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Pushkin's Button

AUTHOR: Serena Vitale
ISBN: 0374239355

SHORT DESCRIPTION: A riveting narrative about the last few months of the Russian poet Pushkin's life before his fatal duel is an astonishing tour de force of cultural history that reads like a thriller. The rich international, yet very Russian, world of St....

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         Editorial Review

Pushkin's Button
- Book Review,
by Serena Vitale


Amazon.com
In telling the story of the duel that killed Aleksandr Pushkin, Russia's great poet, writer Serena Vitale does something more exciting than simply putting together a biographical chronology of the man's life. In place of the usual plod through life and works, Vitale focuses on the extraordinary events of the end of Pushkin's life, and works backwards and sideways, as it were, to provide a quirkily rich portrait of the man. She is successful in part because she writes like a novelist instead of an ordinary biographer and she makes connections and assessments worthy of the lively mind of Pushkin himself. Take, for instance, the book's title: an anecdote about Pushkin's clothing noted by a contemporary ("Pushkin's bekesh was missing a button at the back, at waist height ... clearly they were not looking after him") leads Vitale not into contemplation of the adequacy of the many servants who attended the poet, but rather into the way the missing button "resembles the stress accent that suddenly breaks loose from the iamb and vanishes into the void" in a typical Pushkinian line of verse. Pushkin's Button is bursting at the seams with surprising and illuminating perspectives such as this. --Adam Roberts


From Publishers Weekly
Vitale's reconstruction of Alexander Pushkin's 1837 dueling death?the poet had employed the most provocative terms in accusing an insolent French officer of dallying with his wife?brings to life the vulgar yet aristocratic milieu of St. Petersburg, not the Russian literary giant himself. In this titillating, lurid recounting, the capital of the czarist state is riven by secrets and intrigues, amused by slander and scandal, and sustained by undeserved status and unearned wealth. Everyone writes malicious, tattling letters, no one throws any of them away, and Nicholas I's Third Section reads every one. In Pushkin's last months he was desperate for funds and maddened by the feud over his young, frivolous and beautiful wife. Vitale draws her evocation of this time largely from tale-bearing correspondence written or received by both the poet's eventual killer, the apparently bisexual Georges d'Anthes, and the homosexual Dutch ambassador Jacob van Heeckeren, who, doting on d'Anthes, went so far as to adopt him. In this tale, told as a mystery unfolding from contemporary records, Vitale (an Italian scholar of Russian literature) spares no trivia about the "narrow-minded province of gossips, vultures, [and] voyeurs, whose unyielding, deadly rituals Pushkin not only declined to shun but actively, zealously, took part in." If her prose purples, at least as rendered in this translation, it seems utterly appropriate to the gaudy salon setting and to Pushkin's yet tawdry demise. Copyright 1999 Reed Business Information, Inc.


From Library Journal
Alexander Pushkin, a descendant of Hannibal of Carthage, was Russia's greatest poet. He was also married to the most beautiful woman in St. Petersburg, who attracted the attention and admiration of many men in Russian society, notably one Georges D'Anthes. D'Anthes had been adopted by the Dutch ambassador, Baron von Heerecken, and was a chevalier de garde for Tsar Nicholas I. Vitale (Russian literature, Univ. of Pavia, Italy) presents a marvelous biographical mystery in which she explores the events leading to the duel between Pushkin and D'Anthes. Through letters, the reader gets an intimate view of the personalities and passions of early 19th-century Russia. Vitale sheds new light on the causes of the duel and makes the story accessible to 20th-century readers. Highly recommended for public and academic libraries.AAnn Irvine, Montgomery Cty. P.L., Silver Spring, MDCopyright 1999 Reed Business Information, Inc.


The New York Times Book Review, Richard Lamb
...Pushkin's Button is a delightful combination of retrograde pleasures (court balls, the demise of a doomed genius) and primary sources.


