89). This time he tackles four box office behemoths, explaining what makes these films work and why. In discussing Thelma and Louise, Terminator 2, The Silence of the Lambs, and Dances with Wolves, Field focuses on structure, characters, and story. His interviews with the films' screenwriters are of particular interest. Whether you're a James B. Cameron wannabe or just a fan of the silver screen, this is Field's masterpiece and a required purchase for all film collections.Marty D. Evensvold, Magnolia P.L., Tex.Copyright 1994 Reed Business Information, Inc.
Review
"I based Like Water For Chocolate on what I learned in Syd's books. Before, I always felt structure imprisoned me, but what I learned was structure really freed me to focus on the story." -- Laura Esquivel
Review
"I based Like Water For Chocolate on what I learned in Syd's books. Before, I always felt structure imprisoned me, but what I learned was structure really freed me to focus on the story." -- Laura Esquivel
From the Publisher
In a field being transformed by technology, Syd Field shows you what works and why and how to find new ways to create a truly outstanding film using four extraordinary examples: Thelma & Louise, Terminator 2: Judgement Day, The Silence Of The Lambs, and Dances With Wolves.
"I based Like Water For Chocolate on what I learned in Syd's books. Before, I always felt structure imprisoned me, but what I learned was structure really freed me to focus on the story." -- Laura Esquivel
From the Inside Flap
In a field being transformed by technology, Syd Field shows you what works and why and how to find new ways to create a truly outstanding film using four extraordinary examples: Thelma & Louise, Terminator 2: Judgement Day, The Silence Of The Lambs, and Dances With Wolves.
From the Back Cover
"I based Like Water For Chocolate on what I learned in Syd's books. Before, I always felt structure imprisoned me, but what I learned was structure really freed me to focus on the story." -- Laura Esquivel
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