Making Movies with Final Cut Express: A Self-Paced Guide to Editing Digital Video FROM OUR EDITORS
The Barnes & Noble Review
Millions of people are getting involved with digital video. Most of them fall into one of two categories. The first group will try it and just decide itᄑs too much trouble. The second group will catch the bug -- big-time. Theyᄑll want to do really great work -- whether theyᄑre producing last winterᄑs family gathering or the next Blair Witch Project. Chances are, theyᄑll get frustrated with the entry-level software theyᄑve been using. Many of them will go out and buy Appleᄑs new Final Cut Express, which offers truly amazing power and value for the price. Then, theyᄑll scratch their heads: Where to begin?
We suggest they start with Making Movies with Final Cut Express by Michael Rubin.
Nobody has more experience explaining digital video editing and production to newcomers. Rubinᄑs Beginner's Final Cut Pro was a breakthrough in beginnerᄑs books on the ᄑprofessionalᄑ version of Final Cut. He helped pioneer nonlinear editing techniques at LucasFilm back in the '80s and wrote the fieldᄑs classic introduction, Nonlinear: A Field Guide to Digital Video and Film. (Along the way, he found time to assist Academy Awardwinning editor Gabriella Cristiani in her nonlinear post-production of Bernardo Bertolucci's The Sheltering Sky, serve as principal nonlinear editor on Paul McCartneyᄑs concert film Get Back, and work on Lonesome Dove.)
Think of Making Movies with Final Cut Express as ᄑFilm School in a Book.ᄑ Rubin isnᄑt interested in simply teaching you how to point and click; he wants to teach you to make great videos. Not a lot of abstract theory here: Rubin teaches hands on. (Thatᄑs what that DVD full of raw footage is for.)
Rubin starts by helping you make your Mac a bit more ᄑvideo friendly,ᄑ and giving you a personal tour that makes all of FCEᄑs knobs, boxes, and numbers a lot less intimidating. If youᄑre moving from iMovie, he also provides a ᄑRosetta Stoneᄑ comparing the terminology of the two programs.
Before you start monkeying with the video controls, Rubin shows you some easy, professional techniques for precisely controlling where you stop and cut video -- both mouse- and keyboard-oriented approaches. (Thereᄑs even a find-the-right-frame ᄑscavenger huntᄑ to get you comfy.)
Then, itᄑs on to basic editing. Rubin does a nice job of helping you ignore the complex tools you donᄑt need yet, so you can get results with the ones you do need. Youᄑll get comfortable with your footage (thereᄑs a nice ᄑShot Vocabulary Cheat Sheetᄑ to remind you what cutaway and establishing shots look like). Next, youᄑll walk through making basic inserts, trims, roll edits, swap edits, and so forth -- meat-and-potatoes stuff youᄑll use constantly.
Rubin presents a full chapter on working with multiple tracks: music and sound mixes; titles and text; picture tracks; transition effects; even keyframes and compositing. Maybe handiest of all: the chapter on ᄑbeing your own assistant.ᄑ (Unless you have a paid staff -- yeah, right -- whoᄑs gonna create the log sheets, handle the timecoding, and so forth? You.
If youᄑre ready to get serious about digital video, youᄑre ready for this software -- and this book. Bill Camarda
Bill Camarda is a consultant, writer, and web/multimedia content developer. His 15 books include Special Edition Using Word 2000 and Upgrading & Fixing Networks for Dummies, Second Edition.
FROM THE PUBLISHER
You don't have to go to film school to learn from the master: In Making Movies with Final Cut Express, Hollywood veteran Michael Rubin comes to you! In these pages, he provides everything you need to know to start producing entertaining and informative videos with Apple's new Final Cut Express. Offering loads of illustrations and a friendly writing style, this handy book makes it easy for even complete novices to learn digital video editing. After covering the basics of working with Final Cut Express--using the timeline, adjusting shots, inserting audio tracks, adding text and titles, and more--Rubin lets you hone your skills by editing and assembling the video clips included on the companion DVD. By the time you complete this book, you'll be ready to create your own effective video projects and improve the footage you've captured in the past.
FROM THE CRITICS
Library Journal
As digital video becomes evermore popular and accessible to the hobbyist and small-business user, editing tools such as this Mac-only "lite" version of Final Cut Pro have proliferated. For beginning users and all libraries, the screenshot-heavy Making Movies assumes no previous video-editing knowledge. The DVD includes tutorial footage; the text walks users through various ways of editing that footage. Topics range from basic editing to adding audio to tips for managing video projects. For beginning to intermediate users, Techniques provides step-by-step directions on creating fun and interesting effects. Notes, tips, and copious screenshots help beginners achieve effects from the simple (e.g., adjusting brightness and contrast) to the interesting (e.g., adding crawling text). The CD includes project files, sample video clips, a PDF version of the text, and trial software. Appropriate for all libraries, to supplement more basic how-to guides. Copyright 2003 Reed Business Information.