Amazon.com's Best of 2001
Many theories have been offered regarding why Western culture has spread so successfully across the world, with arguments ranging from genetics to superior technology to the creation of enlightened economic, moral, and political systems. In Carnage and Culture, military historian Victor Hanson takes all of these factors into account in making a bold, and sure to be controversial, argument: Westerners are more effective killers. Focusing specifically on military power rather than the nature of Western civilization in general, Hanson views war as the ultimate reflection of a society's character: "There is…a cultural crystallization in battle, in which the insidious and more subtle institutions that heretofore are murky and undefined became stark and unforgiving in the finality of organized killing."
Though technological advances and superior weapons have certainly played a role in Western military dominance, Hanson posits that cultural distinctions are the most significant factors. By bringing personal freedom, discipline, and organization to the battlefield, powerful "marching democracies" were more apt to defeat non-Western nations hampered by unstable governments, limited funding, and intolerance of open discussion. These crucial differences often ensured victory even against long odds. Greek armies, for instance, who elected their own generals and freely debated strategy were able to win wars even when far outnumbered and deep within enemy territory. Hanson further argues that granting warriors control of their own destinies results in the kind of glorification of horrific hand-to-hand combat necessary for true domination.
The nine battles Hanson examines include the Greek naval victory against the Persians at Salamis in 480 B.C., Cortes's march on Mexico City in 1521, the battle of Midway in 1942, and the 1968 Tet Offensive in Vietnam. In the book's fascinating final chapter, he then looks forward and ponders the consequences of a complete cultural victory, challenging the widespread belief that democratic nations do not wage war against one another: "We may well be all Westerners in the millennium to come, and that could be a very dangerous thing indeed," he writes. It seems the West will always seek an enemy, even if it must come from within. --Shawn Carkonen
From Publishers Weekly
"The Western way of war is so lethal precisely because it is so amoral shackled rarely by concerns of ritual, tradition, religion, or ethics, by anything other than military necessity." Ranging from Salamis in 480 B.C. to the Tet offensive in Vietnam, Hanson, a California State at Fresno classics professor, expands the scope of his The Western Way of War: Infantry Battle in Classical Greece, offering a provocative look at occidental aggression as illustrated by nine paradigmatic battles between Western and non-Western armies. Hanson sheds the overly romanticized view of battles as nationalist or ethnic honorifics and vividly portrays the deadly killing machines Western powers evolved for the destruction of non-Western opponents. Throughout, Hanson stresses the technology based lethality of Western warfare, and the role of individual initiative as opposed to the more collectivist strategies of the Persians, Carthaginians, Arabs, Turks, Aztecs, Zulus, Japanese and Vietnamese opponents who get a chapter apiece. The single Western defeat chronicled in these pages, of the Romans in Cannae in 216 B.C., shows a victorious Hannibal unable to capitalize on his win. (The idea of the citizen/soldier, the role of civic militarism and the republican ideals of Rome seem to be the reasons why not.) A number of Hanson's conclusions will engender debate, such as his claim that America won in Vietnam, but failed to recognize it, as well as the larger claim that "free markets, free elections, and free speech" have led directly to superior forces. The book's last few chapters are fairly driven by that idea, which, along with precise, forceful writing, sets it apart from the season's secondary-sourced, battle-based military histories. (Aug.)Forecast: Hanson's direct, literate style and his evenhandedness should appeal to the liberalist middle of the left and right alike. By isolating the ingredients of military success via elaborate examples, the book can potentially draw on two separate military-history readerships: those looking for theory and those for action.Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Examining a select group of battles throughout history, Hanson (classics, California State Univ., Fresno; coauthor, Bonfire of the Humanities) maintains that Western nations are the world's best when it comes to waging war. From Salamis in 480 B.C.E. to the Tet offensive in 1968, Western forces have prevailed. Western soldiers typically have more of a commitment to the cause for which they are fighting, and they use technologically superior weapons, Hanson argues. Countries in Asia and Africa are not prepared to wage war on the same scale as Western nations because their governments are not as stable, funding is not as great, and the tradition of militarism does not exist. Hanson's ultimate concern is not with conflict between East and West but with the increasing possibility of civil war within Western nations, which might result in bloodletting on a scale previously unknown. Though victim of the occasional error (e.g., a Russian AK-47 does not resemble an American M-16), he makes a cogent argument for keeping a cautious eye on future conflicts. However, while he claims that this book is written for the general public, his style is difficult for the average reader. Only large public and academic libraries collecting in this area need to consider. Grant A. Fredericksen, Illinois Prairie Dist. P.L., Metamora Copyright 2001 Reed Business Information, Inc.
