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Merrick

AUTHOR: Anne Rice
ISBN: 0345422406

SHORT DESCRIPTION: At the center of Anne Rice's new novel is the beautiful, unconquerable Merrick, a child--a witch with the power and magical knowledge of a Medea and a Circe. She is a Mayfair of New Orleans, descendent of a family rich in its French and Spanish...

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         Editorial Review

Merrick
- Book Review,
by Anne Rice


Amazon.com
Just when you thought it was safe for a bloodsucker to go out in the dark in New Orleans, along comes Merrick Mayfair, a sultry, hard-drinking octoroon beauty whose voodoo can turn the toughest vampire into a marionette dancing to her merry, scary tune. In Merrick, Anne Rice brings back three of her most wildly popular characters--the vampires Lestat and Louis and the dead vampire child Claudia--and introduces them to the world of her Mayfair Witches book series.

It is Louis who brings about the collision of the fang and voodoo universes. Louis made Claudia a vampire in Rice's classic Interview with the Vampire, in which she was destroyed, and now he's obsessed with raising her ghost to make amends and seek guidance from the beyond. (Claudia physically resembles Rice's young daughter who died of a blood-related illness. Rice nearly died of a diabetic coma in 1998, and writing Merrick turned her excruciating recovery into an exhilarating burst of creativity).

Vampire David Talbot lobbies Merrick to call Claudia's spirit and slake Louis's guilt, but Talbot winds up in the grip of an obsession with the witch. You see, Talbot, unlike most vampires, lived 70 years as a human, so his sexual response to humans is still as strong as his blood thirst. Merrick can cast spells to make men crave her, and Talbot is tormented. After she reads his palm, he muses, "I wanted to take her in my arms, not to feed from her, no, not harm her, only kiss her, only sink my fangs a very little, only taste her blood and her secrets, but this was dreadful and I wouldn't let it go on."

The secrets of Merrick are dark and sensuous, but the book is a romp animated by Rice's feeling of coming back to life through the magic of a literary outpouring. The narrative flashes back to the past, to an Indiana Jones-ish adventure in a Guatemalan cave, and to scenes from many other Rice novels. It may be helpful to read Merrick with the Rice-approved guidebooks The Vampire Companion and The Witches' Companion at hand.

After many books, Rice's grand Vampire Chronicles tale was in peril of getting long in the tooth. Merrick Mayfair's magic represents an infusion of fresh blood. --Tim Appelo


From Publishers Weekly
The 22nd novel from the dazzlingly popular vampire chronicler (The Vampire Lestat, The Witching Hour, etc.) brings her familiar undead characters into New Orleans's underworld of witches, and then to the jungles of Central America. Charismatic, biracial Merrick Mayfair comes from a New Orleans caste bound up with traditions of voodoo; she's also descended from the powerful Mayfair witch clan. Once a supernatural detective, now a vampire himself, narrator David Talbot took care of Merrick when she was in her teens, but hasn't seen her in years. Rice-watchers will remember Talbot and the Mayfairs, and also the vampire Louis de Pointe du Lac and the girl Claudia, who now torments Louis from the afterworld. When Louis asks Talbot to raise Claudia's ghost, Talbot pleads with Merrick to use her rare talentsAand to revisit the past they share. Can Merrick really conjure the dead? Should she? What of the unspoken erotic charge between Talbot and Merrick? What secrets lie in the magical artifacts Merrick will have to find, and then to wield? And what do they have to do with her dead parents? This volume merges several long-running plots; the first chapters sag with the weight of their exposition, and the prose seems overheated even for Rice. Vampire fans will no doubt plunge on, however; soon enough, Merrick must revisit the Guatemalan rainforest, where she traveled as a young girl, to locate a secret treasure trove of ominous ancient runes. Displaying her imaginative talents for atmosphere and suspense, Rice creates a riveting scene that shows Merrick's awesome magic at work. A potent cameo from the vampire Lestat, with whom the fabled series began, leaves hints of more dark tales to come. 750,000 first printing; BOMC and Science Fiction Book Club main selections; Literary Guild selection; QPB alternate; Doubleday Book Club featured alternate. (Oct.) Copyright 2000 Reed Business Information, Inc.


