Bertolt Brecht: Critical Anthology

Book Description
A fascinating anthology that brings together in one volume many of the important articles written about Brecht between 1957 and 1997. The collection explores a wide range of viewpoints about Brecht's theatre theories and practice, as well as including three plays not otherwise easily available in English: The Beggar or the Dead Dog, Baden Lehrstuck and The Seven Deadly Sins of the Lower Middle Class. This unique compendium covers all the key areas including: the development of Brecht's aesthetic theories, the relationship of Epic theatre to orthodox dramatic theatre, Brecht's collaborations with Kurt Weill, Paul Dessau, and Max Frisch, and Brecht's influence on a variety of cultures and contexts including England, Italy, Moscow, and Japan.
Contributors: Lee Baxandall, Eric Bentley, Henry Bial, Hans-Joachim Bunge, Paul Dessau, Martin Esslin, Henry Glade, Barclay Goldsmith, Mordecai Gorelik, Karen Laughlin, Carol Martin, W. Stuart McDowell, Erica Munk, Jean-Paul Sartre, Ernst Schumacher, Diana Taylor, Tadashi Uchino, Carl Weber, and Kurt Weill.


About the Author
Carol Martin and Henry Bial are both at the Tisch School of the Arts, New York University.


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From what is apparently a periodical referred to only as TDR (formerly Tulane Drama Review), 23 essays consider the work of German playwright Bertolt Brecht (1898-1956) from a number of perspectives, including some translations of plays from the German. In sections on his aesthetic theories, theories in practice, and interpretations from abroad, they discuss such topics as whether Stanislavsky and Brecht are commensurable, actors on Brecht during the Munich years, and Brecht and Chicano theater. The CiP shows the title as Bertolt Brecht: A Critical Anthology. Annotation c. Book News, Inc., Portland, OR


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