Do They Hear You When You Cry
- Book Review,
by Fauziya Kassindja
Amazon.com
Fauziya Kassindja describes her upbringing in a small Western Africa village as "part modern, part traditional, and Muslim throughout." Her Muslim father did not force his daughters to wear veils and encouraged their individualism. Most importantly, Kassindja's father instilled in her a distrust and fear of female circumcision, a controversial procedure still performed in many parts of the world. Tragically for Fauziya, he would die an untimely death, but his emphatic disgust at this dangerous and life-threatening operation had a remarkable effect on his daughter. She would flee the country just hours before her own circumcision, eventually arriving in the United States, where she faced an immigration nightmare. Fauziya recounts her harrowing ordeals in both Africa and the United States with eloquence and remarkable depth. Her initial naïveté in assuming that she would automatically gain asylum only adds to the tragedy of her story, as she instead faces isolation and religious persecution in high-security prisons. She graphically describes the horrors of strip searches and a terrible sickness that was ignored by prison staff. This is a book of unspeakable despair put into words as well as a remarkable friendship forged between Fauziya and her lawyer (and contributing editor) Layli Miller Bashir, who was at the fore of Fauziya's case and brought national attention to the plight of these females seeking asylum. Fauziya gained her political asylum in June 1996, but the book ends on a cautionary note; the immigration process for these women is still arduous and often unsuccessful.
From Library Journal
Kassindja was at the center of the landmark U.S. case that legitimized giving asylum to a woman who flees her country to avoid ritual genital mutilation. This is her story?and that of her lawyer, Bashir?who took up her cause after Kassindja was imprisoned by the INS upon arriving here from Togo.Copyright 1997 Reed Business Information, Inc.
The New York Times Book Review, Jill Nelson
But at best, hers is a story not only of horror but of great humanity, which puts a personal face on what is too often seen as an abstract, political issue.
From Booklist
Alone, afraid, and naive--but hopeful--17-year-old Fauziya Kassindja, a refugee from her native Togo, arrived in the U.S. seeking asylum in December 1994. Fleeing a forced polygamous marriage at the hands of her recently deceased father's relatives, she would have been forced to undergo "cleansing," the horrifying ritual of female genital mutilation (FGM), a practice resulting in painful suffering, and occasionally death, for women and girls in many parts of the world. Fauziya, in her innocence, did not anticipate the harsh cruelties she would endure upon her arrival in the U.S.: inhumane conditions and abusive guards in four prisons where she was detained for more than 16 months; callous Immigration and Naturalization Service personnel; lack of urgently needed medical attention and a deep depression that threatened to destroy her very spirit. Nor could she have anticipated the wealth of support that would come to her through the deeply committed women and men on her legal team, from other detainees with whom she forged an unbreakable bond, and through her own unshakable religious beliefs. Coauthored by Fauziya's key provider of legal and moral support, this is an intense and suspenseful account of the roller coaster of hope and despair during the arduous process of winning asylum. A fast-paced, can't-put-it-down book--shocking, heartbreaking, and inspiring. Grace Fill
From Kirkus Reviews
The harrowing and by now well-publicized story of a young West African girl fleeing the much-debated ritual of female circumcision and seeking asylum in the US. This worm's-eye view of her torturous incarceration at the hands of the INS is so well told that, even knowing the outcome in advance, you are held in suspense by the sheer horror of her ordeal. Seventeen-year-old Kassindja fled her native Togo the night before her circumcision and arranged marriage were to take place. Still in her wedding clothes, with only $3,000 of her sister's money, a fake passport, and the covert guidance of a refugee smuggler, she flew to Dsseldorf, Germany. There she befriended a German woman in the airport lounge and went home with her. Within a few weeks, she met a young Nigerian who offered her yet another passport and ticket, this time to Newark, N.J., where she had family and felt sure she could find refuge from the mutilation and possible death that awaited her back in Togo. Instead, she found herself in Esmor prison in Elizabeth, N.J., and, over the course of nearly two years, a series of similar jails where abuse, humiliation, malnutrition, filth, and human rights violations were the norm. In deceptively plain English, rich with fear, pain, and unflinching detail, Kassindja, a devout Muslim, takes the reader on an unforgettable religious pilgrimage into the many-tiered Inferno of the INS penal system. Through the Herculean efforts of a devoted legal team who took her case pro bono (one lawyer, Bashir, is her coauthor), Kassindja was finally granted asylum on appeal, and now resides in Arlington, Va. Readers will find themselves testing their naivet by how many times they stop to remind themselves that this story takes place in the mid-1990s in America. A Midnight Express in New Jersey--this book will make one by turns, angry, afraid, and ashamed of one's complacency. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.