From School Library Journal
What we've all been waiting for: the 2000-year history of Marius, mentor to the Vampire Lestat. At 750,000 copies, the first printing measures up to Marius's long reign. Copyright 2001 Reed Business Information, Inc.


From Library Journal
Witches and vampires collide in Rice's latest, which stars the beautiful Merrick, descendent of a New Orleans society of octoroons and quadroons. Merrick learns that her ancestors are the Great Mayfair witches from ordinary-guy vampire David Talbot. Copyright 2000 Reed Business Information, Inc.


From AudioFile
Die-hard fans of Anne Rice will likely prefer the full text of this novel, which straddles the Vampire Chronicles and the Mayfair Witches, but this abridgment serves its purpose and leaves no obvious gaps. Sir Derek Jacobi narrates with intensity and sensitivity. He presents his characters with distinct voice and inflection, as well as personality. He never deviates from the clear narrative voice, which he embues with a restrained formality that suits the character who tells this story of magic and intrigue. Jacobi's voice is sensual and warm, cold and detached, and anything in between that the story calls for. J.E.M. © AudioFile 2001, Portland, Maine-- Copyright © AudioFile, Portland, Maine


Review
“SPELLBINDING . . . LUXURIOUSLY LUSCIOUS . . . There is the promise of more chills to come.”
–USA Today

“[Merrick’s] greatest strength is Rice’s skill at constructing a believably eerie New Orleans overrun by the charismatic undead and those who wish to join them. . . . Its closing pages prime the stage for the continuing adventures of the beguiling Merrick and her new fanged pals. They will all be back, of course, and Merrick leaves you looking forward to their return.”
–The Boston Globe

“RICE AT HER CHILLING BEST.”
–The Seattle Times


“RICE’S PACE HAS RARELY BEEN BETTER. . . . For those already enthralled by Ms. Rice’s witches and vampires, Merrick will strengthen the spell. And for those who haven’t been . . . well, sucked in yet, Merrick proves a worthy initiation.”
–The Dallas Morning News



Review
?SPELLBINDING . . . LUXURIOUSLY LUSCIOUS . . . There is the promise of more chills to come.?
?USA Today

?[Merrick?s] greatest strength is Rice?s skill at constructing a believably eerie New Orleans overrun by the charismatic undead and those who wish to join them. . . . Its closing pages prime the stage for the continuing adventures of the beguiling Merrick and her new fanged pals. They will all be back, of course, and Merrick leaves you looking forward to their return.?
?The Boston Globe

?RICE AT HER CHILLING BEST.?
?The Seattle Times


?RICE?S PACE HAS RARELY BEEN BETTER. . . . For those already enthralled by Ms. Rice?s witches and vampires, Merrick will strengthen the spell. And for those who haven?t been . . . well, sucked in yet, Merrick proves a worthy initiation.?
?The Dallas Morning News



Book Description
In this mesmerizing new novel, Anne Rice demonstrates once again her gift for spellbinding storytelling and the creation of myth and magic, as she weaves together two of her most compelling worlds? those of the Vampire Chronicles and the Mayfair witches.




Download Description
At the center of Anne Rice's new novel is the beautiful, unconquerable Merrick, a child--a witch with the power and magical knowledge of a Medea and a Circe. She is a Mayfair of New Orleans, descendent of a family rich in its French and Spanish past, steeped in the age-old tradition of voodoo. Into this strange and exotic world comes David Talbot, hero, storyteller, adventurer, almost-mortal vampire, a visitor from another realm of the dark world.


From the Publisher
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From the Inside Flap
In this mesmerizing new novel, Anne Rice demonstrates once again her gift for spellbinding storytelling and the creation of myth and magic, as she weaves together two of her most compelling worlds? those of the Vampire Chronicles and the Mayfair witches.