From Booklist
How is the worldwide triumph of Western economic theories, political ideologies, and even cultural values over the past five centuries explained? A century ago, the now-discarded view attributed Western superiority to racial and religious factors. Current views tend to stress geographic and other environmental factors, such as the presence of debilitating, parasitic diseases in tropical regions. Of course, both views ignore the fact that, in most cases, Western control and influence began as a result of superiority in the art of killing. Hanson, a military historian and professor of classics at California State University in Fresno, examines key battles, from the Greek defeat of the Persians at Salamis to the American ravaging of the Japanese fleet at Midway. He sees a consistent thread in which Western military tactics and strategies utilized a unique combination of individual initiative meshed with group discipline. Of course, Hanson acknowledges frequent Western technological superiority, but he asserts that was not a consistently decisive element. This provocative work is likely to engender controversy. Jay Freeman
Copyright © American Library Association. All rights reserved
Review
“Vivid . . . ambitious . . . Challenges readers to broaden their horizons and examine their assumptions. . . . [Hanson] more than makes his case.”--The New York Times Book Review
“No one offers a more compelling picture of how wars reflect and affect the societies, including our own, that wage them.” —National Review
“Hanson . . . is becoming one of the best-known historians in America . . . [Carnage and Culture] can only enhance his reputation.” —John Keegan, Daily Telegraph (London)
“Victor Davis Hanson is courting controversy again with another highly readable, lucid work. Together with John Keegan, he is our most interesting historian of war.” —Jean Bethke Elshtain, author of Women and War
Review
?Vivid . . . ambitious . . . Challenges readers to broaden their horizons and examine their assumptions. . . . [Hanson] more than makes his case.?--The New York Times Book Review
?No one offers a more compelling picture of how wars reflect and affect the societies, including our own, that wage them.? ?National Review
?Hanson . . . is becoming one of the best-known historians in America . . . [Carnage and Culture] can only enhance his reputation.? ?John Keegan, Daily Telegraph (London)
?Victor Davis Hanson is courting controversy again with another highly readable, lucid work. Together with John Keegan, he is our most interesting historian of war.? ?Jean Bethke Elshtain, author of Women and War
Book Description
Examining nine landmark battles from ancient to modern times--from Salamis, where outnumbered Greeks devastated the slave army of Xerxes, to Cortes’s conquest of Mexico to the Tet offensive--Victor Davis Hanson explains why the armies of the West have been the most lethal and effective of any fighting forces in the world.
Looking beyond popular explanations such as geography or superior technology, Hanson argues that it is in fact Western culture and values–the tradition of dissent, the value placed on inventiveness and adaptation, the concept of citizenship–which have consistently produced superior arms and soldiers. Offering riveting battle narratives and a balanced perspective that avoids simple triumphalism, Carnage and Culture demonstrates how armies cannot be separated from the cultures that produce them and explains why an army produced by a free culture will always have the advantage.
From the Inside Flap
Examining nine landmark battles from ancient to modern times--from Salamis, where outnumbered Greeks devastated the slave army of Xerxes, to Cortes’s conquest of Mexico to the Tet offensive--Victor Davis Hanson explains why the armies of the West have been the most lethal and effective of any fighting forces in the world.
Looking beyond popular explanations such as geography or superior technology, Hanson argues that it is in fact Western culture and values–the tradition of dissent, the value placed on inventiveness and adaptation, the concept of citizenship–which have consistently produced superior arms and soldiers. Offering riveting battle narratives and a balanced perspective that avoids simple triumphalism, Carnage and Culture demonstrates how armies cannot be separated from the cultures that produce them and explains why an army produced by a free culture will always have the advantage.
From the Back Cover
“Vivid . . . ambitious . . . Challenges readers to broaden their horizons and examine their assumptions. . . . [Hanson] more than makes his case.”--The New York Times Book Review
“No one offers a more compelling picture of how wars reflect and affect the societies, including our own, that wage them.” —National Review
“Hanson . . . is becoming one of the best-known historians in America . . . [Carnage and Culture] can only enhance his reputation.” —John Keegan, Daily Telegraph (London)
“Victor Davis Hanson is courting controversy again with another highly readable, lucid work. Together with John Keegan, he is our most interesting historian of war.” —Jean Bethke Elshtain, author of Women and War
About the Author
Victor Davis Hanson is a military historian who is a professor of classics at California State University, Fresno. He has written several scholarly and popular books on ancient history and classical warfare, including The Other Greeks, The Western Way of War, and The Soul of Battle. He lives in Selma, California.
