Widow Killer FROM THE PUBLISHER
In Prague during the final months of the Nazi occupation, a sadistic killer consumed by his own psychopathic agenda relentlessly stalks his victims.
When the doorbell rang just after the siren, Elisabeth, baroness of Pomerania, was sure the caretaker had come to escort her down to the shelter; she donned the black fur coat she had just hung up, picked up her small emergency suitcase, unhooked the door chain, and realized that she had just let her murderer in....
With this startling opening, The Widow Killer plunges deep into the diabolical workings of the killer's mind. As the lives of Czech detective Jan Morava and Gestapo agent Erwin Buback collide to solve this politically charged murder case, both must grapple with their own inner turmoil as will as the violent war-torn world that surrounds them. Using the murder as its epicenter, The Widow Killer explores the deepest recesses and complexities of the universal human condition.
In Praise of The Widow Killer:"A daring, moving, historically insightful novel of great distinction. Daring in it perspective, moving in its execution--one recognizes the dramatist at work--insightful in that it reveals the dangerous delusions of historical hubris." --Siegfried Lenz
SYNOPSIS
Part literary thriller and part savage morality tale, The Widow Killer is the latest novel by noted Czech author Pavel Kohout to be translated into English by Neil Bermel. In the Nazi-occupied city of Prague during the last days of World War II, Baroness Elisabeth of Pomerania -- the widow of a German Wehrmacht general -- is found horrifically murdered, her body ritually mutilated, her heart removed. Is her murder a demented political act by a Czech nationalist or the work of a sadistic serial killer? As Allied forces converge on the war-torn city, rookie Czech detective Jan Morava and Gestapo agent Erwin Buback are assigned to find out, before the killer uses the mounting political turmoil to strike again.
FROM THE CRITICS
Richard Bernstein
What makes Mr. Kohout's story effective is. . .the complicated authenticity of its background. . . .provides a vivid portrait of Prague as the era of Nazi occupation ended and the uncertain future yawned. . . .[the] author is. . .pessimistic, but not unaware that humankind, sooner or later, can learn something from the mistakes of the past. -- The New York Times
Kirkus Reviews
A powerful sense of the ambiguities of political and moral allegiance distinguishes this fascinating melodrama, translated into English for the first time, by the celebrated Czech playwright and novelist (I Am Snowing). Kohout's increasingly suspenseful and gripping story is set in Prague under German occupation. The year is 1945, and the Nazi high command is beginning to orchestrate a mass "retreat" designed to "trap" pursuing Allied forces. Simultaneously, a hunt is underway for the savage "widow killer" whose victims are left grotesquely mutilated. In beautifully handled parallel scenes, Kohout explores the wounded hearts and minds of his major characters: young Czech homicide detective Jan Morava, whose newfound romantic happiness will be crucially tested by the horrors of the case he's assigned; the Gestapo's "liaison officer" with the Czech authorities, the widower Erwin Buback-a conscience-ridden German struggling to elude complicity with his fatherland's crimes; and the eponymous murderer, a righteous psychotic whose motivations are unfortunately presented in delirious reveries that are both redundant and derivative (Kohout betrays considerable indebtedness to Thomas Harris' Red Dragon and The Silence of the Lambs).
Still, the steps leading to the murders, and those depicting investigative procedures involving Czech and German authorities, are riveting; the characterizations (especially that of the idealistic, sadly disillusioned Morava) are distinctive and incisive; and Kohout raises his tale to an impressive level when the vainglorious "widow killer" resolves "I AM THE NATION the new avenger of Czech shame." The story reaches a brilliant apexwhen Nazi attempts to evacuate Prague and the detectives' pursuit of their quarry dovetail in a fiery climax. It's arguable that Kohout spells out his message rather too explicitly ("The unknown and unpredictable widow slaughterer stripped the thin veneer of civilization from mankind and threatened to return humanity to its savage prehistory")-but enthralled readers aren't likely to object. A superb reimagining of modern history, skillfully transmuted into absorbing fiction.
WHAT PEOPLE ARE SAYING
A daring, moving, historically insightful novel of great distinction. Daring in it perspective, moving in its execution--one recognizes the dramatist at work--insightful in that it reveals the dangerous delusions of historical hubris. Siegfried Lenz