Portable Prairie: Confessions of an Unsettled Midwesterner

From Publishers Weekly
Before even mentioning her Midwestern roots in the first chapter of this memoir, Andersen compares the events in Anna Karenina to a train-related suicide in her current Massachusetts hometown, musing on Tolstoy's love/hate relationship with his family estate, and his religious conversion, flight from home and subsequent death at a train station. These themes—home, trains, exile, Christianity—run throughout Andersen's book, and the author, a journalist from a family of newspaper people, skillfully unites them with a voice both vulnerably personal and insightfully far-ranging. In vivid recollections of childhood (which could stand on their own), she recalls the security and smugness of living in a tiny farm town "too far away" for anything to happen; her parents' struggles running a smalltown newspaper; the wonder of rising in the cold of night to catch the train to Minneapolis for Christmas shopping; the Midwestern determination of a local horticulturist to travel the world to find plants that could survive South Dakota's extreme climate; and Andersen's odyssey through crowded, cropless Northeastern regions. Although occasionally indulging in heartland-centric generalizations ("the Midwest has long been the imaginary home of all Americans"), this is an enlightening, moving rhapsody on the spirit of place and the meaning of home. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
From her vantage point as a middle-aged, New England-based journalist, Andersen recalls her midwestern roots in this small gem of a memoir. Growing up in a seemingly insignificant South Dakota town, she recollects the almost smug security of her prairie childhood. A child of the plains, she joyously revels in the idyllic, all-American life she lived with her parents--the owners and operators of a local newspaper--and her slightly older brother. Chock-full of Americana, plenty of local color, and charming sketches of a number of vividly remembered characters, her formative years are juxtaposed with her current experiences as a new home owner attempting to recapture the absolute certainty of a bygone time and place. Brimming with humor and sentiment, this affectionate look backward reaffirms the possibility of taking home with you wherever you may venture. Margaret Flanagan
Copyright © American Library Association. All rights reserved

Review
"When you come to the end of [Portable Prairie], you'll feel that you grew up here on the prairie. Or if you did grow up here, you'll get teary-eyed, as I did. I bow to this young writer and kiss her hand. Bravo. Tolstoy would be proud."
- Garrison Keillor

"MJ Andersen's memoir brings to life a kind of small-town America that is our national dream, even as it meditates on the endless disavowing of home that is our national lot. Spare, witty, poignant, brave and never sentimental, it's a book you can dive into and find yourself."
- Elizabeth Kendall, author of American Daughter and The Runaway Bride

"Portable Prairie is an uncommon memoir, a luminous account of one woman's intellectual flowering in the Plains States and beyond, and a deeply moving and intelligent meditation on the essential human experience of home. Andersen writes about places, people, objects, and ideas and reveals how hopelessly and beautifully they are bound together. This is not a confessional book, and those details she selects (and what a treasure they are) are precisely the sort which stimulate in us our own poignant recollections. This is the sort of book one presses on friends and interesting strangers. This is the American story made fresh."
- Jincy Willett, author of Winner of the National Book Award

"M.J. Andersen's memoir, Portable Prairie, unfurls in a finished tone-straightforward, uncluttered, headlong, with a wry smile-in its contemplation on the meaning of "home" worthy of Bachelard. The identifying trait of this memoir among others is its ability to lift you into a sudden dimensional moment-where was I? you wonder-then set you back inside the pacing of its gentle, assured voice. Andersen is a visionary of the lives lived in the realm we too often self-confidently call home. Andersen causes us to readjust our focus, as Willa Cather and Wright Morris do."
- Larry Woiwode, author of What I Think I Did


Book Description
In a moving and bittersweet story, M.J. Andersen chronicles her childhood and adolescence in South Dakota, her departure to forge her own life, and her persistent longing for the landscape she left behind. Her hometown, given the fictional name of Plainville, is so quiet that one local family regularly parks by the tracks to watch the train pass through. Yet small-town life and, especially, the prairie prove to be fertile ground for Andersen's imagination. Exploring subjects as seemingly unrelated as Roy Rogers and Tolstoy's beloved Anna Karenina, she repeatedly locates a transcendent connection with South Dakota's broad horizon.

Andersen introduces us to her hardworking newspaper family, which produces one of Plainville's two competing weeklies; to Job's Daughters, a Christian association intended to prepare young women for adversity (Plainville's chapter assumes the added responsibility of throwing the town's best teen dances); and even to a local variety of hardy alfalfa, to which her best friend has a surprising kinship.

Leaving behind her physical home, Andersen travels East for college, remaining to begin a journalism career. With her husband she eventually settles into her first house, a beautiful Victorian that, though loved, somehow does not feel like home in the way she had anticipated. Through subsequent travels, memories, and a meditation on Tolstoy's complex relationship to his ancestral home, she arrives at a new idea of what home is -- one that should resonate with every American who has ever had to pull up stakes.


About the Author
M.J. Andersen grew up in South Dakota and now lives in Massachusetts with her husband. She is a graduate of Princeton University and holds a master's degree from Brown University. A recent fellow in the National Arts Journalism Program at Columbia University, she writes for the editorial pages of the Providence Journal.



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Genial and sometimes lyrical memoir of a South Dakota girlhood and an East Coast adolescence and adulthood-with Tolstoy and Anna Karenina serving as signposts along the way. Andersen (editorial writer for the Providence Journal) has no grand or pretentious ambitions, despite the continual Tolstoy allusions, despite her references to other intellectual heavyweights like Sartre, Proust, Matthew Arnold, Keats and Kierkegaard. (To show her populist passions she also mentions Doris Day, Nancy Sinatra, June Cleaver, The Rifleman, Roy Rogers and The Man from U.N.C.L.E.) Instead, she looks for significance in the mundane, explores the loneliness of a prairie childhood, wonders at the allure of place, and marvels at coincidence and fate. She tells about her childhood in a town she calls "Plainville," describing the old family home, her experiences at church camp, her Barbie collection, her favorite TV show (Fury), her memories of the JFK assassination and of the Watts riots. She did well in high school-very well-and headed off to Princeton, where she met an odd young man with a mole (she calls him "The Mole," seemingly unaware of comedian Mike Myers's m-m-m-mole-moments in Austin Powers in Goldmember, 2002-there go her pop-culture credentials!). Following Princeton, she migrated to Cambridge, Mass., and worked as a secretary at Harvard Law before finding herself in journalism, the family profession (her parents ran a weekly back in South Dakota). Andersen takes us many places-Scandinavia and Jerusalem, among the more exotic-and writes eloquently about how her new home in the East is both lovely and inadequate (it's not South Dakota). Most effectively, she relates the stark arrival of MS in hermother's life. In a spare, perfect sentence, she captures it: "She has gone off somewhere, become Job." She ends with a surreal account of the death of a young woman on train tracks near her home-a final Anna allusion. A quiet meditation on the great significance of small things.


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