The Los Angeles Times Sunday Book Review, Monika Greenleaf
Pushkin's Button embeds the still-mysterious story of Pushkin's last years, love(s) and works, duel and death in a richly costumed and often comic portrayal of Russia's repressive court society during the reign of Tsar Nicholas I, "the gendarme of Europe." It will keep all constituencies of readers fastened to their seats, as they watch Petersburg's lofty denizens leave no moment of the hurtling Pushkin scandal unrecorded or not speculated upon.


From Kirkus Reviews
An Italian scholar's unorthodox take on the events leading to Pushkin's fatal duel reads like impassioned fiction. On January 27, 1837, one of Russia's greatest poets, Alexander Pushkin, died as the result of a wound inflicted during a duel hed fought to defend his wife's honor. His opponent was none other than his sister-in-law's husband, Georges d'Anthes, a French officer. Readers will recognize telltale signs in Vitales (Russian/Univ. of Pavia, Italy) narrative of the typically massive Russian novel: the cast of thousands (here enumerated in a 24-page ``Index of Names'') and the storys soap-opera-like overtones. Combining her own research with information gleaned from secondary literature and the memoirs and letters of Pushkin's contemporaries, this account brims with humor, drama, scholarly insight, and a breathless conversational tone, hinting of espresso and cigarette smoke wafting in a cafe corner. Vitale's approach, however, is not for everyone. The duel occurs some 242 pages into the text. Chapter titles, like the title of the book, are more poetic than informative. And the facts are often conveyed repetitiously. Still, the drawbacks seem finally beside the point, for Vitale brings to life the drama of Pushkin's end, from the state of the poet ``whose frenzied jealousy was known to all,'' to the doings of his flirtatious wife and the royal court, Pushkin's strained relations with the tsar, and the bizarre case of d'Anthes's adoption by a Dutch ambassador and his affairs with the women of St. Petersburg. Also, the author eagerly takes up her role as detective, investigating d'Anthes's circumstances, his opinion of Pushkin's wife, and the circulated letter that provoked the duel. With its unabashed love of intrigue and nuance, Vitale's unusual chronicle of Pushkin's final days will appeal to any lover of Russian literature, history, and culture. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.


Language Notes
Text: English (translation)
Original Language: Italian


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         Book Review

Pushkin's Button
- Book Reviews,
by Serena Vitale

Pushkin's Button

FROM THE PUBLISHER

Pushkin's Button is a narrative about the four months of Pushkin's life leading up to the fatal duel in the snow on January 27, 1837, when a young French officer in the Russian Army shot and killed Russia's greatest living artist. Ever since, Russian leaders, critics, and poets have advanced theories about the terrible deed, none of them wholly satisfactory. Serena Vitale has opened the archives and studied the case more closely, and more imaginatively, than anyone before her; her account of the Pushkin "dilemma" is also a wonderfully astute, original assessment of the poet's literary and national importance. Vitale has unearthed family secrets, diaries, courtroom records, and a cache of letters found in a Paris attic ten years ago; she shows us how a pawnbroker's slip and even a button missing from Pushkin's Kamerjunker uniform are significant details in the story. Her close examination of the record sparkles with Pushkin's own genial wit and brings to life the international yet very Russian world of St. Petersburg in the 1830s, with its imperial halls, its political and literary gossip, and its beautiful women - notable among them Natalya Pushkin, the poet's wife. Vitale adds another level to the narrative with her absorbing references to her own archival detection work, work that enabled her to accomplish this double feat of literary interpretation and superb history.

