Amazon.com's Best of 2001
Dan Chaon opens his new collection of stories with an epigraph from Raymond Carver: "Whatever this was all about, it was not a vain attempt--journey." This is pretty opaque stuff from Carver, a writer not much given to mystification. But it strikes just the right note for Chaon's assembly of characters, a group vaguely unsettled by life, trying to make the best of it. First and foremost, this is a book beset by moms. You get the feeling that the characters in Among the Missing never really had a chance to figure out the world, with these cryptic, uncommunicative women to care for them. In the title story, for example, a car is discovered at the bottom of a local lake, with an entire family drowned inside. The college-age narrator, however, is preoccupied by the more mundane puzzle of his parents' relationship. "Somehow," he recounts, "they'd stayed married for twenty years, and then, abruptly, somehow they'd decided to give up. It didn't quite make sense, and I looked at them, for a minute aware of the other mystery in my life. 'Do you want some soup?' my mother asked, as if I were a customer."
That's about as much as you'll ever get out of one of Chaon's mothers: soup. When not fielding their aging parents' passivity, these characters seem to spend a lot of time grappling with ghosts. The "missing" of the title story are, literally, gone. In "Safety Man," a widow comes to rely on one of those inflatable dolls meant to intimidate intruders. In "Prosthesis," a young wife and mother falls for a stranger with a missing arm; meanwhile, she watches her son grow up and away from her, "disappearing into his own thoughts and feelings." In the end, Chaon is the rare writer who deserves comparison to Carver: both write an affectless prose that takes on a surprisingly emotional life of its own. --Claire Dederer
From Publishers Weekly
In the 12 quietly accomplished stories of his second collection, Chaon explores the complicated geography of human relationships, from the unintentional failures and minute betrayals of daily existence to the numbing grief caused by abandonment, disappearance or death. Specific and disquieting absences an uncle who killed himself, a mother who vanished, a friend who was kidnapped haunt the protagonists, and a series of metaphoric and literal stand-ins take the place of what's missing. In "Safety Man," a dummy intended for crime deterrence propped in the passenger seat, it looks like a male companion becomes a kind of surrogate husband for a young widow, and for her daughters, an inflatable father; in "I Demand to Know Where You're Taking Me," a woman caring for her incarcerated brother-in-law's macaw comes to loathe the bird, its ugly talk transforming it into a symbol of everything wrong and incomprehensible about him. By and large, Chaon's characters are citizens of the emotional hinterlands, lonely even when surrounded: "How did people go about falling in love, getting married, having families, living their lives?" Even those who think they know the answers recognize their powerlessness, such as the father who, looking into his son's eyes, thinks, "I am aware that hatred is a definite possibility at the end of the long tunnel of parenthood, and I suspect that there is little one can do about it." And yet these stories are neither morbid nor even particularly melancholic. Singularly dedicated to an examination of all the profundity and strangeness of the quotidian, they are, in their best moments, unsettling, moving, even beautiful. (July 3)Forecast: A jacket blurb by Lorrie Moore and a five-city author tour may help sell this understated collection, which will be respectfully reviewed but may be overlooked on bookstore shelves. Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Chaon's stories have been published in many literary magazines and have been anthologized in places like Best American Short Stories. In his splendid second collection of short stories (after Fitting Ends), the past always remains a huge presence. In the title story, a son unsuccessfully tries to strengthen his relationship with his mother. In "Safety Man," a young widow struggles to cope with her loss while bringing up her two young daughters, eventually making an inflatable half-man a part of the family. In "Late for the Wedding," Trent wants to marry his former college instructor; her visiting son reveals that his mother has been having affairs with her students for year. In "The Illustrated History of the Animal Kingdom," a Pushcart Prize 2000 story, a lonely newcomer, who fails in his attempt to form a friendship with a young mother in his apartment building, ends up feeling that the world is out of sync. Chaon's contemporary stories intimately reveal modern life and the secrets people keep. Recommended for all libraries. Mary Szczesiul, Roseville P.L., MI Copyright 2001 Reed Business Information, Inc.
From Booklist
*Starred Review* People go missing both literally and figuratively in Chaon's beautiful and insightful stories, most of which are set in small, muffled Midwest towns. In "Passengers, Remain Calm," 22-year-old Hollis, reflective and immensely kind, tries hard to let F. D., his 8-year-old nephew, know that he loves him without making F. D.'s father, who has inexplicably disappeared, look bad. Another expressive narrator is haunted by a long-held secret associated with the vanishing of his boyhood friend. As each of Chaon's profoundly thoughtful characters discovers, missing selves are just as distressing as missing people. A young father is astonished at how quickly he becomes a caricature dad, and he mourns the loss of his "real" self. In a curious reversal, the lonely boy in "Big Me" becomes obsessed with a boozy neighbor who, he fears, embodies his future. Riveting and unpredictable, each pristine tale of absence looms like the proverbial tip of the iceberg as Chaon succeeds brilliantly in suggesting the immensity and mystery floating silently below the surface of everyday life, shadowy compressions of all the complicated and contradictory thoughts and feelings that humans conceal from each other out of fear and love. Donna Seaman
Copyright © American Library Association. All rights reserved
Review
“One of the best short story writers around . . . Dan Chaon’s stories are funny, heartbreaking, beautifully written, and intelligently conceived.”
–LORRIE MOORE
Author of Birds of America
“AN IMPORTANT COLLECTION OF STORIES, A GENUINELY LITERARY ACCOMPLISHMENT.”
–HA JIN
National Book Award—winning author
“With a story like [‘Big Me’] from the marvelous writer Dan Chaon, I am confronted not only with an unfathomable mystery such as that of the endurance of a single human identity over time, but also with new proof of the enduring value of telling tales in the ongoing struggle to understand those mysteries.”
–MICHAEL CHABON
Pulitzer Prize-winning author of
The Amazing Adventures of Kavalier & Clay
Review
?One of the best short story writers around . . . Dan Chaon?s stories are funny, heartbreaking, beautifully written, and intelligently conceived.?
?LORRIE MOORE
Author of Birds of America
?AN IMPORTANT COLLECTION OF STORIES, A GENUINELY LITERARY ACCOMPLISHMENT.?
?HA JIN
National Book Award?winning author
?With a story like [?Big Me?] from the marvelous writer Dan Chaon, I am confronted not only with an unfathomable mystery such as that of the endurance of a single human identity over time, but also with new proof of the enduring value of telling tales in the ongoing struggle to understand those mysteries.?
?MICHAEL CHABON
Pulitzer Prize-winning author of
The Amazing Adventures of Kavalier & Clay
Home