Review
"A fascinating story...not only one of horror but of great humanity."
--The New York Times Book Review
"Told in Kassindja's voice, this memoir is also a precious lesson about cultures, women's human rights policy, and perhaps most important, faith in God and humanity. These elements, fluidly interwoven, create an incredible narrative."
--The Washington Post
"Moving and powerful."
--Newsweek
"An astonishing true story . . . A sprawling adventure . . . Full of good guys and bad guys, lush landscapes, barren prison cells, love, courage, despair, and cruelty."
--The Philadelphia Inquirer
"A straightforward, gripping narrative, not easily forgotten."
--Essence
Review
"A fascinating story...not only one of horror but of great humanity."
--The New York Times Book Review
"Told in Kassindja's voice, this memoir is also a precious lesson about cultures, women's human rights policy, and perhaps most important, faith in God and humanity. These elements, fluidly interwoven, create an incredible narrative."
--The Washington Post
"Moving and powerful."
--Newsweek
"An astonishing true story . . . A sprawling adventure . . . Full of good guys and bad guys, lush landscapes, barren prison cells, love, courage, despair, and cruelty."
--The Philadelphia Inquirer
"A straightforward, gripping narrative, not easily forgotten."
--Essence
Book Description
For Fauziya Kassindja, an idyllic childhood in Togo, West Africa, sheltered from the tribal practices of polygamy and genital mutilation, ended with her beloved father's sudden death. Forced into an arranged marriage at age seventeen, Fauziya was told to prepare for kakia, the ritual also known as female genital mutilation. It is a ritual no woman can refuse. But Fauziya dared to try.
This is her story--told in her own words--of fleeing Africa just hours before the ritual kakia was to take place, of seeking asylum in America only to be locked up in U.S. prisons, and of meeting Layli Miller Bashir, a law student who became Fauziya's friend and advocate during her horrifying sixteen months behind bars. Layli enlisted help from Karen Musalo, an expert in refugee law and acting director of the American University International Human Rights Clinic. In addition to devoting her own considerable efforts to the case, Musalo assembled a team to fight with her on Fauziya's behalf. Ultimately, in a landmark decision in immigration history, Fauziya Kassindja was granted asylum on June 13, 1996. Do They Hear You When You Cry is her unforgettable chronicle of triumph.
From the Publisher
"Fauziya Kassindja's personal story shines the light of bravery and honesty....Do They Hear You When You Cry could change the female half of history in the millennium to come."
--Gloria Steinem"The courage of an indomitable African woman shines through this eloquent testimony in this superb book."
--Mark Mathabane, author of Kaffir Boy"Even knowing the outcome in advance, you are held in suspense by the sheer horror of [Kassindja's] ordeal. A Midnight Express in New Jersey--this book will make one by turns, angry, afraid, and ashamed of one's complacency."
(starred review)
From the Inside Flap
For Fauziya Kassindja, an idyllic childhood in Togo, West Africa, sheltered from the tribal practices of polygamy and genital mutilation, ended with her beloved father's sudden death. Forced into an arranged marriage at age seventeen, Fauziya was told to prepare for kakia, the ritual also known as female genital mutilation. It is a ritual no woman can refuse. But Fauziya dared to try.
This is her story--told in her own words--of fleeing Africa just hours before the ritual kakia was to take place, of seeking asylum in America only to be locked up in U.S. prisons, and of meeting Layli Miller Bashir, a law student who became Fauziya's friend and advocate during her horrifying sixteen months behind bars. Layli enlisted help from Karen Musalo, an expert in refugee law and acting director of the American University International Human Rights Clinic. In addition to devoting her own considerable efforts to the case, Musalo assembled a team to fight with her on Fauziya's behalf. Ultimately, in a landmark decision in immigration history, Fauziya Kassindja was granted asylum on June 13, 1996. Do They Hear You When You Cry is her unforgettable chronicle of triumph.
About the Author
Fauziya Kassindja was born in 1977 in Kpalimé, Togo, Africa, and now resides in Alexandria, Virginia.
Layli Miller Bashir, a graduate of American University Washington College of Law, is now an attorney practicing in Washington, D.C. She is also the founder of the Tahirih Justice Center, which assists women facing international human rights abuses. She lives in Virginia with her husband.
