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Anselm Kiefer: The Heavenly Palaces: Merkabah

AUTHOR: Peter Nisbet (Editor)
ISBN: 0300101228

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         Editorial Review

Anselm Kiefer: The Heavenly Palaces: Merkabah
- Book Review,
by Peter Nisbet (Editor)

Book Description
While most major museums in the United States and abroad hold examples of the German artist Anselm Kiefer's work, the nature and extent of his achievement are the subject of intense debate. This volume reproduces in full The Heavenly Palaces: Merkabah, an important large-scale artist's book created by Kiefer in 1990. Featuring highly evocative images beautifully reproduced here in full color, this work is accompanied by three penetrating essays by experts who approach the book from various perspectives, explicating its many layers of meaning to an unprecedented degree. The first essay deals impressionistically with the motifs and iconography of The Heavenly Palaces: Merkabah. The next treats its themes and meaning, concentrating especially on Jewish references and resonances, an especially challenging aspect of this German artist's oeuvre. In the final essay, the importance of the medium of photography is addressed by surveying its use by Kiefer since the beginning of his career.

From the Publisher
Distributed for the Harvard University Art Museums

About the Author
Peter Nisbet is Daimler-Benz Curator of the Busch-Reisinger Museum, Harvard University Art Museums.


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         Book Review

Anselm Kiefer: The Heavenly Palaces: Merkabah
- Book Reviews,
by Peter Nisbet (Editor)

Anselm Kiefer: The Heavenly Palaces: Merkabah

FROM THE PUBLISHER

While most major museums in the United States and abroad hold examples of the German artist Anselm Kiefer's work, the nature and extent of his achievement are the subject of intense debate. This volume reproduces in full The Heavenly Palaces, Merkabah, an important large-scale artist's book created by Kiefer in 1990. Featuring images reproduced here in full color, this work is accompanied by three essays by experts who approach the book from various perspectives, explicating its many layers of meaning to an unprecedented degree.

The first essay deals impressionistically with the motifs and iconography of The Heavenly Palaces Merkabah. The next treats its themes and meaning, concentrating especially on Jewish references and resonances, an especially challenging aspect of this German artist's oeuvre. In the final essay, the importance of the medium of photography is addressed by surveying its use by Kiefer since the beginning of his career.


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