From the Back Cover
“SPELLBINDING . . . LUXURIOUSLY LUSCIOUS . . . There is the promise of more chills to come.”
–USA Today

“[Merrick’s] greatest strength is Rice’s skill at constructing a believably eerie New Orleans overrun by the charismatic undead and those who wish to join them. . . . Its closing pages prime the stage for the continuing adventures of the beguiling Merrick and her new fanged pals. They will all be back, of course, and Merrick leaves you looking forward to their return.”
–The Boston Globe

“RICE AT HER CHILLING BEST.”
–The Seattle Times


“RICE’S PACE HAS RARELY BEEN BETTER. . . . For those already enthralled by Ms. Rice’s witches and vampires, Merrick will strengthen the spell. And for those who haven’t been . . . well, sucked in yet, Merrick proves a worthy initiation.”
–The Dallas Morning News




About the Author
ANNE RICE is the author of twenty-three books. She lives in New Orleans with her husband, the poet and painter Stan Rice.



Excerpt. © Reprinted by permission. All rights reserved.
Proem

My name is David Talbot.

Do any of you remember me as the Superior General of the Talamasca, the Order of psychic detectives whose motto was "We watch and we are always here"?

It has a charm, doesn't it, that motto?

The Talamasca has existed for over a thousand years.

I don't know how the Order began. I don't really know all the secrets of the Order. I do know however that I served it most of my mortal life.

It was in the Talamasca Motherhouse in England that the Vampire Lestat first made himself known to me. He came into my study one winter night and caught me quite unawares.

I learnt very quickly that it was one thing to read and write about the supernatural and quite another to see it with your own eyes.

But that was a long time ago.

I'm in another physical body now.

And that physical body has been transformed by Lestat's powerful vampiric blood.

I'm among the most dangerous of the vampires, and one of the most trusted. Even the wary vampire Armand revealed to me the story of his life. Perhaps you've read the biography of Armand which I released into the world.

When that story ended, Lestat had wakened from a long sleep in New Orleans to listen to some very beautiful and seductive music.

It was music that lulled him back again into unbroken silence as he retreated once more to a convent building to lie upon a dusty marble floor.

There were many vampires then in the city of New Orleans -- vagabonds, rogues, foolish young ones who had come to catch a glimpse of Lestat in his seeming helplessness. They menaced the mortal population. They annoyed the elders among us who wanted visibility and the right to hunt in peace.

All those invaders are gone now.

Some were destroyed, others merely frightened. And the elders who had come to offer some solace to the sleeping Lestat have gone their separate ways.

As this story begins, only three of us remain in New Orleans. And we three are the sleeping Lestat, and his two faithful fledglings -- Louis de Pointe du Lac, and I, David Talbot, the author of this tale.

Chapter One


"Why do you ask me to do this thing?"

She sat across the marble table from me, her back to the open doors of the cafe.

I struck her as a wonder. But my requests had distracted her. She no longer stared at me, so much as she looked into my eyes.

She was tall, and had kept her dark-brown hair loose and long all her life, save for a leather barrette such as she wore now, which held only her forelocks behind her head to flow down her back. She wore gold hoops dangling from her small earlobes, and her soft white summer clothes had a gypsy flare to them, perhaps because of the red scarf tied around the waist of her full cotton skirt.

"And to do such a thing for such a being?" she asked warmly, not angry with me, no, but so moved that she could not conceal it, even with her smooth compelling voice. "To bring up a spirit that may be filled with anger and a desire for vengeance, to do this, you ask me, -- for Louis de Pointe du Lac, one who is already beyond life himself?"

"Who else can I ask, Merrick?" I answered. "Who else can do such a thing?" I pronounced her name simply, in the American style, though years ago when we'd first met, she had spelled it Merrique and pronounced it with the slight touch of her old French.

There was a rough sound from the kitchen door, the creak of neglected hinges. A wraith of a waiter in a soiled apron appeared at our side, his feet scratching against the dusty flagstones of the floor.

"Rum," she said. "St. James. Bring a bottle of it."

He murmured something which even with my vampiric hearing I did not bother to catch. And away he shuffled, leaving us alone again in the dimly lighted room, with all its long doors thrown open to the Rue St. Anne.

It was vintage New Orleans, the little establishment. Overhead fans churned lazily, and the floor had not been cleaned in a hundred years.

The twilight was softly fading, the air filled with the fragrances of the Quarter and the sweetness of spring. What a kind miracle it was that she had chosen such a place, and that it was so strangely deserted on such a divine evening as this.

