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Helen Keller would not be bound by conditions. Rendered deaf and blind at 19 months by scarlet fever, she learned to read (in several languages) and even speak, eventually graduating with honors from Radcliffe College in 1904, where as a student she wrote The Story of My Life. That she accomplished all of this in an age when few women attended college and the disabled were often relegated to the background, spoken of only in hushed tones, is remarkable. But Keller's many other achievements are impressive by any standard: she authored 13 books, wrote countless articles, and devoted her life to social reform. An active and effective suffragist, pacifist, and socialist (the latter association earned her an FBI file), she lectured on behalf of disabled people everywhere. She also helped start several foundations that continue to improve the lives of the deaf and blind around the world.
As a young girl Keller was obstinate, prone to fits of violence, and seething with rage at her inability to express herself. But at the age of 7 this wild child was transformed when, at the urging of Alexander Graham Bell, Anne Sullivan became her teacher, an event she declares "the most important day I remember in all my life." (Sullivan herself had once been blind, but partially recovered her sight after a series of operations.) In a memorable passage, Keller writes of the day "Teacher" led her to a stream and repeatedly spelled out the letters w-a-t-e-r on one of her hands while pouring water over the other. This method proved a revelation: "That living world awakened my soul, gave it light, hope, joy, set it free! There were barriers still, it is true, but barriers that could in time be swept away." And, indeed, most of them were.
In her lovingly crafted and deeply perceptive autobiography, Keller's joyous spirit is most vividly expressed in her connection to nature:
Indeed, everything that could hum, or buzz, or sing, or bloom, had a part in my education.... Few know what joy it is to feel the roses pressing softly into the hand, or the beautiful motion of the lilies as they sway in the morning breeze. Sometimes I caught an insect in the flower I was plucking, and I felt the faint noise of a pair of wings rubbed together in a sudden terror....
The idea of feeling rather than hearing a sound, or of admiring a flower's motion rather than its color, evokes a strong visceral sensation in the reader, giving The Story of My Life a subtle power and beauty. Keller's celebration of discovery becomes our own. In the end, this blind and deaf woman succeeds in sharpening our eyes and ears to the beauty of the world. --Shawn Carkonen
From Library Journal
More than a 100th-anniversary reprint, this book was reedited by literary scholar Roger Shattuck and Keller biographer Dorothy Hermann to include excised material. Copyright 2002 Reed Business Information, Inc.
The New York Times Book Review
The scientific interest of the process is great, both in itself and for the light it throws on the unconscious and unobserved processes by which children with all their senses learn the same things that have been laboriously acquired by this girl ...
Book Description
One of the "hundred most important books of the twentieth century" (New York Public Library), finally published in complete form. The story of Helen Keller, the young girl who triumphed over deafness and blindness, has been indelibly marked into our cultural consciousness. That triumph, shared with her teacher Anne Sullivan, has been further popularized by the play and movie The Miracle Worker. Yet the astonishing original version of Keller's and Sullivan's story, first published in 1903, has been out of print for many years and lost to the public. Now, one hundred years after its initial publication, eminent literary scholar Roger Shattuck, in collaboration with Keller biographer Dorothy Herrmann, has reedited the book to reflect more accurately its original composition. Keller's remarkable acquisition of language is presented here in three successive accounts: Keller's own version; the letters of "teacher" Anne Sullivan, submerged in the earliest edition; and the valuable documentation by their young assistant, John Macy. Including opening and closing commentary by Shattuck and notes by Hermann, this volume will stand for years as the definitive edition of a classic work. 10 b/w illustrations.
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I recall my surprise on discovering that a mysterious hand had stripped the trees and bushes, leaving only here and there a wrinkled leaf. The birds had flown, and their empty nests in the bare trees were filled with snow. Winter was on hill and field. The earth seemed benumbed by his icy touch, and the very spirits of the trees had withdrawn to their roots, and there, curled up in the dark, lay fast asleep. All life seemed to have ebbed away, and even when the sun shone the day was.
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