Jan Brett's The Night Before Christmas

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Whose tiny faces are peeking out from Santa's golden sleigh? Yikes! It's two of Santa's elves who are Christmas Eve stowaways. Beloved illustrator Jan Brett's version of The Night Before Christmas lets these two mischievous elves add their rambunctious spirit to this familiar 1823 rhyming story. Here, Santa and his reindeer land on the snowy roof of a Victorian mansion in New England. While Santa delivers the toys inside, the elves and the reindeer frolic around the lawn, as a pig (earmarked for a girl named Jan) and a few alphabet blocks spill out of sacks into the snow. Santa swiftly reins in the mischief-makers and "away they all flew like the down on a thistle." Brett's richly illustrated borders are lavishly decorated with antique toys, ornaments, and sweet treats, all surrounded with twisting golden ribbons. They also give us a window on the mansion's inhabitants, including the children watching Santa's departure in awe. A sugarplum of a Christmas story, just right for a reading before "a long winter's nap." (Click to see a sample spread. Illustrations ©1998 by Jan Brett. Published by G.P. Putnam's Sons, a division of Penguin Putnam Books for Young Readers.) (Ages 3 to 6) --Marcie Bovetz


From Publishers Weekly
The pictures, of course, turn Moore's "A Visit from St. Nicholas" into Marshall's manic visions of the blithe Victorian fantasy. In addition to the boldly colored illustrations, there are additional lines uttered by Papa in his cap and the household petsa bulldog, cat and chickenas they gaze out the window at Santa and his reindeer: "Holy smoke!" "Never in all my born days!" Another chicken, three more bulldogs and extra cats share sleeping quarters with countless children in bunk beds and with Mama whose night gear includes not only a 'kerchief but a helmet, goggles and an umbrella. In short, the familiar verses are here a production of the humorist's satiric eye and children will love it. Copyright 1985 Reed Business Information, Inc.


From School Library Journal
PreSchool-Grade 2?Brett sets her distinctive, lavish presentation of this poem in a Victorian house in a New England village, with an Old World Santa and a couple of stowaway elves who steal the show. Double-page spreads offer much to explore, while the artist's signature "in the border" additions extend the story line. Sometimes the paintings illustrate the words to the poem; other times they highlight the behind-the-scenes activities. Winsome reindeer play along good-naturedly with the stowaways, and their facial expressions and body language are utterly endearing. Brett's elves add a lighthearted dimension to this Christmas classic, while her illustrations maintain the appealing Victorian flair of the original.?LFCopyright 1998 Reed Business Information, Inc.


From AudioFile
Rabbit Ears pairs this story with a celebrated actors and adds a visually appealing picture books to accompany it. While everyone will be familiar with Clement Moore's poem, Meryl Streep, gives a personal touch. The Night Before Christmas is nicely personalized by her enthusiasm. The music composed for the program adds additional dimension though it lacks the distinction of some of the music in this others storytelling series. R.F.W. (c)AudioFile, Portland, Maine


From Booklist
Artist Whatley creates a surprisingly fresh interpretation of the beloved Christmas poem "The Night before Christmas." Although most versions focus on St. Nick, Whatley remembers that the father of the house narrates the poem, and he captures all of the feelings of surprise and wonder on the very ordinary-looking man's face. He also makes extensive use of dramatic shifts in perspective, as when he puts the viewer at ground level, looking up at the man staring out his bedroom window as skittish reindeer look down from the roof. Whatley's particular triumph is his depiction of those endearing but realistic reindeer, with their flared nostrils, widened eyes, and open mouths. They look energetic and strong enough to pull the sleigh and add greatly to the poem's slightly comical tone. After leaving the dad with his own special gift, Santa takes off once again. The overall effect isn't subtle or dainty, but it is meticulously executed, with tiny pencil strokes creating variations in coloration and texture throughout the book. Whatley gets every detail of the poem right in this book that simply shouts holiday cheer. Susan Dove Lempke


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