Her gaze was steady but never anything but soft.

"Louis de Pointe du Lac would see a ghost now," she said, musing, "as if his suffering isn't enough."

Not only were her words sympathetic, but also her low and confidential tone. She felt pity for him.

"Oh, yes," she said without allowing me to speak. "I pity him, and I know how badly he wants to see the face of this dead child vampire whom he loved so much." She raised her eyebrows thoughtfully. "You come with names which are all but legend. You come out of secrecy, you come out of a miracle, and you come close, and with a request."

"Do it, then, Merrick, if it doesn't harm you," I said. "I'm not here to bring harm to you. God in Heaven help me. Surely you know as much."

"And what of harm coming to your Louis?" she asked, her words spoken slowly as she pondered. "A ghost can speak dreadful things to those who call it, and this is the ghost of a monster child who died by violence. You ask a potent and terrible thing."

I nodded. All she said was true.

"Louis is a being obsessed," I said. "It's taken years for his obsession to obliterate all reason. Now he thinks of nothing else."

"And what if I do bring her up out of the dead? You think there will be a resolution to the pain of either one?"

"I don't hope for that. I don't know. But anything is preferable to the pain Louis suffers now. Of course I have no right to ask this of you, no right to come to you at all.

"Yet we're all entangled -- the Talamasca and Louis and I. And the Vampire Lestat as well. It was from the very bosom of the Talamasca that Louis de Pointe du Lac heard a story of the ghost of Claudia. It was to one of our own, a woman named Jesse Reeves -- you'll find her in the archives -- that this ghost of Claudia supposedly first appeared."

"Yes, I know the story," said Merrick. "It happened in the Rue Royale. You sent Jesse Reeves to investigate the vampires. And Jesse Reeves came back with a handful of treasures that were proof enough that a child named Claudia, an immortal child, had once lived in the flat."

"Quite right," I answered. "I was wrong to send Jesse. Jesse was too young. Jesse was never -- ." It was difficult for me to finish. "Jesse was never quite as clever as you."

"People read it among Lestat's published tales and think it's fancy," she said, musing, thinking, "all that about a diary, a rosary, wasn't it, and an old doll. And we have those things, don't we? They're in the vault in England. We didn't have a Louisiana Motherhouse in those days. You put them in the vault yourself."

"Can you do it?" I asked. "Will you do it? That's more to the point. I have no doubt that you can."

She wasn't ready to answer. But we had made a great beginning here, she and I.

Oh, how I had missed her! This was more tantalizing than I'd ever expected, to be locked once more in conversation with her. And with pleasure I doted upon the changes in her: that her French accent was completely gone now and that she sounded almost British, and that from her long years of study overseas. She'd spent some of those years in England with me.

"You know that Louis saw you," I said gently. "You know that he sent me to ask you. You know that he knew of your powers from the warning he caught from your eyes?"

She didn't respond.

"'I've seen a true witch,' he said when he came to me. 'She wasn't afraid of me. She said she'd call up the dead to defend herself if I didn't leave her alone.'"


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         Book Review

Merrick
- Book Reviews,
by Anne Rice

Merrick

FROM OUR EDITORS

The Barnes & Noble Review
Rice Casts a New Spell
--> Merrick is bewitching -- Anne Rice is in top form with this novel of witches and vampires. In the sultry world of Rice's New Orleans, the almost-mortal vampire David Talbot, of the notorious Talamasca, meets Merrick, the sensual Mayfair witch. Lestat, Louis, and other Rice favorites make appearances in this tale. This novel is Rice's ultimate marriage of her bestselling witch and vampire story lines -- and it should not be missed.

Anne Rice has earned literary accolades and international fame for her darkly sensual novels featuring magical worlds and otherworldly creatures. Whether it's vampires, witches, or body thieves, Rice's characters are among the most unforgettable in literary history. And now, with the release of her latest novel, Merrick, Rice brings all of her worlds together and resurrects (in one case, in the most literal sense) some of her most memorable characters, including the vampires, Lestat and Louis. The star of this latest tale is a new member of the Mayfair witch clan: Merrick, a beautiful woman with incredible powers.

