Glory in Death FROM THE PUBLISHER
"Even in 2058, when genetic testing usually weeds out any violent hereditary traits before they can take over, murder still happens. The first victim is found lying on a sidewalk in the rain. The second is murdered in her own apartment building. Lieutenant Eve Dallas has no problem finding connections between the two crimes. Both victims were beautiful and highly successful women. Their glamorous lives and loves were the talk of the city. And their intimate relations with men of great power and wealth provide Eve with a long list of suspects - including her own lover, Roarke." "As a woman, Eve is compelled to trust the man who shares her bed. But as a cop, it's her job to follow every lead...to invesitage every scandalous rumor...to explore every secret passion, no matter how dark." Or how dangerous.
FROM THE CRITICS
Library Journal
In the third novel of her acclaimed "Death" series, Robb (the pseudonym for Nora Roberts) once again sets her 21st-century police detective heroine on the trail of a murderer. Set against the background of the youth-obsessed, drug-using fashion industry, this suspenseful tale sweeps from the glitzy to the seamy with all the flair and panache one has come to expect from Robb. Although the romance is not so prominent here, the sexual tension still simmers. The author of over 100 romances (primarily as Nora Roberts), Robb has written futuristic romantic suspense stories that include Naked in Death (Berkley, 1995). She lives in Keedysville, Maryland.
AudioFile
For Lieutenant Eve Dallas, the protagonist in this mid-21st century police procedural, attack is the behavior of choice. Susan Ericksen adroitly portrays this emotionally complex detective with staccato bursts of anger, as well as with soft musings during times of tenderness. The result is a character strong enough to confront a serial killer, soft enough to find murder repellent, and well-developed enough to walk off the written page. While the supporting characters are stereotypical, Erickson presents the crusty commander, the shattered daughter of one of the victims, the ambitious yet totally unprincipled journalist, the cagey Irish lover, and the futuristic android servant with the individuality one would expect from a multicast production, not a single narrator. K.A.T. © AudioFile 2004, Portland, Maine