U2 at the End of the World ANNOTATION
In the most intimate and appreciative biography of the mega rock band U2 to date, Bill Flanagan gets inside and writes about Bono, Edge, Larry Mullen, Jr., and Adam Clayton, as they've never been written about before. This definitive bio is augmented with sleek photos by renowned photographer Anton Corbijn.
FROM THE PUBLISHER
U2 at the End of the World takes you across four continents over four years with the biggest rock band of the last decade. In that time U2 shares adventures and ideas with a host of cultural big shots, including Bill Clinton and Mick Jagger, Salman Rushdie and Pearl Jam, Wim Wenders and R.E.M. From Dublin to Mexico, Tokyo to Hollywood, U2 at the End of the World takes you to the strange intersection where art and politics meet. Here is the eyewitness story of the battles behind the making of U2's multi-platinum Achtung Baby, the studio experiments that produced the critically acclaimed Zooropa, and U2's ambitious plans for the future. Here is a close-up account of the business of rock stardom - with details of giant record contracts, promoter battles, and a look behind the scenes of Zoo TV - the biggest concert tour ever undertaken. Most important, here is an unprecedented look inside the songwriting and record making of U2, a group who has never before opened up their creative process to anyone outside the band.
FROM THE CRITICS
Library Journal
Somewhere in a dilapidated bar or on a rotting porch, raw talent is busting its chops for nothing. That is, unless Jim Cantone hears the racket. The golden-eared, platinum-hearted talent scout has just left an independent record label to oversee A&R (Artists & Repertoire) at industry colossus WorldWide Records. While Cantone mentors Jerusalem--rock's next great white hope--and ponders "selling out" at 30, bitterness and jealousy motivate WW's vice president, J.B. Booth, to shame and ultimately force out WW's charismatic president and founder, "Wild" Bill DeGaul, a cross between real-life record moguls Clive Davis and Chris Blackwell. As senior vice president of the video channel VH-1, Flanagan (U2 at the End of the World) knows the music biz's convoluted, polluted intestinal tract well. Money (six figures and up), booze (bubbly), blood (a dead, chic singer), and other bodily fluids flow in exotic locations, but to little effect. Unfortunately, Cantone, the reader's moral navigator through WW upper-management's underbelly, is too conscientiously self-conscious to make this good-natured expos believable. Not recommended. [Previewed in Prepub Alert, LJ 2/1/00.]--Heather McCormack, "Library Journal" Copyright 2000 Cahners Business Information.\
Library Journal
Musician magazine editor Flanagan (Written in My Soul, Contemporary Bks, 1987. o.p.) first interviewed the Irish rock band U2 in the 1980s. For this biography he was invited to spend nearly four years with the band. The book follows U2 through several recording projects in the early 1990s, including their albums "Achtung Baby," and "Zooropa. The book opens in the autumn of 1990 and U2 is in Berlin as the Wall is coming down. In 1992 they take part in a Greenpeace action against a British nuclear facility believed to be polluting the Irish Sea. In 1994 the lavish "Zoo TV" tour concerts included live interviews from Sarajevo, then under siege. While the band's mix of politics with art attracted many fans, it often drew criticism from the media. Interspersed with these events we see U2 at work and at play, recording, performing, juggling families and romances, and hanging out in pubs. Although Flanagan finds it difficult to keep his opinions out of the book, usually he keeps them at least out of the way, and often enough he lets the members of U2 speak for themselves. A step above the usual pop-group biography this is recommended for larger public and university libraries and music collections.-Tim LaBorie, St. Joseph's Univ., Philadelphia