The Final Sack of Nineveh: The Discovery, Documentation and Destruction of Sennacherib's Palace at Nineveh, Iraq.

Book Description
When the throne room of the ancient Assyrian "Palace without Rival" was rediscovered in 1847, its sculptures remained amazingly intact. But air pollution, animal damage, vandalism, neglect, and now looting for the international art market have brought ruin to the palace. Its splendor now survives only in this book, which presents for the first time the only extensive photographic records of Sennacherib`s palace. .

Card catalog description
In the "Palace without Rival" at Nineveh, the Assyrian King Sennacherib immortalised his 701 B.C. campaign against Jerusalem with a series of spectacular wall relief sculptures. Amazingly, when the palace was rediscovered twenty-five centuries later in 1847, the sculpture in the throne room areas remained largely intact. But today, air pollution, animal damage, vandalism, neglect, and - worst of all - looting for the international antiquities market by Iraq's own sanctions-striken people, have brought ruin to the palace. The splendour of Sennacherib's palace now survives only in this irreplaceable book. Art historian and archaeologist John Malcolm Russell, who in 1989 set about creating the only extensive photographic record of the palace architecture, sculptures, and inscriptions ever made, has preserved in pictures much that has since been lost. This book is not only a major contribution to the understanding of Assyrian palatial art and architecture, it is also the key to safeguarding the treasures of Sennacherib's palace and other ancient sites, for Russell proposes standards in archaeological excavation, documentation, and public policy that will help preserve cultural artifacts in an unstable world.


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In the "Palace without Rival" at Nineveh, the Assyrian King Sennacherib immortalised his 701 B.C. campaign against Jerusalem with a series of spectacular wall relief sculptures. Amazingly, when the palace was rediscovered twenty-five centuries later in 1847, the sculpture in the throne room areas remained largely intact. But today, air pollution, animal damage, vandalism, neglect, and - worst of all - looting for the international antiquities market by Iraq's own sanctions-striken people, have brought ruin to the palace. The splendour of Sennacherib's palace now survives only in this irreplaceable book. Art historian and archaeologist John Malcolm Russell, who in 1989 set about creating the only extensive photographic record of the palace architecture, sculptures, and inscriptions ever made, has preserved in pictures much that has since been lost. This book is not only a major contribution to the understanding of Assyrian palatial art and architecture, it is also the key to safeguarding the treasures of Sennacherib's palace and other ancient sites, for Russell proposes standards in archaeological excavation, documentation, and public policy that will help preserve cultural artifacts in an unstable world.


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