Caesar: The Life Story of a Panda-Leopard
- Book Review,
by Patrick O'Brian
Amazon.com
Acclaimed as the work of a "boy Thoreau," this brief, charming story of a mythical animal was published in 1930 when Patrick O'Brian, who went on to write the celebrated Aubrey/Maturin series of historical sea novels, was just 15. With its detached, authoritative narrative voice, Caesar: The Life Story of a Panda-Leopard reads more like a novel for young adults than a book written by one--though it is hard to imagine a grown-up writer including so many vividly realized hunting scenes, culminating in spurting blood and gore. In the introduction to this reprint of his juvenilia, O'Brian remembers being given a copy of "the Reverend Mr. Wood's Natural History, a mid-nineteenth century edition illustrated with a fair number of engravings." Already something of a naturalist, the boy "devoured the book." It must have spurred his interest in predatory animals, for Caesar demonstrates exceptional knowledge of the environments and habits of leopards and other large hunting cats of India and Asia. O'Brian's odd, matter-of-fact tone also derives from books like the Reverend Mr. Wood's, and provides much of the twisted pleasure to be found in Caesar. After his mother dies in a forest fire, the panda-leopard is forced to teach himself the fine points of hunting. One day he spots a large herd of pigs, strangely unguarded by a boar or sounder pig. He approaches cautiously, then notices a tall creature standing on two legs. Eventually his hunger overcomes him, and he snatches up a small pig, breaking its neck. "Unluckily the pig had time to squeal," writes the young O'Brian, and this attracted the man who, with a cry, picked up a stone. His arm went back and the stone flew towards me like a bird. It hit me on the nose and hurt me more than the bee sting which I had had when a cub. It hit me on the same tender place which had never quite got better, and it angered me beyond words, and dropping the pig I charged, running low along the ground. Then I sprang straight at him. With a shriek, the man tries to fend off the panda-leopard with a stick. "We fell together," Caesar recalls, "but his skull was cracked like an egg-shell. It was ridiculously easy to kill him." When he is eventually captured and tamed, Caesar learns to appreciate one or two humans, though his contempt for the species never diminishes. A wonderful read, recalling Kipling's Kim and The Jungle Book. --Regina Marler
New York Times
O'Brian was only 15 when [Caesar] was published, but he already possessed an instinct for deft plotting and uncomplicated narrative.
From AudioFile
Written by the author at the age of 15, this literary examination of the life of a leopard is surprisingly adult, both in the maturity of its composition and its universal appeal. John Lee skillfully attends to the story, making the listener feel close to the animal's struggles and discoveries. Unlike that of other O'Brian books, the vocabulary is at a young adult level, making it fine fodder for family listening with one exception--it ends too quickly. Listeners are treated to the vicarious experience of living in the mind of a carnivore for its life span and may be a bit shocked by the ending. J.A.H. © AudioFile 2001, Portland, Maine-- Copyright © AudioFile, Portland, Maine
From Kirkus Reviews
Juvenilia by the now-deceased OBrian (Blue at the Mizzen, 1999, etc.), a fantasy of a panda-leopards coming of age first published in 1930. In his foreword to the tale of the half-leopard, half-panda creature, OBrian writes, ``I doubt if my present self would have liked the twelve-year-old boy who wrote this talehe certainly was not very popular among his brothers and sisters. Nevertheless, that remote being and myself, his aged descendant, are linked by a common delight in reading. . . .[T]he boy was also something of an invalid . . . and spent long periods of time in the incubator room [his fathers, a bacteriologists, laboratory]. . . . [T]he tasks left a good deal of time unoccupied, and since it was obviously unthinkable to bring a book to read, the boy, by some mental process I can no longer recall, decided to write one for himself, thus discovering an extraordinary joy which has never left himthat of both reading and writing at the same time.'' Though this story was written by OBrian, there is little connection to his later work, save the deep interest in the natural world shown by the famous character in his Aubrey-Maturin series of novels, Dr. Stephen Maturin. The tale, written in the first person, displays the talents of a precocious adolescent who already was adept at painting a setting and filling it with characters that are believable. The natural world, red in tooth and claw, is depicted as cold and harsh; in an early episode the young panda-leopards brother wanders out of the home and is torn apart by a hyena. The young panda-leopard has a variety of encounters with a variety of creatures, both animal and human, but there is little of the narrative drive that propels readers through OBrians later fiction. Though clearly the writing of an adolescent, sure to be a hit for anyone who cant believe there are no more novels from a modern master.-- Copyright © 2000 Kirkus Associates, LP. All rights reserved.
The Spectator
We can see here a true storyteller in the making....a gripping narrative, which holds the reader's attention and never flags.
Book Description
A stark tale encompassing the cruelty and beauty of the natural world, and a clear demonstration of the storytelling gift that would later flower in the Aubrey/Maturin series. When he was fourteen years old and beset by chronic ill health, Patrick O'Brian began creating his first fictional character. "I did it in my bedroom, and a little when I should have been doing my homework," he confessed in a note on the original dust-jacket. Caesar tells the picaresque, enchanting, and quite bloodthirsty story of a creature whose father is a giant panda and whose mother is a snow leopard. Through the eyes and voice of this fabulous creature, we learn of his life as a cub, his first hunting exploits, his first encounters with man, his capture and taming. Caesar was published in 1930, three months after O'Brian's fifteenth birthday, but the dry wit and unsentimental precision O'Brian readers savor in the Aubrey/Maturin series is already in evidence. The book combines Stephen Maturin's fascination and encyclopedic knowledge of natural history with the narrative charm of Rudyard Kipling's The Jungle Book. It was published in England and the United States, and in translation in Sweden, Norway, Denmark, and Japan. Reviews hailed the author as the "boy-Thoreau."
From the Publisher
2 1.5-hour cassettes
About the Author
In addition to twenty volumes in the highly respected Aubrey/Maturin series, Patrick O'Brian's many books include Testimonies, The Golden, Ocean, and The Unknown Shore. O'Brian also wrote acclaimed biographies of Pablo Picasso and Sir Joseph Banks and translated many works from the French, among them the novels and memoirs of Simone de Beauvoir and Jean Lacouture's biographies of Charles de Gaulle. He passed away in January 2000 at the age of 85.
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