FROM THE CRITICS

Publishers Weekly

Vitale's reconstruction of Alexander Pushkin's 1837 dueling death--the poet had employed the most provocative terms in accusing an insolent French officer of dallying with his wife--brings to life the vulgar yet aristocratic milieu of St. Petersburg, not the Russian literary giant himself. In this titillating, lurid recounting, the capital of the czarist state is riven by secrets and intrigues, amused by slander and scandal, and sustained by undeserved status and unearned wealth. Everyone writes malicious, tattling letters, no one throws any of them away, and Nicholas I's Third Section reads every one. In Pushkin's last months he was desperate for funds and maddened by the feud over his young, frivolous and beautiful wife. Vitale draws her evocation of this time largely from tale-bearing correspondence written or received by both the poet's eventual killer, the apparently bisexual Georges d'Anthes, and the homosexual Dutch ambassador Jacob van Heeckeren, who, doting on d'Anthes, went so far as to adopt him. In this tale, told as a mystery unfolding from contemporary records, Vitale (an Italian scholar of Russian literature) spares no trivia about the "narrow-minded province of gossips, vultures, [and] voyeurs, whose unyielding, deadly rituals Pushkin not only declined to shun but actively, zealously, took part in." If her prose purples, at least as rendered in this translation, it seems utterly appropriate to the gaudy salon setting and to Pushkin's tawdry demise.

Library Journal

Alexander Pushkin, a descendant of Hannibal of Carthage, was Russia's greatest poet. He was also married to the most beautiful woman in St. Petersburg, who attracted the attention and admiration of many men in Russian society, notably one Georges D'Anthes. D'Anthes had been adopted by the Dutch ambassador, Baron von Heerecken, and was a chevalier de garde for Tsar Nicholas I. Vitale (Russian literature, Univ. of Pavia, Italy) presents a marvelous biographical mystery in which she explores the events leading to the duel between Pushkin and D'Anthes. Through letters, the reader gets an intimate view of the personalities and passions of early 19th-century Russia. Vitale sheds new light on the causes of the duel and makes the story accessible to 20th-century readers. Highly recommended for public and academic libraries.--Ann Irvine, Montgomery Cty. P.L., Silver Spring, MD

Richard Lamb

...[A] delightful combination of retrograde pleasures...and primary sources....both illuminating and pathetic....Pushkin received a death sentence for dueling that in Gogolesque fashion couldn't be carried out because he was dead. -- The New York Times Book Review

George Steiner - New Yorker

[Vitale's] dayᾺtoᾺday Ὰ indeed hourᾺtoᾺhour Ὰ record of Pushkin's final year is not only an enthralling portrayal of imperial St. Petersburg in the 1830s. It qualifies the usually idealized, radiantly pathetic image of the poet�A book almost impossible to put down.

Kirkus Reviews

An Italian scholar's unorthodox take on the events leading to Pushkin's fatal duel reads like impassioned fiction. On January 27, 1837, one of Russia's greatest poets, Alexander Pushkin, died as the result of a wound inflicted during a duel he'd fought to defend his wife's honor. His opponent was none other than his sister-in-law's husband, Georges d'Anthes, a French officer. Readers will recognize telltale signs in Vitale's (Russian/Univ. of Pavia, Italy) narrative of the typically massive Russian novel: the cast of thousands (here enumerated in a 24-page "Index of Names") and the story's soap-opera-like overtones. Combining her own research with information gleaned from secondary literature and the memoirs and letters of Pushkin's contemporaries, this account brims with humor, drama, scholarly insight, and a breathless conversational tone, hinting of espresso and cigarette smoke wafting in a cafe corner. Vitale's approach, however, is not for everyone. The duel occurs some 242 pages into the text. Chapter titles, like the title of the book, are more poetic than informative. And the facts are often conveyed repetitiously. Still, the drawbacks seem finally beside the point, for Vitale brings to life the drama of Pushkin's end, from the state of the poet "whose frenzied jealousy was known to all," to the doings of his flirtatious wife and the royal court, Pushkin's strained relations with the tsar, and the bizarre case of d'Anthes's adoption by a Dutch ambassador and his affairs with the women of St. Petersburg. Also, the author eagerly takes up her role as detective, investigating d'Anthes's circumstances, his opinion of Pushkin's wife, and the circulated letter that provoked theduel. With its unabashed love of intrigue and nuance, Vitale's unusual chronicle of Pushkin's final days will appeal to any lover of Russian literature, history, and culture.




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