Excerpt. © Reprinted by permission. All rights reserved.
ONE
Why the West Has Won
When the trumpet sounded, the soldiers took up their arms and went out. As they charged faster and faster, they gave a loud cry, and on their own broke into a run toward the camp. But a great fear took hold of the barbarian hosts; the Cilician queen fled outright in her carriage, and those in the market threw down their wares and also took to flight. At that point, the Greeks in great laughter approached the camp. And the Cilician queen was filled with admiration at the brilliant spectacle and order of the phalanx; and Cyrus was delighted to see the abject terror of the barbarians when they saw the Greeks.
--Xenophon, Anabasis (1.2.16-18)
ENLIGHTENED THUGS
EVEN THE PLIGHT of enterprising killers can tell us something. In the summer of 401 b.c., 10,700 Greek hoplite soldiers--infantrymen heavily armed with spear, shield, and body armor--were hired by Cyrus the Younger to help press his claim to the Persian throne. The recruits were in large part battle-hardened veterans of the prior twenty-seven-year Peloponnesian War (431-404 b.c.). As mercenaries, they were mustered from throughout the Greek-speaking world. Many were murderous renegades and exiles. Both near adolescents and the still hale in late middle age enlisted for pay. Large numbers were unemployed and desperate at any cost for lucrative work as killers in the exhausted aftermath of the internecine war that had nearly ruined the Greek world. Yet there were also a few privileged students of philosophy and oratory in the ranks, who would march into Asia side by side these destitute mercenaries--aristocrats like Xenophon, student of Socrates, and Proxenus, the Boeotian general, as well as physicians, professional officers, would-be colonists, and wealthy Greek friends of Prince Cyrus.
After a successful eastward march of more than 1,500 miles that scattered all opposition, the Greeks smashed through the royal Persian line at the battle of Cunaxa, north of Babylon. The price for destroying an entire wing of the Persian army was a single Greek hoplite wounded by an arrow. The victory of the Ten Thousand in the climactic showdown for the Persian throne, however, was wasted when their employer, Cyrus, rashly pursued his brother, Artaxerxes, across the battle line and was cut down by the Persian imperial guard.
Suddenly confronted by a host of enemies and hostile former allies, stranded far from home without money, guides, provisions, or the would-be king, and without ample cavalry or missile troops, the orphaned Greek expeditionary infantrymen nevertheless voted not to surrender to the Persian monarchy. Instead, they prepared to fight their way back to the Greek world. That brutal trek northward through Asia to the shores of the Black Sea forms the centerpiece of Xenophon's Anabasis ("The March Up-Country"), the author himself one of the leaders of the retreating Ten Thousand.
Though surrounded by thousands of enemies, their original generals captured and beheaded, forced to traverse through the contested lands of more than twenty different peoples, caught in snowdrifts, high mountain passes, and waterless steppes, suffering frostbite, malnutrition, and frequent sickness, as well as fighting various savage tribesmen, the Greeks reached the safety of the Black Sea largely intact--less than a year and a half after leaving home. They had routed every hostile Asian force in their way. Five out of six made it out alive, the majority of the dead lost not in battle, but in the high snows of Armenia.
During their ordeal, the Ten Thousand were dumbfounded by the Taochians, whose women and children jumped off the high cliffs of their village in a ritual mass suicide. They found the barbaric white-skinned Mossynoecians, who engaged in sexual intercourse openly in public, equally baffling. The Chalybians traveled with the heads of their slain opponents. Even the royal army of Persia appeared strange; its pursuing infantry, sometimes whipped on by their officers, fled at the first onslaught of the Greek phalanx. What ultimately strikes the reader of the Anabasis is not merely the courage, skill, and brutality of the Greek army--which after all had no business in Asia other than killing and money--but the vast cultural divide between the Ten Thousand and the brave tribes they fought.
Where else in the Mediterranean would philosophers and students of rhetoric march in file alongside cutthroats to crash headlong into enemy flesh? Where else would every man under arms feel equal to anyone else in the army--or at least see himself as free and in control of his own destiny? What other army of the ancient world elected its own leaders? And how could such a small force by elected committee navigate its way thousands of miles home amid thousands of hostile enemies?
Once the Ten Thousand, as much a "marching democracy" as a hired army, left the battlefield of Cunaxa, the soldiers routinely held assemblies in which they voted on the proposals of their elected leaders. In times of crises, they formed ad hoc boards to ensure that there were sufficient archers, cavalry, and medical corpsmen. When faced with a variety of unexpected challenges both natural and human--impassable rivers, a dearth of food, and unfamiliar tribal enemies--councils were held to debate and discuss new tactics, craft new weapons, and adopt modifications in organization. The elected generals marched and fought alongside their men--and were careful to provide a fiscal account of their expenditures.