Merrick, a descendant of a little-known African-American branch of the Mayfair family, is raised in New Orleans by her godmother, Great Nananne, a powerful voodoo woman. Merrick is only eight when her Great Nananne dies. Eventually Merrick is found and cared for by the then-mortal David Talbot and his friend Aaron, both of whom have connections to the Talamasca. But David's connection to this beautiful creature, who he comes to love with an intensity that is both frightening and puzzling, is lost when he falls victim to the body thief and, later, to Lestat.

As Merrick grows, so do her powers, including her ability to raise the spirits of the dead. It is this particular power that leads vampire David Talbot to seek her out, hoping she can help Louis, who has become despondent with guilt over the role he played in young Claudia's conversion to vampirism and subsequent death. Louis is desperate to know that Claudia's soul is at peace and that she forgives him. But when Merrick tries to bring back Claudia's spirit, all hell breaks loose.

This is classic Rice at her best, exploring the moral and philosophical quandaries of the undead and showing how utterly human they are despite their inhuman makeup. The spirit-conjuring scenes are spooky and chilling, and the plot leaves the door wide open for a sequel that promises to be even more exciting than any of its predecessors.

--Beth Amos

FROM THE PUBLISHER

"At the center is the beautiful, unconquerable witch Merrick. She is a descendant of the gens de couleur libres, a society of New Orleans octoroons and quadroons steeped in the lore and ceremony of voodoo, who reigned in the shadowy world where African and French - the dark and the white - intermingled. Her ancestors are the great Mayfair Witches, of whom she knows nothing - and from whom she inherits the power and the magical knowledge of a Circe." "Into this exotic realm comes David Talbot - hero, storyteller, adventurer, almost-mortal vampire, visitor from another dark realm. It is he who recounts Merrick's haunting tale - a tale that takes us from the New Orleans of past and present to the jungles of Guatemala, from the Maya ruins of a century ago to ancient civilizations not yet explored."--BOOK JACKET.

SYNOPSIS

In this mesmerizing new novel, Anne Rice demonstrates once again her gift for spellbinding storytelling and the creation of myth and magic, as she weaves together two of her most compelling worlds? those of the Vampire Chronicles and the Mayfair witches.



From the Paperback edition.

FROM THE CRITICS

Michael Harris - Los Angeles Times

Merrick grounds its ghostly goings-on in Rice's sensuous descriptions, her knowledge of occult lore and her research into the gens de couleur libre, the New Orleans social class to which Merrick's family belongs--descendants of the black mistresses of white men, a mingling of French and African influences.

What's new here--or perhaps just emphasized more than Rice has done in the past--is a skepticism about what all this supernatural stuff really means.

Publishers Weekly

Talbot, a vampire familiar to Rice readers, though now inhabiting a different body, relates this eerie tale about an "octoroon of exceptional beauty" named Merrick, a Mayfair witch with whom he has been obsessed for an eternity. The narrative weaves through time--from present-day New Orleans, to Talbot's first meeting with Merrick, to an adventure they shared years ago in the jungles of Guatemala. Flashbacks aside, this story focuses on Talbot's attempt to convince Merrick to use her voodoo magic to conjure up the vampire daughter of his friend and fellow vampire Louis. Fans will recognize characters from past books, including Louis and Lestat. Rice offers a haunting look at the separate but equally intriguing worlds of witches and vampires united here through Merrick's witchcraft on Talbot's behalf. Jacobi's reading of the tale is spellbinding. His refined British tone--with the slightest trace of a classic Transylvanian accent--fits Talbot's character perfectly, and he flavors the narrative with verve and mystery accordingly. Simultaneous release with the Knopf hardcover (Forecasts, Aug. 14). (Oct.) Copyright 2000 Cahners Business Information.