Excerpt. © Reprinted by permission. All rights reserved.
Prison
I returned to my cell after lunch. It was time for the Salat adh-Dhuhr.
I removed my shoes and washed my face, arms, feet and hands at the small sink. Then I carefully spread the bedsheet I used as a prayer rug on the cold concrete floor. I wrapped my head and neck in the veil we call a mayahfi, stepped on the sheet that faced East and began to pray. While I was kneeling on the sheet, clutching the ninety-nine beads of the tasbih...
"Kasinga!" My neck jerked upward when I heard the sound of my name come crackling out through the prison intercom system.
"Kasinga! Attorney visit!"
So they were here. But I wanted to finish my prayers.
Allau Akbar, Allau Akbar, Allau Akbar--
"Kasinga! Kasinga!"
I stood up, unwrapped my mayahfi, slowly laced my sneakers, and stepped onto the ramp outside my cell. Upper tier in B pod, maximum security, York County Correctional Facility in Pennsylvania--this was where I lived.
Down below me I could see the dayroom, a small, barren space with metal tables and stools bolted to the floor. Inmates in blue uniforms passed their time aimlessly, watching TV, playing cards, talking, and staring into space. I slowly made my way along the ramp to the stairway and down the stairs. The guard in the booth tried to hurry me along by shouting my name repeatedly over the loudspeaker, but I wouldn't be rushed. I was still reciting my prayers. I had learned that prayer was what kept me going, enabling me to see beyond the grim gray walls of this place I was forced to call home.
By the time I reached the door to the hall, it had been opened from the control booth. A guard stood waiting in the doorway. She waved me through. "Let's go, let's go!" We turned right and walked a few paces to a doorway. "In here," she said, motioning me into a small meeting room with four metal chairs and a metal table against the far wall. "Wait here," she said, closing the door behind her. I walked to the chair nearest the table, sat down, and waited for my visitors.
It was Saturday afternoon, February 10, 1996, my fourteenth month in prison, six weeks after my nineteenth birthday.
Back home in Togo, when my father was still alive and our family was still together in my father's house, my mother would fast on my birthday. She fasted on all her children's birthdays to thank Allah for keeping us well. Where was my mother now? Had she remembered to fast on my birthday this year? I hadn't seen her in almost three years, since my father's sister, Hajia Mamoud, evicted her from our house, four months and ten days after my father's death.
It was because of Hajia Mamoud and my father's brother, Malam Mouhamadou, that I was now thousands of miles away from everything and everyone I loved. When my father died, Malam Mouhamadou became my legal guardian. He and Hajia Mamoud sold me into marriage to a man almost thirty years my senior who already had three wives. This man wanted my woman parts cut off before taking me as his wife. It is a traditional practice in my tribe, which we call kakia. Most people call it female circumcision. But that doesn't really describe what kakia is. Since I've been in this country, I've heard people refer to kakia as female genital mutilation. Mutilation. Yes, that's the right name.
Traditional though my father was, he had opposed this practice, so my older sisters were spared. But I was the youngest of the five girls, and after my father's death there was no one to protect me. When my aunt told me she had arranged my marriage and that I was to be cut, I was terrified because I had known girls who had died from having it done. My mother's own sister had died from it, and I'd heard my parents speak of this event with horror. But my "husband," like most men in our tribe, wanted me to be cut so that I would be "clean" for him. So my aunt had arranged for the women who do it to come to our house.
I've heard that during the procedure, four women spread your legs wide apart and hold you down so that you can't move. And then, the eldest woman takes a knife that is used to cut hair and scrapes your woman parts off. There are no painkillers, no anesthesia. The knife isn't sterilized. Afterward, the women wrap your legs from your hips to your knees and you have to stay in bed for forty days so the wound can close. After the forty days, you are "reborn" for your husband, and delivered to his house to begin your new life as his wife.
This would have happened to me had I stayed in Togo. It happens every day to girls all over the world. But with the help of my oldest sister and money from my mother, I ran away, far from my home, my family, and my country. Eventually I made it to America where I thought I'd be taken in, where I thought I would be safe. But instead of finding safety, I'd found a jail cell--or actually a series of cells. I was now in my fourth prison. I had been beaten, teargassed, kept in isolation until I nearly lost my mind, trussed up in chains like a dangerous animal, strip-searched repeatedly, and forced to live with criminals, even murderers.