The soldiers in the ranks sought face-to-face shock battle with their enemies. All accepted the need for strict discipline and fought shoulder-to-shoulder whenever practicable. Despite their own critical shortage of mounted troops, they nevertheless felt only disdain for the cavalry of the Great King. "No one ever died in battle from the bite or kick of a horse," Xenophon reminded his beleaguered foot soldiers (Anabasis 3.2.19). Upon reaching the coast of the Black Sea, the Ten Thousand conducted judicial inquiries and audits of its leadership's performance during the past year, while disgruntled individuals freely voted to split apart and make their own way back home. A lowly Arcadian shepherd had the same vote as the aristocratic Xenophon, student of Socrates, soon-to-be author of treatises ranging from moral philosophy to the income potential of ancient Athens.
To envision the equivalent of a Persian Ten Thousand is impossible. Imagine the likelihood of the Persian king's elite force of heavy infantry--the so-called Immortals, or Amrtaka, who likewise numbered 10,000--outnumbered ten to one, cut off and abandoned in Greece, marching from the Peloponnese to Thessaly, defeating the numerically superior phalanxes of every Greek city-state they invaded, as they reached the safety of the Hellespont. History offers a more tragic and real-life parallel: the Persian general Mardonius's huge invasion army of 479 b.c. that was defeated by the numerically inferior Greeks at the battle of Plataea and then forced to retire home three hundred miles northward through Thessaly and Thrace. Despite the army's enormous size and the absence of any organized pursuit, few of the Persians ever returned home. They were clearly no Ten Thousand. Their king had long ago abandoned them; after his defeat at Salamis, Xerxes had marched back to the safety of his court the prior autumn.
Technological superiority does not in itself explain the miraculous Greek achievement, although Xenophon at various places suggests that the Ten Thousand's heavy bronze, wood, and iron panoply was unmatched by anything found in Asia. There is no evidence either that the Greeks were by nature "different" from King Artaxerxes' men. The later pseudoscientific notion that the Europeans were racially superior to the Persians was entertained by no Greeks of the time. Although they were mercenary veterans and bent on booty and theft, the Ten Thousand were no more savage or warlike than other raiders and plunderers of the time; much less were they kinder or more moral people than the tribes they met in Asia. Greek religion did not put a high premium on turning the other cheek or on a belief that war per se was either abnormal or amoral. Climate, geography, and natural resources tell us as little. In fact, Xenophon's men could only envy the inhabitants of Asia Minor, whose arable land and natural wealth were in dire contrast to their poor soil back in Greece. Indeed, they warned their men that any Greeks who migrated eastward might become lethargic "Lotus-Eaters" in such a far wealthier natural landscape.
The Anabasis makes it clear, however, that the Greeks fought much differently than their adversaries and that such unique Hellenic characteristics of battle--a sense of personal freedom, superior discipline, matchless weapons, egalitarian camaraderie, individual initiative, constant tactical adaptation and flexibility, preference for shock battle of heavy infantry--were themselves the murderous dividends of Hellenic culture at large. The peculiar way Greeks killed grew out of consensual government, equality among the middling classes, civilian audit of military affairs, and politics apart from religion, freedom and individualism, and rationalism. The ordeal of the Ten Thousand, when stranded and near extinction, brought out the polis that was innate in all Greek soldiers, who then conducted themselves on campaign precisely as civilians in their respective city-states.
In some form or another, the Ten Thousand would be followed by equally brutal European intruders: Agesilaus and his Spartans, Chares the mercenary captain, Alexander the Great, Julius Caesar and centuries of legionary dominance, the Crusaders, Hernan Cortes, Portuguese explorers in Asiatic seas, British redcoats in India and Africa, and scores of other thieves, buccaneers, colonists, mercenaries, imperialists, and explorers. Most subsequent Western expeditionary forces were outnumbered and often deployed far from home. Nevertheless, they outfought their numerically superior enemies and in varying degrees drew on elements of Western culture to slaughter mercilessly their opponents.