Library Journal

From the Mayfair Witches collection, only The Witching Hour seems to provide much of a coherent story, though the other works have considerable information on Rice's world of witchcraft, spirits, and human-like aliens as well as the Mayfair family of witches itself. The three titles are excellently read by Joe Morton, Lindsay Crouse, and Tim Curry, but it's unclear what the producer was trying to accomplish by arranging the set out of chronological order. The action in Lasher logically follows that of The Witching Hour, which ends describing the relationship of Rowan Mayfair with the spirit Lasher. Taltos seems to be a vehicle to redefine Lasher, killed off in the earlier work, as a demon who assumed the identity of Mr. Ash/St. Ashlar, a nonhuman, nonvampire being whose kind live for millennia. There's a lot of pseudomyth touched up with Catholic or voodoo imagery and laced liberally with incestuous or otherwise taboo sex: a Mayfair dynasty no doubt but with no discernible witchcraft and quite a fixation on the female breast. Horrifying, no, though quite horrible. Merrick, on the other hand, provides the listener with an excellent abridgment, read with great feeling and effectiveness by Sir Derek Jacobi. Though Merrick is a Mayfair and a witch, one will not have had to read a majority of other works Rice has written about the Mayfairs to understand what is happening in this story. Also, along with the myth and voodoo allusions, one actually gets some of what the listener would think of as witchcraft. It's decidedly spooky stuff that also explores Rice's visions of possible afterlives, the mortality of witches, and the virtual immortality of vampires. Acquire Mayfair Witches in this abridged set only if circulation patterns indicate you should. Merrick is highly recommended for adult fiction and horror collections. Cliff Glaviano, Bowling Green State Univ. Libs., OH Copyright 2001 Cahners Business Information.

AudioFile

Die-hard fans of Anne Rice will likely prefer the full text of this novel, which straddles the Vampire Chronicles and the Mayfair Witches, but this abridgment serves its purpose and leaves no obvious gaps. Sir Derek Jacobi narrates with intensity and sensitivity. He presents his characters with distinct voice and inflection, as well as personality. He never deviates from the clear narrative voice, which he embues with a restrained formality that suits the character who tells this story of magic and intrigue. Jacobi's voice is sensual and warm, cold and detached, and anything in between that the story calls for. J.E.M. © AudioFile 2001, Portland, Maine

Kirkus Reviews

Large arterial heart-piece in Rice's Vampire Chronicles. Though much of the lordly speech ("Oh . . . you foolish, mad, self-important dreamer!") suggests no advance in dialogue since Lew Wallace's Ben-Hur (1880) or H. Rider Haggard's She (1887), Rice opens grandly, reviewing cultural vampirology, its origins and historical underpinnings, in a backstory skimmed from earlier works. Akasha, mother of all vampires and Queen of the Damned (1990), is 6,000 years old when red-haired twins Maharet and Mekare rise up and behead her. Mute Mekare becomes Queen, having taken into herself from Akasha the Sacred Core of blood drinkers. Akasha's destruction liberates Marius, who for 2,000 years kept safe the sleeping bodies of Akasha and her consort Enkil, to tell his story to red-haired Thorne, a Viking given the Dark Gift long ago by Maharet. Too sensitive to kill, Thorne encased himself in an arctic cave for centuries and only now awakens to the modern world. As Thorne listens, Marius describes carrying the royal vampire coffins from Antioch to Rome, seeing Byzantium change into Christian Constantinople, and (skipping the Dark Ages) participating in Italy's glory years of blood and gold, during which he becomes a great painter. For centuries he mourns his beloved Pandora, whom he fled in Antioch. A pair of two-dimensional vampires, angry Mael and tearful Avicus, cling to Marius as he meets the glorious Eastern vamp Eudoxia, who herself has drunk from Akasha. But Eudoxia must die and be replaced by Zenobia, a virginal variation on child-vampire Claudia. Besotted by Botticelli, painter Marius hears Satan whisper, Give Botticelli the Blood. Then Marius loves Bianca the poisoner and the Russian waifAmadeo/Armand. Later turns: Marius is burned by Christian Satanists and tries to win back Pandora. Given her historical antecedents, Rice-Who-Must-Be-Obeyed writes like a damned Queen. Pure vellum in the chronicle. First printing of 750,000; Book-of-the-Month Club/Quality Paperback Book Club/Science Fiction Book Club main selection; Literary Guild/Doubleday Book Club/Mystery Guild selection


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