Why? I had committed no crime and was a danger to no one. I was only a nineteen-year-old girl from Togo who desperately needed help. I was a refugee seeking asylum, not a convicted criminal. I kept asking myself, why is this happening to me? My teachers in Africa said that America was a great country. It was the land of freedom, where people were supposed to find justice. But I was delivered to a dark corner of America where there was no justice. There was only cruelty, danger, and indifference.
And now I was ill. Even as I sat waiting for my visitors that day, my chest was burning. Each time I took a breath, it felt like someone was stabbing me with a knife. I was weak because I hadn't eaten much of anything for days. Swallowing food hurt too much. I didn't know what was wrong with me. I had asked to see a doctor several times but was never called to see one. I was afraid. Was I dying? Would I die alone in this place?
The meeting I was about to have was with members of my legal team, three people who were fighting for my release from prison: Layli Miller Bashir, Karen Musalo, and David Shaffer. Karen and David were relatively new to my case, Karen having gotten involved only last September, and David at the end of December. I had never met either of them before. But Layli--Layli I felt I knew well. She was the young law student who had represented me at my asylum hearing back in August. After we lost that first hearing, she promised she would never leave me. She said she would keep fighting for me until I was free. She was like an angel, someone who had come to rescue me from the living hell I had endured since coming to the United States. Although she is a white American, and I am a black African, we had become sisters.
So I should have been happy to see Layli again, for I hadn't seen her in more than four months. As much as I loved her, however, I was hoping never to have to see her again. I wanted to leave her a note, thanking her and my entire legal team and telling them why I had decided not to wait for them to get me out. Now I would have to explain my decision face-to-face.
But how could I explain it? How could I explain to Layli, or to anyone who has never experienced them, the daily indignities and humiliations of prison life? How could I explain what it is like to live with only the barest essentials: a prison uniform, a cell, a bunk, a bedsheet, two towels, a washcloth, toilet paper, and tiny bars of harsh soap? How could I explain what it is like to have no privacy to shower or to use the toilet? How could I explain what it feels like to be counted like cattle every day, to eat when you were told to eat, sleep when you were told to sleep? How could I explain the mind-numbing, soul-deadening feeling of doing nothing but watching TV, day after day, week after week, month after month?
No, I could never fully explain what it is like to live in prison, which was why I'd stopped trying to communicate with anyone on the outside. I'd lost interest in writing letters and making phone calls. There was no more reason to talk to people, really. What could they say that I hadn't already heard? It was always the same old story: "Hang in there, keep your spirits up, we're working hard, everything will be fine, just hold on a little while longer." And then they'd always say, "Oh, Fauziya, you are so strong, so brave." But I wasn't, and I didn't want to hear it anymore. They meant well, I knew. But they couldn't possibly understand how I felt. I'd held on for as long as I could. Now I had to get out before I went crazy or died. My legal team had been working incredibly hard on my case and I would always be grateful to them. But in spite of all their work, I was still in prison. Nothing had changed.
Except me. I was changing. I looked down at myself, sitting slouched in the chair with the shirt of my blue uniform half unbuttoned and hanging out of my pants. Back home, I would have never dressed so sloppily, but after fourteen months in American prisons, I didn't feel like myself anymore. I didn't recognize the person I was becoming.
I prayed to Allah five times a day, every day, but for reasons I could not understand, He would not hear my cries. He had chosen not to deliver me from my ordeal. Now I was convinced that as long as I remained in America I would never be free. I was sick and getting sicker all the time. I thought I might be dying. If that was Allah's will, so be it. But I didn't want my fellow prisoners' faces to be the last ones I saw. I wanted to see my family again. I wanted to die surrounded by the people I loved.
Twice in my life already I had taken my fate into my own hands. Ten days earlier, I'd done it again. I'd sent a note to the prison counselor, telling her I wanted to speak with her. When I didn't hear from the counselor, I wrote another note, telling her why I wanted to speak with her: tell the INS to send me back to Togo. My legal team would be upset when they heard about what I'd done, but I had to listen to my own heart.
I knew they'd try to talk me out of it. "You'll be out soon," they'd tell me again. They would try to convince me to stay for other people's sake. "Fauziya, your case is going to help so many other women." They might also say, "You know what will happen if you go back to Togo, don't you?"
Yes, I do know what will happen to me. But I cannot stay in prison any longer. I must go home. Now.
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