In the long history of European military practice, it is almost a truism that the chief military worry of a Western army for the past 2,500 years was another Western army. Few Greeks were killed at Marathon (490 b.c.). Thousands died at the later collisions at Nemea and Coronea (394 b.c.), where Greek fought Greek. The latter Persian Wars (480-479 b.c.) saw relatively few Greek deaths. The Peloponnesian War (431-404 b.c.) between Greek states was an abject bloodbath. Alexander himself killed more Europeans in Asia than did the hundreds of thousands of Persians under Darius III. The Roman Civil Wars nearly ruined the republic in a way that even Hannibal had not. Waterloo, the Somme, and Omaha Beach only confirm the holocaust that occurs when Westerner meets Westerner.
This book attempts to explain why that is all so, why Westerners have been so adept at using their civilization to kill others--at warring so brutally, so often without being killed. Past, present, and future, the story of military dynamism in the world is ultimately an investigation into the prowess of Western arms. Scholars of war may resent such a broad generalization. Academics in the university will find that assertion chauvinistic or worse--and thus cite every exception from Thermopylae to Little Big Horn in refutation. The general public itself is mostly unaware of their culture's own singular and continuous lethality in arms. Yet for the past 2,500 years--even in the Dark Ages, well before the "Military Revolution," and not simply as a result of the Renaissance, the European discovery of the Americas, or the Industrial Revolution--there has been a peculiar practice of Western warfare, a common foundation and continual way of fighting, that has made Europeans the most deadly soldiers in the history of civilization.
THE PRIMACY OF BATTLE
War as Culture
I am not interested here in whether European military culture is morally superior to, or far more wretched than, that of the non-West. The conquistadors, who put an end to human sacrifice and torture on the Great Pyramid in Mexico City, sailed from a society reeling from the Grand Inquisition and the ferocious Reconquista, and left a diseased and nearly ruined New World in their wake. I am also less concerned in ascertaining the righteousness of particular wars--whether a murderous Pizarro in Peru (who calmly announced, "The time of the Inca is over") was better or worse than his murdering Inca enemies, whether India suffered enormously or benefited modestly from English colonization, or whether the Japanese had good cause to bomb Pearl Harbor or the Americans to incinerate Tokyo. My curiosity is not with Western man's heart of darkness, but with his ability to fight--specifically how his military prowess reflects larger social, economic, political, and cultural practices that themselves seemingly have little to do with war.
That connection between values and battle is not original, but has an ancient pedigree. The Greek historians, whose narratives are centered on war, nearly always sought to draw cultural lessons. In Thucydides' history of the Peloponnesian War, nearly 2,500 years ago the Spartan general Brasidas dismissed the military prowess of the tribes of Illyria and Macedonia, who confronted his Spartan hoplites. These men, Brasidas says of his savage opponents, have no discipline and so cannot endure shock battle. "As all mobs do," they changed their fearsome demeanor to cries of fright when they faced the cold iron of disciplined men in rank. Why so? Because, as Brasidas goes on to tell his soldiers, such tribes are the product of cultures "in which the many do not rule the few, but rather the few the many" (Thucydides 4.126).
In contrast to these enormous armies of screaming "barbarians" without consensual governments and written constitutions--"formidable in outward bulk, with unbearable loud yelling and the frightful appearance of weapons brandished in the air"--"citizens of states like yours," Brasidas assures his men, "stand their ground." Notice that Brasidas says nothing about skin color, race, or religion. Instead, he simplistically connects military discipline, fighting in rank, and the preference for shock battle with the existence of popular and consensual government, which gave the average infantryman in the phalanx a sense of equality and a superior spirit to his enemies. Whether or not we wish to dismiss Brasidas's self-serving portrait of frenzied tribesmen as a chauvinistic Western "construct" or "fiction," or debate whether his own Spartan oligarchy was a broad-based government, or carp that European infantrymen were often ambushed and bushwhacked by more nimble guerrillas, it is indisputable that there was a tradition of disciplined heavy infantrymen among the constitutionally governed Greek city-states, and not such a thing among tribal peoples to the north.
In an analysis of culture and conflict why should we concentrate on a few hours of battle and the fighting experience of the average soldier--and not the epic sweep of wars, with their cargo of grand strategy, tactical maneuver, and vast theater operations that so much better lend themselves to careful social and cultural exegesis? Military history must never stray from the tragic story of killing, which is ultimately found only in battle. The culture in which militaries fight determines whether thousands of mostly innocent young men are alive or rotting after their appointed hour of battle. Abstractions like capitalism or civic militarism are hardly abstract at all when it comes to battle, but rather concrete realities that ultimately determined whether at Lepanto twenty-year-old Turkish peasants survived or were harpooned in the thousands, whether Athenian cobblers and tanners could return home in safety after doing their butchery at Salamis or were to wash up in chunks on the shores of Attica.
From the Hardcover edition.
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